An exceptional pressing – Nearly Triple Plus (A++ to A+++) on side one, an excellent Double Plus (A++) side two, big and open, with note-like bass and huge amounts of studio space
Original Six Eye stereo LPs in playable condition are getting tough to find nowadays – even this one has issues
5 stars on Allmusic, an audiophile favorite and a great example of what’s phenomenally good about 1959 All Tube Analog recordings
“Dave Brubeck’s defining masterpiece, Time Out is one of the most rhythmically innovative albums in jazz history, the first to consciously explore time signatures outside of the standard 4/4 beat or 3/4 waltz time.”
Spacious and transparent, this copy has the big three-dimensional soundstage that makes this record such a joy to listen to. The piano has weight and heft, the drums are big and dynamic, and everything is relaxed and sweet — in short, this copy is doing pretty much everything we want a top quality Time Out to do. (more…)
Presenting another entry in our extensive Listening in Depth series with advice on what to listen for as you critically evaluate your copy of Waiting For The Sun.
My favorite of the first three Doors album, this one is imbued with more mystery and lyricism than any previous effort. The album shows them maturing as a band, smoking large amounts of pot and preparing for the wild ride of their next opus, the ambitious Soft Parade. Actually, as I listen to this album it reminds me more and more of that one. Now that it sounds as good as The Soft Parade I find I’ve gained a new respect for Waiting for the Sun.
Outstanding Double Plus (A++) sound, or close to it, on both sides of this early pressing of Coltrane’s Sound
An authentic Green and Blue Atlantic stereo pressing, the only version of the album that has the potential for Hot Stamper sound, which explains why this is only the second copy to hit the site since 2011
“This is one of the most highly underrated entries in Coltrane’s voluminous catalog. Although the same overwhelming attention bestowed upon My Favorite Things was not given to Coltrane’s Sound upon its initial release, both were actually recorded during the same three-day period in the fall of 1960… these recordings remain among Trane’s finest.”
This is yet another superb Tom Dowd recording of Coltrane in his prime, with support from the brilliant McCoy Tyner and Elvin Jones.
Forget the later Red and Green Atlantic pressings. Every one we’ve ever played was flat, dry, and thin. They sound like the cheap reissues that we Atlantic churned out in the ’70s. Don’t get me wrong; there are some good sounding records on the Red and Green label, but you really have to know what you are doing, or be really lucky, to find them.
We’ve played them by the score, and found relatively few winners among a slough of losers. If you want to take your chances on some, knock yourself out, more power to you, but expect to come up with nothing to show for your time and money almost every time. That’s been our experience anyway.
And be very thankful if you happen to run into one of these early Atlantic stereo pressings, especially if it plays as quietly as this one does. Few Classic Coltrane albums survived the jazz lovers of the day and their awful turntables.(more…)
Stunning sound throughout for this original Columbia Six-Eye stereo LP; Triple Plus (A+++) sound on the second side and Double Plus (A++) on the first
Transparency and Tubey Magic are critical to the sound of the arrangements and you will find both are abundant here
Very quiet for an early Columbia Six-Eye pressing – Mint Minus to Mint Minus Minus throughout
“Robbins’ originals are authored in an authentically vintage style, interspersed with public domain titles that are the real article…” – All Music
Two superb sides, with the kind of ’60s Tubey Magical Analog Sound that’s been lost to the world of recorded music for decades — decades I tell you! Nobody can manage to get a recording to sound like this anymore and it seems clear to us that no one can remaster a recording like this nowadays, if our direct experience with more than hundred such albums counts as evidence.
