Records that Sound Best on the Original

Sinatra At The Sands – My Introduction to Audiophile Sound

More Frank Sinatra

More Sinatra At The Sands

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  • This superb 2 LP set boasts excellent Double Plus (A++) sound or BETTER on all four sides! 
  • Truly one of the greatest live albums of all time, recorded late at night in the big room at the Sands Hotel in Vegas
  • This is Basie and Sinatra in their natural habitat and in their prime, putting on the show of a lifetime – quiet vinyl too
  • “Basie and the orchestra are swinging and dynamic, inspiring a textured, dramatic, and thoroughly enjoyable performance from Sinatra … the definitive portrait of Frank Sinatra in the ’60s.” – AMG

This double album presents Sinatra and Basie at the height of their powers, in a setting especially conducive to both men’s music, the big room at the Sands Hotel in Vegas. If you missed it — and I’m sure most all of us did — here’s your chance to go back in time and be seated with the beautiful people front row center. This two disc all tube-mastered analog set is practically the only way you’ll ever be able to hear the greatest vocalist of his generation — in his prime no less — fronting one of the swingingest big bands of the time.

You Are There

The presence and immediacy here are staggering. Turn it up and Frank is right between your speakers, putting on the performance of a lifetime. (more…)

Spirit – Spirit – Sundazed Mono Reviewed

More Spirit

More Spirit – Spirit

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Sonic Grade: D

Another Sundazed record reviewed and found wanting.

As usual, the Sundazed only hints at the real sound of the recording. We recommended it back at the day; it’s tonally correct, so for fifteen bucks you are getting your fifteen bucks worth and probably not a dime’s more. We just cannot take this kind of sound seriously these days. Once you’ve heard the real thing, this pressing just won’t do.

This is the band’s Masterpiece as well as a Desert Island Disc for yours truly.

What qualifies a record to be a Masterpiece needs no explanation. We will make every effort to limit the list to one entry per artist or group, although some exceptions have already occurred to me, so that rule will no doubt be broken from time to time. As Ralph Waldo Emerson so memorably wrote, “A foolish consistency is the hobgoblin of little minds…”

For a record to come to my Desert Island Disc, such a record: 1) must have at some time during my fifty years as a music lover and audio enthusiast been played enthusiastically, fanatically even, causing me to feel what Leonard Bernstein called “the joy of music”; 2) my sixty year old self must currently respect the album, and; 3) I must think I will want to listen to the music fairly often and well into the future (not knowing how long I may be stranded there).

How many records meet the Desert Island Disc criteria? Certainly many more than you can see when you click on the link, but new titles will be added as time permits. (more…)

McCartney’s Must Own Masterpiece with White Hot Stamper Sound

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The best tracks here have the quality of LIVE MUSIC in a way that not one out of a hundred rock records do. It sounds like it’s recorded live in the studio, but of course that’s impossible, because Paul plays practically all the instruments himself! It just goes to show how good a multi-track studio recording can sound when done well.

What the best sides of this McCartney Classic from 1970 have to offer is not hard to hear:

  • The biggest, most immediate staging in the largest acoustic space
  • The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl import pressings like this one offer the kind of Tubey Magic that was on the tapes in 1970
  • Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
  • Natural tonality in the midrange — with the guitars and drums having the correct sound for this kind of recording
  • Transparency and resolution, critical to hearing into the three-dimensional space of the studio

No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we listed above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.

Looking For The McCartney Magic? Look No Further (more…)

Listening in Depth to Carly Simon’s Second Best Album – No Secrets

More Carly Simon

More No Secrets

Listening in Depth

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Another in our series of Home Audio Exercises with advice on What to Listen For 

The immensely talented engineer ROBIN GEOFFREY CABLE worked his audio magic on this album. You may recall that he recorded a number of the greatest sounding rock records of all time, Elton John’s self-titled second album and Tumbleweed Connection, both in 1970, as well as this album and Nilsson Schmilsson in 1972, with Richard Perry producing. 

One more note: having your VTA set just right is critical to getting the best out of this album. The loudest vocal parts can easily strain otherwise. Once you get your settings dialed in correctly, a copy like this will give you the kind of rich, sweet sound that brings out the best in this music. (more…)

An Extraordinary Recording of the Carmen Fantasie – This Is Why You Must Do Shootouts

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This London Whiteback LP has DEMO DISC sound like you will not believe, especially on side two, which earned our coveted A Triple Plus rating. The sound is warm, sweet and transparent; in short, absolutely GORGEOUS. We call it AGAIG — As Good As It Gets!

