Records that Sound Best in Mono, Not Stereo

Chet Baker, Art Pepper, Phil Urso – Picture Of Heath – A Killer Copy from 2005

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A distinguished member of the Better Records Jazz Hall of Fame

This is an exceptionally nice original Pacific Jazz Black Label Mono LP with SUPERB SOUND. Pure Pleasure just did a 180g reissue of this album, but the real thing is THE REAL THING! This copy has the PRESENCE, the DYNAMICS and the LIFE of real jazz. I can’t think of a more fun west coast jazz session that sounds as good outside of the best Contemporary records. This one gets a top recommendation. 

Nat King Cole – Unforgettable

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Our shootout winner here had the clearest, most natural vocals, with a living, breathing Nat King Cole front and center. Hard to believe some of these songs date back to 1946, with the most recent being from 1954. No matter; whatever the limitations of the recording technology, they knew enough of what they were doing to get Nat’s voice consistently right for practically every track. 

One of the key elements we noticed on the best of the best was the relaxation in Nat’s performance. He sings so effortlessly on the best copies; on other pressings you often don’t notice that casual quality.

Warmth and sweetness were nearly as important, the distinctive and unmistakeable hallmarks of vintage All Tube Analog. Each of these qualities combined to make the music on these sides as thoroughly involving and enchanting as any album of its kind we have ever offered.

The Hunt

Naturally we’re always on the lookout for Nat King Cole records with good sound. In our experience finding them is not nearly as easy as one might think it would be. Far too many of his recordings are drenched in bad reverb, with sound that simply can’t be taken seriously — fine for old consoles but not so good on modern audiophile equipment.

At least one we know of has his voice out of phase with the orchestra on most copies, which put a quick end to any hope of finishing the shootout we had started.

If anything the sound on his albums gets even worse in the ’60s. Many of Nat’s albums from that decade are over-produced, bright, thin and shrill. (more…)

Julie London – About The Blues

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  • About The Blues with KILLER Triple Plus (A+++) sound from first note to last; we rarely have this title on the site 
  • Julie’s lilting vocals are clear, breathy, Tubey Magical, and sweet, like practically nothing you’ve ever heard
  • This copy is about as quiet as we can find these 1957 Turquoise original mono pressings, Mint Minus Minus* throughout
  • 4 stars: “About the Blues … may just be her best orchestral session. Since downbeat torch songs were London’s specialty, the album features an excellent selection of nocturnal but classy blues songs that play to her subtle strengths…”

Rich, smooth, sweet, full of ambience, dead-on correct tonality — everything that we listen for in a great record is here.   (more…)

Shelly Manne & His Men – More Swinging Sounds

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A distinguished member of the Better Records Jazz Hall of Fame.

This Contemporary Yellow Label MONO LP is West Coast Jazz at its best! 

One quality of this side one that really took us by surprise was how DYNAMIC it is. The second track gets loud in a way that only one or two out of a hundred records does. (This is about the number of records we play in a week and I would have to say that no other record this week was more dynamic, hence the rough estimate above.) 

As you can imagine there’s not much going on at the frequency extremes, high or low; we have yet to hear a Mono recording from 1956 that boasts full bandwidth sound, but the middle sure can be awfully nice!

Side One

A+ to A++, with rich, smooth, lovely West Coast jazz sound. The horns can get a bit hard when loud.

Check out the dynamics on track two — Wow!

Side Two

A+ to A++, clean and lively. Zero smear and nearly as dynamic as side one. Track two, more than fifteen minutes long, is richer than track one by the way.

TRACK LISTING

Side One

Moose the Mooche 
The Wind 
Pint of Blues

Side Two

Tommyhawk 
Quartet

Billie Holiday – Music For Torching

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  • With excellent Double Plus (A++) sound or BETTER on both sides, this is a killer copy of one of Billie’s best
  • Not only that, but this pressing plays as quietly as any we can find – Mint Minus to Mint Minus Minus
  • A superb recording of jazz standards with a great lineup and Billie in top form, as well as Tubey Magical sound, with especially breathy vocals
  • Great versions (and lovely sound) for It Had to Be You, Come Rain or Come Shine, A Fine Romance, and too many more to list
  • “The overall feeling on this 1955 recording… is strictly after-hours: the party is long over but a few close friends remain for nightcaps and, is that the sun peeking through the windows?” — Allmusic