Albums such as this live and die by the quality of their vocal reproduction. On this record Mr. Marty Robbins himself will appear to be standing right in your listening room, along with the other other musicians playing on the sessions of course.(more…)
A Shootout Winning copy with Triple Plus (A+++) sound on both sides – this bad boy is a HUGE step up from anything Perez Prado record you have ever heard, guaranteed
With Tubey Magical Stereoscopic presentation like you will not believe; this copy is spacious, sweet and positively dripping with ambience
The driving, syncopated, heavily percussive arrangements add immensely to the fun, with the timbre of every scratcher and drum rendered in glorious Technicolor sound
This is Vintage All Tube Analog at its best – the magic hidden in the grooves of the record really comes through on this pressing
This SUPERB sounding copy of Prez has a lot in common with the other Living Stereo / Exotica titles we’ve listed over the years, albums by the likes of Henry Mancini, Esquivel, Arthur Lyman, Dick Schory, Edmundo Ros, Ted Heath, Martin Denny and a handful of others. Talk about making your speakers disappear, these records will do it!(more…)
Amazing sound throughout for Neil’s self-titled debut – shootout winning Triple Plus (A+++) sound or close to it on both sides
Both sides are rich, full and Tubey Magical with a big bottom end and excellent resolution
Surely one of Neil’s toughest to find with top quality sound – and only these early pressings with the original mix have the potential to sound as good as this one does
“…a flowing tributary from the over-all Springfield river of twangs, breathless vocals and slim yet stout instrumentation. Especially vivid is Young’s sense of melancholy and the ingenious clusters of images he employs in his lyrics (printed in full).”
The Old Mix Beats the New Mix
We’ve always felt that this album was not nearly as well recorded as the albums that followed. Why that would be we would never pretend to know. It was a long time ago. Who on earth has the arrogance to think they know precisely what went wrong? (I could actually name a few people but the less said about them the better.)
It turns out the remixed pressings we’d been selling for years were not the way to hear this album at its best. Neil wanted his voice to sound clearer and more present than the first mix, but the approach the engineers took to increase the clarity and presence was simply to boost the middle and upper midrange, a boost that seriously compromises the wonderful Tubey Magic found in the rich lower midrange of the original mix.
Neil may have liked the sound of his voice better on the new mix, played back on whatever mediocre-at-best stereo he was using at the time, but we here at Better Records are of a decidedly different opinion. On a modern, highly-resolving system Neil’s voice will not sound the least bit “buried” on the original mix, not on the best pressings anyway. Of course, the best ones are the only ones we sell.
If you want to hear this album sound right, we strongly believe that the original mix is the only way to go. And if you want to hear this album sound really right, better-than-you-ever-thought-possible right, you need a copy that was mastered, pressed and cleaned properly, and that means a Hot Stamper from Better Records.(more…)
Excellent Double Plus (A++) sound from start to finish – only the second copy to ever hit the site
These early Vertigo sides are rich, smooth and Tubey Magical yet still relatively clean, clear and spacious
Absolutely as QUIET as any pressing we have played – Mint Minus to Mint Minus Minus – it is the very rare copy that will play this well
5 Stars: “Of course, being a rocker at heart, Stewart doesn’t let these songs become limp acoustic numbers — these rock harder than any fuzz-guitar workout. The drums crash and bang, the acoustic guitars are pounded with a vengeance — it’s a wild, careening sound that is positively joyous with its abandon.”
This early Vertigo pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.(more…)
This CBS Orange Label Import LP is one of the BEST SOUNDING Fleetwood Mac albums ever
With Double Plus (A++) grades on both sides, this was one of the better copies from our shootout
Original Fleetwood Mac (1971) is an undeniably strong collection culled primarily from the band’s first incarnation, featuring John McVie, Mick Fleetwood, Peter Green, and Jeremy Spencer.”
The music on this album was recorded when they were still a blues band — tracks left off their early albums for one reason or another.
As is so often the case with unreleased material, these songs do not have that overproduced, too-many-generations-of-tape sound. This sounds like Fleetwood Mac live in the studio most of the time. In other words, awesome. If the drum sound on the first track isn’t enough to convince you this is an amazing sounding record, I don’t know what would.(more…)
To say that this one has been a long time coming would be an understatement! FINALLY, an incredible sounding copy of All Things Must Pass
Superb Double to Triple Plus (A++ to A+++) sound on the fifth side and Double Plus (A++) sound on the remaining five sides — wonderfully big, full and Tubey Magical yet still clean and clear with tons of space and a lovely bottom end
“Without a doubt, Harrison’s first solo recording, originally issued as a triple album, is his best.” – All Music
Tubey Magic Is Key
This original British pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.(more…)