Records that Sound Best on the Original

Eno – Here Come The Warm Jets

xxxxx

  • KILLER sound from start to finish for this Island import pressing with both sides finishing top of the class — Triple Plus (A+++) sound throughout
  • The sound here is clean, clear, present and dynamic yet still super rich and musical with lots of Tubey Magic
  • Exceptionally quiet vinyl — Mint Minus to Mint Minus Minus on both sides
  • 5 stars on Allmusic: “Eno’s solo debut, Here Come the Warm Jets, is a spirited, experimental collection of unabashed pop songs… Avant-garde yet very accessible, Here Come the Warm Jets still sounds exciting, forward-looking, and densely detailed, revealing more intricacies with every play.”

A great pressing of one of our favorite albums! These are not easy to come by, so we don’t get to shoot these out as often as we’d like. This is not your typical audiophile-friendly rock album, to be sure. There are lots of weird sounds, out-of-tune instruments and other Eno craziness. We’re big Eno fans here — Taking Tiger Mountain and Before And After Science are other big favorites here. If you’ve got a taste for avant-garde art rock, this album should be right up your alley. (more…)

Traffic – Mr. Fantasy

xxxxx

A distinguished member of the Better Records Rock Hall of Fame.

This early Pink Label import pressing boasts Shootout Winning Triple Plus (A+++) sound or close to it on both sides, making this one of the best copies to hit the site in many years, if not THE best.

We used to think that The Best of Traffic had better sound, but in a head to head comparison with this very copy, we were proved WRONG.

Big, full-bodied and lively, with huge amounts of space and off the charts Tubey Magic, the sound here is Hard to Fault.

This is one of the best sounding Traffic records ever made. Musically it’s hit or miss, but so is every other Traffic record, including my favorite, John Barleycorn. The best songs here are Heaven Is In Your Mind, Dear Mr. Fantasy, and Coloured Rain. The first of these is worth the price of the album alone, in my opinion. It’s a wonderful example of late ’60s British psychedelic rock. (more…)

Bizet – L’arlesienne And Carmen Suites

xxxxx
xxxxx

A distinguished member of the Better Records Orchestral Music Hall of Fame.

With a nearly Triple Plus (A++ to A+++) side two and an excellent Double Plus (A++) side one, this pressing is one of the best sounding Carmen Suites we have ever heard. If you’re looking to demonstrate just how good ’60s All Tube Analog can be, this killer copy should be just the record to do it. This is only the second Carmen Suite to make it to the site, and it was worth the wait – the sound of this vintage Blueback is absolutely breathtaking. Recorded in 1961 using the amazing Decca Tree mic setup, it’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording.

What To Listen For – Side to Side

My notes for side two read:

Could use more tubes.

Strings could be a bit smoother.

Needs a bit more weight down low.

Side one had all of this and more!

(more…)

Mike Oldfield – Tubular Bells

xxx

A distinguished member of the Better Records Rock and Pop Hall of Fame.

You’ll find incredible Triple Plus (A+++) sound on both sides of this British Virgin LP – this one is doing everything right! The space, the richness and the clarity all combine to make this a powerful listening experience. It’s incredibly hard to find good sounding copies of this record – this is the first White Hot copy to hit the site in a long time.

These sides sound good from top to bottom — the top end extension brings out the harmonics in the bells, and the deep bass really brings the organ to life. Many copies are smeary and veiled, but this one has no such problems.

There is a lot going on here, and unless you have a clear and transparent copy like this one it just turns into a mess. This one has all the presence and space required to bring this music to life, with no attendant sacrifice in richness or Tubey Magic. (more…)

Paganini – Kreisler / Concerto In One Movement / Campoli – Reviewed in 2019 and 2008

xxxxx

  • This exceptionally rare early London pressing features Double Plus (A++) sound or BETTER and includes a wonderful performance of the Saint-Saens Violin Concerto No. 3
  • This is a spectacular recording – it’s big, clear, rich, dynamic, transparent and energetic, and is guaranteed to put to shame any Heavy Vinyl pressing of orchestral music you own
  • Campoli brings his warmth, feeling, and technical precision to these classical masterpieces
  • The Decca engineers captured the correct amount of detail in the bowing and fingering – it’s not overdone as it is in so many records that many audiophiles prefer, with the mics much too close to the strings

This is a WONDERFUL sounding violin concerto recording. It has TUBEY MAGIC as well as MUSIC to die for. What”s most interesting about the sound is how well the violin is integrated into the orchestra. On most RCAs, just to pick one golden age label to use as an example, the violin is typically hugely oversized and placed far in front of the orchestra. Not so here. The violin is of a whole with the orchestra, which makes for a much more natural and relaxed presentation. (more…)

Peter, Paul & Mary – Album 1700

xxxxx

  • Stunning sound for this WB Gold Label original with both sides finishing top of the pile — Triple Plus (A+++) sound throughout
  • When the three of them sing good and loud on these tracks, not only can you hear them belting it out, you FEEL it too
  • The “breath of life” is alive and well on these old LPs, the best reason for the truly serious audiophile to stay committed to analog, for now and probably far into the future
  • Features their classic version of Leaving On A Jet Plane, a Number One smash that still holds up after more than 50 years(!)

We went through a big stack of Gold Label originals and various Green Label reissue pressings, in stereo of course, and this easily qualifies as the best copy we played all day.