As this is one of the Greatest Violin Showpiece Albums of All Time, it is certainly a record that belongs in every right-thinking audiophle’s collection. (If you’re on our site and taking the time to read this, that probably means you.) Ruggiero Ricci is superb throughout.
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Boz Scaggs and His Background Singers – How Well Can You “See” Them?

See all of our Boz Scaggs albums in stock

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This original (SD-8239) pressing has two excellent sides, which is two more than the typical cardboardy, flat, thin, lifeless copy has. If you like your music dry and clean, try the remixed version (SD-19166), the CD, or perhaps there is a heavy vinyl version out there (at one tenth the price). That’s not our sound here at Better Records.

The best recordings from the era do not have that sound, so when we find that kind of analog richness, sweetness and naturalness on a pressing such as this, we know the record is RIGHT.

What to Listen For — Background Singers You Can “See”

If you have multiple copies of the album and want to shoot them out, here’s an easy test. Listen for how clear and correct the female background singers sound. This is an excellent test because it will hold true for both sides on the album.

On opaque copies they are hard to “see”; on transparent copies they are easy to “see.” On tonally thin copies they will sound edgier and harder than they should. And on Tubey Magical copies they will sound full-bodied, solid and real.


Further Reading

Other recordings that we have found to be especially Tubey Magical can be found here.

Transparency, the other side of the Tubey Magical coin, is also key to the better pressings of this album as well as many of our other favorite demo discs.

Listening in Depth to Parsley, Sage, Rosemary, and Thyme

More Simon and Garfunkel

More Parsley, Sage, Rosemary, and Thyme

Listening in Depth

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Another in our series of Home Audio Exercises with specific advice on What to Listen For (WTLF) as you critically evaluate your copy of Simon & Garfunkel’s groundbreaking third album (from 1966 no less!).

TRACK COMMENTARY

Side One

Scarborough Fair/Canticle

Listen carefully to the voices on this track, one of our favorites to test with. On the best copies they sound exceptionally delicate yet full-bodied. (more…)

The Real Eagles Sound Comes From the Real Eagles Master Tape

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The Eagles first album

At one time this was my single favorite Demo Disc. A customer who bought one of these once told me it was the best sounding record he had ever heard in his life. I don’t doubt it for a minute. It’s certainly as good as any rock record I have ever heard, and I’ve heard some awful good ones.

The Real Sound Comes from the Real Master Tape

There’s an interesting story behind this album, which I won’t belabor here. One listen to a later reissue or Heavy Vinyl pressing or Greatest Hits and you’ll know I speak the truth when I say that the tape used to cut this pressing was never used again to cut any other. It is GONE. LOST FOREVER. Most copies of this album are mediocre at best, and positively painful to listen to once you’ve heard the right pressing, the one cut from the real tape.
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This Is the Kind of Thing You Notice When You Play Scores of Copies of the Same Album

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If you have a copy or two laying around, there is a very good chance that side two will be noticeably thinner and brighter than side one. That has been our experience anyway, and we’ve been playing batches of this album for well over a decade. To find a copy with a rich side two is rare indeed.

More Hall and Oates

Most copies lack the top end extension that makes the sound sweet, opens it up and puts air around every instrument. It makes the high hat silky, not spitty or gritty. It lets you hear all the harmonics of the guitars and mandolins that feature so prominently in the mixes.

If you’re looking for a big production pop record that jumps out of your speakers, is full of TUBEY MAGIC, and has consistently good music, look no further. (more…)

Frank Sinatra – Come Swing With Me! – Our White Hot Shootout Winner for 2018


Our White Hot Shootout Winner for 2018

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  • This 1961 original Capitol stereo pressing boasts incredible Triple Plus (A+++) sound on the second side and Double Plus (A++) on the first
  • On this early pressing you’ll hear Billy May’s arrangements – just brass, no strings or winds – blasting behind Sinatra like never before
  • This was Sinatra’s final swing session with Capitol and on a pressing as good as this one you can tell he and the band are having a blast
  • Allmusic: “…his intense, speedy energy gives the album an edge that distinguishes the record… it [has] enough genuine gems to make it necessary.”

See all of our Frank Sinatra albums in stock (more…)