Forget the dubby domestic pressings. Like so many British bands on the A&M label, when it came time to master the album for the domestic market, the people in charge (whoever they may have been) took the easy way out and simply ordered up a dub of the master tape to cut the album from.
Spooky Tooth, Procol Harum, Fairport Convention, (my beloved) Squeeze and too many others to think about all had their records ruined by sub-generation masters.
But this is the real British-pressed vinyl from the real master tape, and that makes all the difference in the world.(more…)
King Crimson’s second studio album debuts on the site with outstanding Double Plus (A++) sound or BETTER on both sides
This pressing is Big and Tubey, with clear, breathy vocals, especially critical to the success of the a capella opening track, “Peace – A Beginning”
This lovely original Island Pink Label British Import LP has a beautiful textured cover and plays as quiet as we can find them, Mint Minus to Mint Minus Minus throughout
4 1/2 stars: “The record…, however, has made an impressive show of transmuting material that worked on stage (“Mars” aka “The Devil’s Triangle”) into viable studio creations, and “Cadence and Cascade” may be the prettiest song the group ever cut.”
If you love the sound of a vintage All Tube recording of the mellotron — whether by Led Zeppelin or The Moody Blues — you will find that Robin Thompson has got hold of a very good sounding one here. Thompson is of course the engineer for the first King Crimson album, so his recording skills as regards the instrument are well established.
Note that the British Island pressings for this album as well as the first are by far the best sounding, assuming you have a good one. What is interesting about early Island LPs is just how bad some of them are. And let me tell you, we’ve paid the price in time and money to find out just how bad some Island Pink Labels can sound.(more…)
One of the best copies to ever hit the site, with Shootout Winning Triple Plus (A+++) grades or close to it on both sides
This original UK Island pressing is bigger, richer, more Tubey Magical, clearer, and with better bass – it knocked us out
Outside of the first three Roxy albums, there is simply no recording by the band that as good as the first three Bryan Ferry solo projects
“Ferry for the most part looked to America, touching on everything from Motown to the early jazz standard that gave the collection its name… Wrapping up with a grand take on “These Foolish Things” itself, this album is one of the best of its kind by any artist.” – All Music
We had a nice stack of British copies to play and are happy to report that this one had an unbeatable Triple Plus (A+++) side two backed with a killer Double to Triple Plus (A++ to A+++) side one, both on very quiet vinyl. Anyone who digs Roxy Music or Bowie’s Pin-Ups is going to find a lot to like here. Check out the cool cover of A Hard Rain’s A-Gonna Fall that kicks off side one!
The sound positively JUMPS out of the speakers and fills the room. There’s loads of Tubey Magic, big punchy drums, and depth to the soundfield.(more…)
You’ll find excellent Double Plus (A++) from first note to last on this original British pressing
Engineered by Andy and Glyn Johns, this is his best sounding album, especially on a copy that sounds as good as this one does
No other Leon Russell album has the richness, the sweetness, and the Tubey Magic of this, his second album from 1971
“Russell practically invented what might as well be called Okie rock — with that shit-kicker Gospel sound, heavy on Baptist-revival piano and chorus [a template Elton John found more than a little useful for his first ten albums or so] – and it gets as good on this album as you’ll ever hear.”
Stranger in a Strange Land, which leads off side one, might just be the best song the man ever wrote. What a joy it is to hear it sound so big and powerful.
Domestic Vs. Import
The domestic pressings of Leon Russell and the Shelter People that we’d auditioned over the years always seemed flat, dry, and closed-in. We know that sound well; it’s the sound you hear on records that have been made from dubbed tapes (and it’s the hallmark of the modern Heavy Vinyl reissue, truth be told). It bores us to tears, and had us questioning what we could possibly have seen in the album in the first place. What happened to the glorious sound of early ’70s analog we were expecting to find?(more…)
An outstanding copy of this classic album, rating exceptionally good Double Plus (A++) grades on both sides
Honky Chateau contains some of the most Tubey Magical High-Production-Value rock music ever recorded – thanks Ken Scott!
Not the quietest copy we’ve ever played – Mint Minus Minus to EX++ on both sides – but obviously one of the better sounding
5 stars: “The most focused and accomplished set of songs Elton John and Bernie Taupin ever wrote … It’s one of the finest collections of mainstream singer/songwriter pop of the early ’70s.”
