Mono or Stereo? Both Can Be Good

Odetta – At Town Hall in Mono

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  • Stunning sound throughout for this mono original pressing of At Town Hall, boasting Shootout Winning Triple Plus (A+++) sound from start to finish
  • Captured live in New York City in 1963, this superb pressing will transport a living, breathing Odetta right into your listening room
  • Forget whatever dead-on-arrival Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magical, you-are-there immediacy of this Odetta concert, this is the only way to go
  • The album features a wonderful mix of folk and blues, including “Let Me Ride,” “Hound Dog,” and “He’s Got the Whole World in His Hands”

(more…)

Odetta – At Town Hall in Stereo

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  • Here is an outstanding early stereo pressing of Odetta performing live – it boasts superb Double Plus (A++) sound or BETTER throughout and plays as quietly as these Vanguard LPs ever do
  • Captured live in New York City in 1963, this superb pressing will transport a living, breathing Odetta right into your listening room
  • Forget whatever dead-on-arrival Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magical, you-are-there immediacy of this Odetta concert, this is the only way to go
  • The album features a wonderful mix of folk and blues, including “Let Me Ride,” “Hound Dog,” and “He’s Got the Whole World in His Hands”

This vintage Vanguard pressing has the kind of Tubey Magical Midrange that modern records rarely begin to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back.

Having done this for so long, we understand and appreciate that rich, full, solid, Tubey Magical sound is key to the presentation of this primarily vocal music. We rate these qualities higher than others we might be listening for (e.g., bass definition, soundstage, depth, etc.).

Hot Stamper sound is rarely about the details of a given recording. In the case of this album, more than anything else a Hot Stamper must succeed at recreating a solid, palpable, real Odetta singing live in your listening room. The better copies have an uncanny way of doing just that.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but less than one out of 100 new records do, if our experience with the hundreds we’ve played over the years can serve as a guide. (more…)

Barney Kessel – Workin’ Out – Our Shootout Winner from 2013

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A distinguished member of the Better Records Jazz Hall of Fame.

This is a 2-pack set of original pressings that gives you wonderful sound for both sides of this great Contemporary album, A++ for the first and A+++ for the second. There is a catch, however, one that won’t bother some of you at all but will drive a few of you crazy: the side one pressing is in mono and the side two is in stereo. All that mattered to us was that they both sounded great, and a quick flip to the not-so-hot side of either pressing will quickly show you why we paired these up.    

I imagine there are both mono and stereo copies that sound great on both sides, but we sure haven’t been able to find one! Obviously this is not an easy record to come by these days. (more…)

Mussorgsky / The Power of the Orchestra / Leibowitz – Our Shootout Winner from 2011

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A distinguished member of the Better Records Orchestral Music Hall of Fame

This Shaded Dog pressing of the famous TAS List Super Disc title has TWO AMAZING SIDES, including a side two that is White Hot! We have never heard a copy with such a huge hall sound and so much weight down low. As we said last time we did a shootout for this title in 2007: “DEMO DISC QUALITY ORCHESTRAL SOUND like you will not believe. Folks, it doesn’t get any better than this for huge orchestral dynamics and energy.” 

As you know, if you’ve been on our site for any length of time at all, we’ve made a good number of significant improvements to our stereo and room since 2007, so it’s entirely accurate to say we have never heard this kind of Demo Disc sound for this album until now, because we haven’t!

Side One

A++. The hall is wide and deep as any you will hear. Tons of power and weight down low. A touch dark, otherwise it would have earned the full Three Plus top grade.

Side Two

A+++, White Hot and Hard to Fault! The strings are so richly textured — who does it better than Wilkinson? Cymbal really crash on this side, something you rarely hear correctly reproduced on recordings.

This could easily become your go-to record for demonstrating not just the Power of the Orchestra, but the power of Old Analog! (more…)

Mussorgsky / The Power of the Orchestra / Leibowitz – Awesome In Mono

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This is the kind of record that the mono cartridge owners of the world worship. And for good reason. But you don’t need to have a mono cartridge to hear how good — in fact, how much BETTER — this copy sounds than most of the stereo pressings out there.

I found out about mono classical records one day when I got a mono copy of The Power Of The Orchestra, VCS 2659. It sounded better than any stereo recording of that work I had ever heard. All the instruments were so much more solid sounding, so palpable, so free from distortion, that it made me recognize for the first time what the mono record lovers of the world were talking about. (more…)

Mussorgsky / The Power of the Orchestra / Leibowitz – Awesome In Stereo (2007)

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

DEMO DISC QUALITY ORCHESTRAL SOUND like you will not believe. We put two top copies together to bring you the ultimate-sounding Pictures At An Exhibition. Folks, it doesn’t get any better than this for huge orchestral dynamics and energy.

