A wonderful copy that lets this music swing the way it’s supposed to! Triple Plus (A+++) sound throughout
Classic Capitol big, full-bodied, Tubey Magical sound — Deano’s vocals are present and natural in the best tradition of rat-mate Frank Sinatra in the early ’60s
With Nelson Riddle arranging, you can be sure the album has plenty of swing all right — and the brass sounds amazing here
4 1/2 Stars in the All Music Guide: “…an easy swinging collection…”
If you’re a fan of the Capitol Sinatra sound you’ll love this record. It’s an exceptionally difficult title to find in anything but trashed condition. I’ve been a fan of this record for many years but this is the first copy we’ve been able to find that’s clean enough to go up on the site with White Hot Stamper grades. (more…)
You’ll find stunning Triple Plus (A+++) sound or close to it on both sides of this Shootout Winning 1964 pressing – exceptionally QUIET vinyl for a vintage Ray Charles record (!)
This stereo pressing is the only way to hear these classic songs sound rich, powerful and free from coloration
A concept album filled with an eclectic collection of themed music, this release showcases Charles’ innovative approach to recording
“…One is almost tempted to think that Charles was toying with audience expectations by mixing unabashedly sentimental slow tunes with the far more bluesy, satisfying, and upbeat numbers, such as his surprisingly brassy, punchy treatment of “Cry Me a River.”
This ’60s LP has the kind of Tubey Magical Midrange that modern pressings cannot BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back.(more…)
An excellent sounding early British Apple pressing with solid Double Plus (A++) sound throughout and reasonably quiet vinyl
If you want to hear the rich, Tubey Magical sound that was all over the Master Tape in 1973, these vintage imports are the only way to go
What Living in the Material World does show off far better than the earlier record, however, is Harrison’s guitar work… it does represent his solo playing and songwriting at something of a peak. Most notable are his blues stylings and slide playing, glimpsed on some of the later Beatles sessions but often overlooked by fans.” – All Music
Only the first copy to hit the site in years and boy was it worth the wait — superb Double Plus (A++) sound or BETTER throughout
Both sides here are big, full-bodied and present with plenty of extension on both ends
4 stars on Allmusic: “… this debut sounds pretty great, featuring some of their most melodic and accomplished songwriting and harmonies, delivered with a hard-rocking punch… The entire album bursts with thrilling guitar and vocal interplay, with a bright exuberance that would tone down considerably by their second record.”
For whatever reason all the mastering engineers who cut this first album rarely managed to put any real top or bottom on the record. Why I can’t imagine. Highs and lows are on the tape; the best pressings prove it.
Listen for Tubey Magic, richness, bottom end, presence and freedom from distortion. The more copies you have tried in the past, the more astonishing the sound of this copy will be to you.(more…)
A killer vintage copy of this exceptionally well-recorded Stones album from ’69, with superb Double Plus (A++) sound from first note to last
Clear, rich and lively throughout – the Tubey Magic of the best pressings is what has them sounding the way they should
One of a select group of Rolling Stones Must Own records which we prize above all others – Sticky Fingers and Let It Bleed round out the trio
5 stars: “Basic rock & roll was not forgotten, however: ‘Street Fighting Man’… was one of their most innovative singles, and ‘Sympathy for the Devil’… was an image-defining epic.”
Good pressings are certainly not easy to come by — this kind of rich, full-bodied, musical sound is the exception, not the rule. And there’s actual space and extension up top as well, something you certainly don’t hear on most pressings. This is a fantastic album, and excellent sides like these give it the kind of sound it deserves.
Raw Rock & Roll Sound
Of course, Hot Stamper Sound still only gets you what’s on the tape. In this case, it’s some rude, crude, dirty rock & roll. That’s clearly what the Stones were going for here. In terms of audiophile appeal, Tea For The Tillerman this ain’t. Nor does it want to be!
What sets the best copies apart from the pack is a fuller, richer tonal balance, which is achieved mostly by having plenty of bass and lower midrange energy. The copies that are bass shy — most of them, that is to say — tend to bring out more of that midrangy shortcoming.(more…)
Ella’s first album to come out after Clap Hands finally makes its Hot Stamper debut, with outstanding Double Plus (A++) sound on both sides
What took us by surprise was how rich and sweet this original Verve was – so many of Ella’s early albums don’t have the smooth, natural vocals of this pressing
We absolutely love the swinging R&B organ Bill Doggett brought to these big band sessions, all backing an exceptionally well recorded First Lady of Song
“Ella Fitzgerald is in the spotlight throughout, mostly singing swing-era songs along with a couple of newer pieces… [her] voice was in its prime, and the charts are excellent.”
This copy is as quiet as we can find any domestic original Verve stereo pressing. The monos of this title — which naturally are five times more common — have that hard, honky sound that so many mono cuttings made from Ella’s stereo recordings suffer from.
Clap Hands is a notable exception to that rule, and of course any of her albums recorded in mono sound best in mono, when cut right and pressed right.
1962 was a great year for Ella. She released this album early in the year and followed it up with the Grammy winning Ella Swings Brightly with Nelson. Later in the same year Verve released Ella Swings Gently with Nelson, and it’s interesting to note that all three of these classic albums were recorded late in 1961. The woman could do no wrong! We would have to wait for her first release of 1963, Ella Sings Broadway, before she put out a clunker. But who’s fault is that? The music is fine, it’s the recording that’s bad (as far as we can tell; we have yet to hear one sound good).(more…)
Only the second Shootout Winning copy to ever hit the site and boy is it KILLER! Triple Plus (A+++) sound on both sides
About as quiet as these British copies come – Mint Minus Minus throughout
“… “tasteful, subtle and refined” – Melody Maker
This original pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.(more…)
This Minty looking Columbia Six Eye Demo LP has SUPERB SOUND and some of the quietest Six Eye vinyl I’ve ever heard. If you’re a fan of either Dave Brubeck or Jimmy Rushing you can’t do better than this album. The sound is as close to perfection as I can imagine.
This is an exceptionally nice original Pacific Jazz Black Label Mono LP with SUPERB SOUND. Pure Pleasure just did a 180g reissue of this album, but the real thing is THE REAL THING! This copy has the PRESENCE, the DYNAMICS and the LIFE of real jazz. I can’t think of a more fun west coast jazz session that sounds as good outside of the best Contemporary records. This one gets a top recommendation.
Shootout Winning Triple Plus (A+++) sound on both sides and the first to hit the site in many years
This UK Original Plum and Orange pressing is by far the best way to hear the album, but finding a clean one was no walk in the park
“In an era when psychedelic meanderings were the order of the day, Yes delivered a surprisingly focused and exciting record that covered lots of bases…” – All Music
I wish I could say that this was the sonic (or musical) equivalent of Fragile of The Yes Album — or even the second album, Time and a Word — but that’s simply not the case. Still, there’s a lot to like here and it’s fun to hear the band developing their style and growing into the pop-prog behemoth they would become with their third release.
What shootout winning sides such as these have to offer is not hard to hear:
The biggest, most immediate staging in the largest acoustic space
The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1969
Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
Natural tonality in the midrange — with all the instruments (and effects!) having the correct timbre
Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there’s more but we hope that should do for now. Playing the record is of course the only way to hear all of the above.(more…)