Record Shootouts

The Said and the Unsaid – Stravinsky’s Firebird on Mercury

More of the music of Igor Stravinsky (1882-1971)

xxx

Another entry in our Thinking About Hot Stampers series.

For our recent shootout of The Firebird we had three minty, potentially hot copies of the Mercury with Dorati, as well as our noisy ref. (We have a noisy reference copy for just about every major title by now. We have been doing these shootouts for a very long time. After thirty years in the record business we have accumulated a World Class collection of great sounding records that just too noisy to sell.)

We had one FR pressing and two of the later pressings with the lighter label, the ones that most often come with Philips M2 stampers.

This is how we described the winner:

So clear and ALIVE. Transparent, with huge hall space extending wall to wall and floor to ceiling. Zero compression.

Lifelike, immediate, front row center sound like few records you have ever heard.

Rich, sweet strings, especially for a Mercury. This side really gets quiet in places, a sure sign that all the dynamics of the master tape were protected in the mastering of this copy.

What we didn’t say — and what we never say in the listings — is what the second tier copies didn’t do as well as the shootout winner. (more…)

The Book of Hot Stampers

_1400755003

I received this email a while back: “Hi Tom, could you please recommend a book which would give the stamper numbers associated with the different pressings of a particular record.”

Let me take this opportunity to give a more comprehensive answer, since the concept of Hot Stampers is not especially well understood by the audiophile community outside of our admittedly rather small customer base. Only those who have spent a great deal of time reading the reviews and commentary on the site are likely to understand the importance of stampers. This is partly my fault, as this issue of stamper variability and quality is spread out all over the place, exactly where, no one really knows.
(more…)

The Science of Hot Stampers – Incomplete, Imperfect, and (Gulp!) Provisional

Brian+Eno+-+Before+And+After+Science+-+LP+RECORD-210489

We have a section on the website you may have seen called We Was Wrong. This section is devoted to discussiing the records we think we got, uh, wrong.

Oh yes, it’s true. But it’s not really a problem for us here at Better Records. We see no need to cover up our mistakes. The process of learning involves recognizing and correcting previous errors. Approached scientifically, all knowledge — in any field, not just record collecting or music reproduction — is incomplete, imperfect, and must be considered provisional.

What seems true today might easily be proven false tomorrow. If you haven’t found that out for yourself firsthand yet, one thing’s for sure, you haven’t been in this hobby for very long.

We’re so used to the conventional wisdom being wrong, and having our own previous findings overturned by new ones, that we gladly go out of way in listing after listing to point out just how wrong we were. (And of course why we think we are correct now.)

(more…)

If Records Are About Money…

Van_Halen_-_1984

We get letters from time to time chiding us for charging what strikes some as rather large amounts of money for records that admittedly do not have much in the way of Collector Value, the implication being that collectible records are of course worth the high prices they command in the marketplace. Hot Stampers, however, are somehow different. Clearly they cannot be worth the outrageously high prices we’re asking.

It is our opinion that the writers of these letters have made a rather glaringly erroneous assumption: That the records we sell are not subject to the same market forces as all other records..

This strikes us as just plain silly.

As anyone with a grounding in basic economics will tell you, we cannot force our customers to buy anything from us, especially old vinyl records, the kind of thing that most people have found they can easily do without, thank you very much.
(more…)

Making Mistakes – Advice from Better Records

More on So Far

A Guide to Finding Hot Stampers

Wise men and women throughout the ages have commented on the value of making mistakes. Here is one of our favorite quotes on the subject.

A man should never be ashamed to own he has been in the wrong, which is but saying… that he is wiser today than he was yesterday.”  Alexander Pope, in Swift, Miscellanies

When I think of the 20 odd years (early ’70s to early ’90s) I wasted trying to figure out how audio works before I had learned to develop critical listening skills, it brings to mind that old Faces’ song, “I wish that I knew what I know now, when I was younger.”

Record shootouts are the fastest and easiest way to hone your listening skills, a subject we discuss often on the site and most cogently in this commentary from way back in 2005.

We believe that the only way to really learn about records is to gather a big pile of them together, clean them up and listen to them one by one as critically as you can.
(more…)

After You’ve Played 100 Copies of the Album, What’s Left to Learn?

bloodchild

A common misconception of many of those visiting the site for the first time is that we think we know it all.

Nothing could be further from the truth. We definitely do not know it all. We learn something new about records with practically every shootout.

Case in point: the record you do NOT see pictured above. (The record we recently learned something new about — this, after having played scores and scores of copies over the years — will remain a secret for the time being. At least until we find another one.)

In 2013 we played a red label Columbia reissue of a famous ’60s rock record (again, not shown) that had the best side two we have ever heard. Up to that point no copy other than the 360 original had ever won a shootout, and we’ve done plenty. Lo and behold here was a reissue that put them all to shame.
(more…)

Making Mistakes and Other Advice from Better Records

A Guide to Finding Hot Stampers

Wise men and women throughout the ages have commented on the value of making mistakes. Here is one of our favorite quotes on the subject.

“Making a different mistake every day is not only acceptable, it is the definition of progress.”
~Robert Brault

When I think of the 20 odd years (early ’70s to early ’90s) I wasted trying to figure out how audio works before I had learned to develop critical listening skills, it brings to mind that old Faces’ song, “I wish that I knew what I know now, when I was younger.”

Record shootouts are the fastest and easiest way to hone your listening skills, a subject we discuss often on the site and most cogently in this commentary from way back in 2005.

We believe that the only way to really learn about records is to gather a big pile of them together, clean them up and listen to them one by one as critically as you can.
(more…)

Ambrosia – How Novel Patterns Emerge

ambroambro_1406_1397486782

Yet another album we are clearly obsessed with

Click on the link below to pull up the many reviews and commentaries we’ve written, as well as Hot Stamper copies that are currently available on the site.

Ambrosia

When you sit down to play ten or twelve copies of an album, one right after the other, patterns in the sound are going to emerge from that experience, patterns which would be very likely to pass unnoticed when playing one copy against another or two over the course of the twenty or thirty minutes it would take to do it.

In the case of this album, the pattern we perceived was simply this: About one or two out of that dozen or so will have punchy, solid, rich, deep bass. (There is a huge amount of bass on the recording so recognizing those special copies is not the least bit difficult if you have a full-range speaker and a properly treated room.)
(more…)

Making Audio Progress – Step One: Weed Out the Heavy Vinyl

who__whosn_1403_1_1107562749

 

In his latest letter Dan tells us of his disappointment with the new reissues he’s been trying:

… And thanks again for that amazing “Who’s Next” record. It was startling to hear the difference between that and the Classic – and that was one of the better modern audiophile records!I can’t tell you how many modern reissues I’ve bought over the past couple months that have lost, and lost badly, to just my one single original or early pressing of an album. Reissues by AC/DC, The Who, ZZ Top, The Rolling Stones, and Patti Smith have all failed miserably against my merely average sounding originals.
(more…)

Yes, It Took Us Ten Years to Do Two Shootouts for This Album

xxx

The Concert Sinatra

If you’re looking for quiet vinyl and good sound on this title I don’t think we will have anything for you for the foreseeable future. But of course you never know, we could luck into some killer copies on any one of our regular record hunting days. It’s pure luck to find any early stereo copy in good shape, let alone one that has the right stampers, the right sound and good surfaces. Each of our last two shootouts took us five years to make happen if that tells you anything.

This Reprise Tri-Color stereo pressing has killer Hot Stamper sound on both sides, which means it came out on top in our recent shootout, only the second we’ve done since 2006 (!).

See all of our Frank Sinatra albums in stock

(more…)