Steve Hoffman’s famous phrase is key here: we want to hear The Breath Of Life. If these three gifted singers don’t sound like living, breathing human beings standing across from you — left, right and center — toss your copy and buy this one, because that’s exactly what they sound like here.

The TUBEY MAGIC of the midrange is practically off the scale. Until you hear it like this you really can’t even imagine it. It’s a bit shocking to hear each and every nuance of their singing reproduced so faithfully, sounding so much like live music.

This is high-rez ’60s style; not phony and forced like so much of what passes for audiophile sound these days, but relaxed and real, as if the recording were doing its best to get out of the way of the music, not call attention to itself. This, to us, is the goal, the prize we must constantly strive to keep our eyes on. Find the music, leave the rest. (more…)

Odetta – At Town Hall in Mono

xxxxx

  • Stunning sound throughout for this mono original pressing of At Town Hall, boasting Shootout Winning Triple Plus (A+++) sound from start to finish
  • Captured live in New York City in 1963, this superb pressing will transport a living, breathing Odetta right into your listening room
  • Forget whatever dead-on-arrival Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magical, you-are-there immediacy of this Odetta concert, this is the only way to go
  • The album features a wonderful mix of folk and blues, including “Let Me Ride,” “Hound Dog,” and “He’s Got the Whole World in His Hands”

(more…)

Odetta – At Town Hall in Stereo

xxxxx

  • Here is an outstanding early stereo pressing of Odetta performing live – it boasts superb Double Plus (A++) sound or BETTER throughout and plays as quietly as these Vanguard LPs ever do
  • Captured live in New York City in 1963, this superb pressing will transport a living, breathing Odetta right into your listening room
  • Forget whatever dead-on-arrival Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magical, you-are-there immediacy of this Odetta concert, this is the only way to go
  • The album features a wonderful mix of folk and blues, including “Let Me Ride,” “Hound Dog,” and “He’s Got the Whole World in His Hands”

This vintage Vanguard pressing has the kind of Tubey Magical Midrange that modern records rarely begin to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back.

Having done this for so long, we understand and appreciate that rich, full, solid, Tubey Magical sound is key to the presentation of this primarily vocal music. We rate these qualities higher than others we might be listening for (e.g., bass definition, soundstage, depth, etc.).

Hot Stamper sound is rarely about the details of a given recording. In the case of this album, more than anything else a Hot Stamper must succeed at recreating a solid, palpable, real Odetta singing live in your listening room. The better copies have an uncanny way of doing just that.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but less than one out of 100 new records do, if our experience with the hundreds we’ve played over the years can serve as a guide. (more…)

Perez Prado – Pops and Prado – A Killer Bob Simpson Recording

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame

A wonderful copy with a White Hot Stamper side two – unbelievably Tubey Magical and spacious. Side one was Super Hot and maybe a bit better – the top is extended, and the reverb is positively luscious. This is vintage analog at its best — the magic really comes through on this pressing. Credit for the Demo Disc sound of this one must go to the amazing Bob Simpson, working in glorious Webster Hall.

BOB SIMPSON won the Grammy for engineering Belafonte at Carnegie Hall you may recall.

Such an amazing sounding organ, some of the best Pop Organ reproduction I have ever heard!

This SUPERB sounding copy of Pops and Prado has a lot in common with the other Living Stereo / Exotica titles we’ve listed over the years, albums by the likes of Henry Mancini, Esquivel, Arthur Lyman, Dick Schory, Edmundo Ros, Ted Heath, Martin Denny and a handful of others. Talk about making your speakers disappear, these records will do it!

An album like this is all about Tubey Magical Stereoscopic presentation. And of course the driving, syncopated, heavily percussive arrangements add immensely to the fun, with the timbre of every scratcher and drum rendered in glorious Technicolor sound. (If only Airto had been around in the ’50s!)

For us audiophiles both the sound and the music here are enchanting. If you’re looking to demonstrate just how good 1958 All Tube Analog sound can be, this killer copy may be just the record for you!

This copy is super spacious, sweet and positively dripping with ambience. Talk about Tubey Magic, the liquidity of the sound here is positively uncanny. This is vintage analog at its best, so full-bodied and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to improve it.

If you like the sound of percussion instruments of every possible flavor, including some you have never tasted before, you will have a hard time finding a more magical recording of them than this.

This IS the sound of Tubey Magic. No recordings will ever be made like this again, and no CD will ever capture what is in the grooves of this record. There actually IS a CD of this album, and youtube videos of it too, but those of us in possession of a working turntable could care less.

Truly a Spectacular Demo Disc in its own right.

Roxy Music – Country Life – Our Shootout Winner from 2015

xxxxx

A distinguished member of the Better Records Rock Hall of Fame.

Many of the best songs Ferry ever wrote and Roxy ever played are on this album. Musically it’s right up there with the first album and Siren, both early ’70s Art Rock landmarks.

In our experience the right British original Sunray (Pink Rim) Island pressing will always win the shootout if you have a good pile of copies to play. There are some bad sounding Island LPs out there, so don’t assume the Sunray is the answer. It’s potentially the right answer. Without at least five copies in hand you won’t know for sure whether the copy you like is truly a Hot Stamper or not-that-hot-of-a-stamper.

The sound on some tracks is noticeably better than others. These British pressings give you the richest, fullest, biggest sound with the least amount of sibilance, grain and grunge. It’s the rich, full-bodied ANALOG sound — with some problems to be sure — that we adore here at Better Records. (more…)