If you doubt that Elton John was a kind of Pop Music Genius for much of the ’70s, just play this record. These eleven tracks should easily serve as all the proof you need. There’s not a dog in the bunch. Drop the needle on any track, you simply can’t go wrong.
We go years between shootouts for Honky Chateau. It’s beyond difficult to find clean British copies of this album with the right stampers, let alone copies that have Hot Stamper sound. Few albums are tougher for us to find with great sound and quiet vinyl. Most of the copies we buy from record dealers in England are noisy and only a fraction of them have the kind of sound that serious audiophiles are going to pay good money for.
Superb Music, Amazing Sound
This has to be one of the best sounding rock records of all time — certainly worthy of a prized spot on our Rock and Pop Top 100 List. It’s a shining example of just how good High-Production-Value rock music of the ’70s can be.(more…)
You’ll find outstanding Double Plus (A++) sound from first note to last on this Elton John classic
The overall sound here is incredibly big, rich, spacious and dynamic with plenty of presence and bottom end weight
An incredible recording and longtime member of our Top 100 — our pick for Elton’s very best music and sound
5 stars: “….their most ambitious record to date… A loose concept album about the American West… draws from country and blues in equal measures…”
Superb Music and Sound
This has to be one of the best sounding rock records of all time — certainly worthy of a Top Ten spot on our Top 100 list. Engineered by Robin Geoffrey Cable at Trident, there is no other Elton John recording that is as big and powerful as Tumbleweed.(more…)
An outstanding copy of Madman with Double Plus (A++) sound from the first note to the last
A ridiculously tough album to find with the right sound and reasonably quiet surfaces – which is why we so rarely have them on the site
The last of the classic albums Elton recorded at Trident, the best of which have more Tubey Magic than anything that came after
4 1/2 stars on Allmusic: “The record remains an ambitious and rewarding work, and John never attained its darkly introspective atmosphere again.”
This Madman is guaranteed to blow your mind.
The amount of effort that went into the recording of this album is comparable to that of the engineers and producers of bands like Supertramp, Yes, Jethro Tull, Pink Floyd, The Beatles (of course) and far too many others to list. This is some of the best high production value rock music of the ’70s.(more…)
Amazing Triple Plus (A+++) sound on the first side and Double Plus (A++) on the second
Spacious, musical and lifelike, this is a truly superb pressing!
Thanks to Ken Scott’s brilliant engineering and Gus Dudgeon’s production savvy, every song here sounds better than you imagined
4 stars in the AMG: “His most direct, pop-oriented album… a very enjoyable piece of well-crafted pop/rock.”
It’s not easy to find great copies of this album, but this one absolutely nails it! It’s dynamic, energetic and full of tubey magic, and most importantly, the vocals and piano sound JUST RIGHT. The overall sound is rich, smooth, and sweet. (more…)
This killer early British Island import pressing had two amazing sides, each rating a Triple Plus (A+++) or very close to it
This one is simply bigger, richer, more clear and more Tubey Magical than almost every other copy we heard in our shootout
As quiet as any Island original we’ve ever heard – Mint Minus to Mint Minus Minus – they don’t come quieter
AMG raves that “…Country Life finds Roxy Music at the peak of their powers, alternating between majestic, unsettling art rock and glamorous, elegant pop/rock. Roxy Music rarely sounded as invigorating as they do here.”
Many of the best songs Bryan Ferry ever wrote and Roxy Music ever played are on this album. Musically it’s right up there with the first album and Siren. All three represent the high watermark of early- to mid-’70s Arty Rock.(more…)
Elvis’s brilliant 1986 release finally comes to the site with two Shootout Winning Triple Plus (A+++) sides
Both sides are incredibly clean, clear and lively with a huge bottom end and lots of space around all of the instruments
Nina Simone’s “Don’t Let Me Be Misunderstood” is only one highlight among many – these are some of his best songs
AMG raves: “Stripping away much of the excess that cluttered Punch the Clock and Goodbye Cruel World, Elvis Costello returned to his folk-rock and pub rock roots with King of America, creating one of his most affecting and personal records … one of his masterpieces.”
Even though the album was recorded right here in the states, the domestic copies are clearly made from dubs, sounding quite a bit more opaque, vague, closed-in, flat and dry than most of the British pressings we played. Like most Costello albums on domestic vinyl, they should be avoided.(more…)