Grammy Award Winners

Stevie Wonder – Innervisions

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Hot Stamper Pressings of Innervisions Available Now

With two outstanding Double Plus (A++) sides, this is an all around killer pressing – exceptionally quiet vinyl too
One of the funkiest audiophile-quality discs money can buy, but you need a copy that sounds as good as this one to make that case
The key qualities are richness, warmth, Tubey Magic, and clarity, and here you will find a healthy dose of all four
“Stevie Wonder applied his tremendous songwriting talents to the unsettled social morass that was the early ’70s and produced one of his greatest, most important works, a rich panoply of songs addressing drugs, spirituality, political ethics, and what looked to be the failure of the ’60s dream — all set within a collection of charts as funky and catchy as any he’d written before.”

Having done this for so long, we understand and appreciate that rich, full, solid, Tubey Magical sound is key to the presentation of this music. We rate these qualities higher than others we might be listening for (e.g., bass definition, soundstage, depth, etc.). The music is not so much about the details in the recording, but rather in trying to recreate a solid, palpable, real Stevie Wonder singing live in your listening room. The best copies have an uncanny way of doing just that. (more…)

Stevie Wonder – Songs In The Key Of Life

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This outstanding copy of Stevie Wonder’s epic double album boasts solid Double Plus (A++) sound or BETTER throughout – exceptionally quiet vinyl too
Here you will find Tubey Magical Richness, as well as the kind of immediacy and transparency that few copies have – all qualities essential to getting the best sound from Stevie’s Magnum Opus
A true musical genius (according to Eddie Murphy) here joins forces with other legends including Herbie Hancock, George Benson, and Deniece Williams
5 stars: “…Stevie Wonder’s longest, most ambitious collection of songs… that — just as the title promised — touched on nearly every issue under the sun, and did it all with ambitious (even for him), wide-ranging arrangements and some of the best performances of Wonder’s career. “

Double albums are usually very tedious work for us, but this one had us smiling and tapping our feet all the way through to the end of the last side. I’m sure you don’t need a rundown of why this is such a great album, but the 5 star AMG review is an excellent read for those who want to be reminded. (Click on the tab above.) (more…)

Deodato / Prelude – Our Shootout Winner from 2017

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Yet Another Well Recorded Album that Should Be More Popular with Audiophiles

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Listen to the trumpet on the second track on side one — it’s so immediate, it’s practically JUMPING out of the soundfield, just bursting with energy. Rudy can really pull off these big productions on occasion, and this session was clearly one of them. If you have the kind of stereo that’s right for this music (the bigger the better) you could easily find yourself using this record as a demonstration disc. It’s very unlikely your audiophile friends have ever heard anything like it.

Both sides are especially full and rich. The congas are present in the mix and very full-bodied — this allow them to really drive the rhythmic energy of the music. We know this because the copies with congas that were veiled or thin never seemed to get up go. The bass on these two sides was some of the best we heard as well.

The top is most often the problem with these CTI pressings. Both sides here seem to give you all the top end that was on the tape.

There is wonderful transparency and openness to the soundstage, as well as less congestion in the loudest parts. Also Sprach (2001) is on side one of the album and it is KILLER here.

Both sides are also surprisingly sweet and Tubey Magical, nice qualities for a CTI record to have since so many of them are aggressive and edgy to the point of distraction. (more…)

Stevie Wonder – Hotter Than July

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More Soul, Blues and R&B

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A KILLER sounding copy with Shootout Winning Triple Plus (A+++) sound or very close to it from start to finish
Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magic, size and energy of this wonderful album, a vintage pressing like this one is the way to go
4 1/2 stars: “Wonder naysayed the trends and continues to do what he did best. Solid songwriting, musicianship, and production are evident in the majority of Hotter Than July… It is the portrait of an artist who still had the Midas touch…”

*CONDITION NOTES: On side two, the last 2-3 seconds of Track 5, Happy Birthday, are somewhat crackly.

Most copies lack the presence, energy and bottom end weight to let these funky songs work their magic, but a copy like this will let you appreciate the music without the mediocre sonics of the average pressing getting in the way.

This album was recorded right at the beginning of the digital era (1980) and most pressings won’t let you forget that. So many copies we played were just too sterile to get into — clean and clear bit lacking richness and fullness. We’re huge Stevie Wonder fans around here and we’ve fallen in love with Innervisions and Songs In The Key Of Life over and over again because of their lush, analog sound on the best pressings. It took a ton of work (and a whole lot of copies) to find a Hotter Than July that we could get excited about. I don’t think there’s a copy out there that can compete with his earlier recordings sonically but at least the Hot Stamper pressings present the music in a way that audiophiles can enjoy. (more…)

Stevie Wonder – Fulfillingness’ First Finale

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This pressing of the classic 1974 album from Stevie Wonder boasts Shootout Winning Triple Plus (A++) sound on both sides and plays about as quietly as any early pressing ever will
Finding the right balance between Tubey Magical Richness and Transparency is the trick, and we think this copy strikes that balance as well as any pressing we’ve heard
Boogie On Reggae Woman and You Haven’t Done Nothing were the big hits but the other tracks on the album are where the real Stevie Wonder MAGIC can be found
4 1/2 stars [but we give it 5]: “The songs and arrangements are the warmest since Talking Book, and Stevie positively caresses his vocals on this set, encompassing the vagaries of love, from dreaming of it (“Creepin'”) to being bashful of it (“Too Shy to Say”) to knowing when it’s over (“It Ain’t No Use”).”

We’re big fans of Stevie here at Better Records, but it’s always a challenge to find good sound for his albums. Tons of great songs here, including the ones everybody knows, Boogie On Reggae Woman and You Haven’t Done Nothing. