We Think It’s This One
I don’t know of another Who album with such consistently good sound — song to song, not copy to copy, of course. Just about every song on here can sound wonderful on the right pressing. If you’re lucky enough to get a Hot Stamper copy, you’re going to be blown away by the Tubey Magical Guitars, the rock-solid bottom end, the jumpin’-out-of-the-speakers presence and dynamics, and the silky vocals and top end. Usually the best we can give you for The Who is “Big and Rockin,” but on Tommy, we can give you ’60s analog magic like you will rarely hear in the decades to follow.
Acoustic guitar reproduction is key to this recording, and on the best copies the harmonic coherency, the richness, the body and the phenomenal amounts of Tubey Magic can be heard in every strum.
What do high grades give you for this album? Silky, sweet vocals; huge weight to the bottom end; “you are there” immediacy; BIG drums, off the charts rock and roll energy, and shocking clarity and transparency.
No other Who album has all these things in such abundance.
The Tubey Magic Top Ten
Click on the link below to pull up the many reviews and commentaries we’ve written, as well as Hot Stamper copies that are currently available on the site.
Presenting another entry in our extensive Listening in Depth series with plenty of advice on What to Listen For (WTLF) as you critically evaluate your copy of Fragile.
EDDIE OFFORD took charge of Yes’s engineering starting with Time and a Word (1970) and we are very lucky that he did. Although his masterpiece is surely ELP’s first album, both The Yes Album and Fragile are so amazingly well recorded they clearly belong at the top of any list of All Time Great Sounding Rock Albums.
In-Depth Track Commentary
There is one obvious and somewhat bothersome fault with this new pressing, an EQ issue. Anybody care to guess what it is? Send us an email if you think you know. Hint: it’s the kind of thing that sticks out like a sore thumb, the kind of obvious EQ error I can’t ever recall hearing on an original.
Our Heavy Vinyl Review
This Warner Brothers 180g LP is the BEST SOUNDING Heavy Vinyl reissue to come our way in a long long time. Those of you who’ve been with us for a while know that that’s really not saying much, but it doesn’t make it any less true either, now does it? Let’s look at what it doesn’t do wrong first.
It doesn’t sound opaque, compressed, dry and just plain dead as a doornail like so many new reissues do. It doesn’t have the phony modern mastering sound we hate about the sound of the new Blue. (We seem to be pretty much alone in not liking that one, and we’re proud to say we still don’t like it.)
The new Sweet Baby James actually sounds like a — gulp — fairly decent original.