You’d be hard-pressed to find a female vocal album from the 1950s with sound comparable to this one. We just finished up a big shootout for the sublimely titled Music For Torching, and this lovely copy was clearly one of the better pressings we played. If you love smoky jazz standards the way only Lady Day can sing them, we think you’ll be blown away to hear her sound this warm, rich and present. (more…)

Ella Fitzgerald – Clap Hands, Here Comes Charlie – Our Favorite Female Vocal Album of All Time

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A distinguished member of the  Better Records Rock and Pop Hall of Fame.

The first “Triple Triple” MONO copy to ever hit the site — A+++ from start to finish. Our knockout mono pressing here was fuller, more natural and more involving than any copy we heard in our shootout. with immediacy to put Ella practically in the room with you, it’s her performance that really comes to life. It’s our single Favorite Female Vocal album here at Better Records, one that gets better with each passing year.

Check out what the lucky owner of this copy had to say about it.

PR Writes

As you probably know, I own superb copies of the stereo. They both fade into pastel in comparison with this mono. (more…)

Julie London – Julie Is Her Name – What a Record!

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

We award this copy’s side one our very special Four Plus A++++ grade, which is strictly limited to pressings (really, individual sides of pressings) that take a given recording to a level we’ve never experienced before and had no idea could even exist. We estimate that about one per cent of the Hot Stamper pressings we come across in our shootouts earn this grade. You can’t get much more rare than that.

  • Beyond White Hot stamper sound on side one of this Turquoise Liberty Mono pressing – the sound is guaranteed to blow your mind
  • Julie is in the room with you – intimate, breathy and Tubey Magical like practically nothing you’ve ever heard
  • For late night listening this may be the best Sultry Female Vocal recording ever made
  • “…one of the purest, most subtle lounge albums of all time (not to mention one of the best vocal jazz albums ever).”

This side had breathy resolution that was hard to believe, along with size and immediacy that no other side of any copy could touch. Phenomenal. (more…)

The Rolling Stones – Out of Our Heads – Mono or Stereo?

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On this London LP, even though it says the record is electronically re-processed stereo, the songs we heard on side one were dead mono.

So much for believing what you read on album covers. (more…)

Julie London in 1960 – Make Love To Me

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  • One of the best copies from our most recent shootout with a Triple Plus (A+++) side one and an excellent Double Plus (A++) side two
  • Julie is in the room with you – her voice is intimate, breathy and Tubey Magical like practically nothing you’ve ever heard 
  • Unusually clean surfaces, playing Mint Minus Minus (w/ caveats, see below), a step up from most of the copies we’ve been running into lately
  • “Her subtle sensuality and lightly swinging style made for a potent combination.” – All Music

If you’re a fan of vintage female vocals – the kind without a trace of digital reverb – you should get quite a kick out of Make Love To Me. And unless I miss my guess you’ll be the first and only person on your block to own it. (That’s not a bad thing considering the average person’s taste in music.)

Need a refresher course in Tubey Magic after playing too many modern recordings or remasterings? These Liberty pressings are overflowing with it. Rich, smooth, sweet, full of ambience, dead-on correct tonality — everything that we listen for in a great record is here. (more…)

Miles Davis – Workin’ And Steamin’ – Right On the Money Tonality

davismiles

 

To the Jazz Fans of the World, we here present one of the BEST sounding jazz recordings we have ever had the PRIVILEGE to place on a turntable. I cannot ever recall hearing a better sounding Rudy Van Gelder recording, and I have a theory as to why this tape is as good as it is: it’s MONO. It also sounds like it’s recorded completely LIVE in the studio, direct to one track you might say. As good a recording as Kind of Blue is, I think the best parts of this album are more immediate and more real than anything on KOB.

See all of our Miles Davis albums in stock

Better than the Originals?

The record combines two Miles Davis albums recorded in 1956: Workin’ and Steamin’. The 1974 remastering here by Brian Gardner is excellent. Since RVG probably would have mastered these tapes himself for the original pressings, I’m going to guess that this album sounds better than any original, for two reasons.
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