One side of each copy rates A Triple Plus — our highest sonic grade. The sound is out of this world. 

We had to do it that way, for one simple reason: Pictures stretches over both sides of this record, and no copy we played had two good sides, which means that if you were to own only one LP of this set, some part of the work would not sound nearly as good as the rest. This is always a problem with classical recordings: one good sounding side is not enough.

On top of that there are always condition issues with old Living Stereo records. So few are quiet. We love the sound but the vinyl leaves much to be desired. Here are some comments from a previous comparison package (with minor changes of course). (more…)

Barney Kessel – Carmen – Transparency Is Key

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More Carmen

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The best Hot Stamper Original Yellow Label Mono pressings have the Tubey Magic we’ve come to expect from Contemporary circa 1958, with that warm, rich, full-bodied sound that most engineers can’t begin to understand. However, some pressings in our shootout managed to give us an extra level of transparency and ambience that the original pressings rarely do. 

There’s a room around this drum kit. So many copies don’t show you that room, not if they have the full sound that a copy like this does. (It’s amazing all the detail you can hear in a leaned-out record, but what good is that? The sound is leaned out! If you like that sound buy the OJC or the CD. Leave these wonderful originals to those of us who know the sound we’re after.)

I had the OJC pressing of this record years ago and couldn’t get in to the music. The OJC’s tend to be a bit on the thin side and it killed my enjoyment of this album. (more…)

Miles Davis – Sketches of Spain – Mono Shootout Winner in 2008

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More Sketches of Spain

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A distinguished member of the Better Records Jazz Hall of Fame.

This Mono Six Eye Columbia original pressing is the WINNER and [not-at-all] CURRENT CHAMPION of our Sketches of Spain shootouts. This record always sounded so thin and aggressive, with Miles’ horn always somewhat pinched and sour, but now it sounds wonderful. Who knew this record could sound so good?

Harry Pearson put this record on his TAS List of Super Discs.

Let’s talk about this mono copy. It is clearly more transparent, with less distortion, than any other copy we heard (and this means out of more than twenty!) There may be better sounding pressings out there, but I would be surprised to find one that would be more than a marginal improvement over what I’m hearing on this copy — and that goes for both sides. (more…)

Bob Dylan – The Times They Are A-Changin’

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This amazing Mono pressing is the first Triple Triple copy to ever hit the site! Both A+++ sides are incredibly rich and warm, with dynamics and smoothness to the harmonica you almost never hear. As impressive as the best stereo copies can be, the mono version is our preferred mix for the album.  (more…)

Barney Kessel – Music to Listen to Barney Kessel By – Our Mono Shootout Winner

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More Music to Listen to Barney Kessel

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A distinguished member of the Better Records Jazz Hall of Fame.

This Triple Triple (A+++) mono pressing blew everything else out of the water – nothing could touch it! How can you beat a Roy DuNann recording of five reeds, piano, guitar and a rhythm section that includes Shelly Manne and Red Mitchell? The timbre of the instruments is so spot-on it makes all the hard work and money you’ve put into your stereo more than pay off. 

The Demo Disc sound on this copy is really something to hear – all tube, live-to-two-track direct from the Contemporary studio.

This Minty Original Yellow Label Contemporary Mono LP from 1956 has DEMO DISC QUALITY SOUND! No other copy we played was in a class with this bad boy — it does it ALL. For those of you who appreciate the sound that Roy DuNann (and Howard Holzer on other sessions) were able to achieve in the ’50s at Contemporary Records, this LP is a Must-Own (unless you already have it, which is doubtful considering how hard it is to find a copy in clean condition).

It’s got all the top qualities of the recording we discuss below, and the least amount of shortcomings. Really, nothing could touch it. It’s pretty much everything you want in a record like this. I’d love to keep it but when would I have time to play it? Instead I’ll sleep well knowing that it’s going to a good home.

Their stuff just doesn’t get any better than this. Tubey magic, richness, sweetness, dead-on timbres from top to bottom — this is a textbook example of Contemporary sound at its best.

From an audiophile point of view, how can you beat a Roy DuNann recording of five reeds, piano, guitar and a rhythm section that includes Shelly Manne and Red Mitchell? It’s audiophile heaven. The sound is gorgeous, all tube, live-to-two-track direct from the Contemporary studio. (more…)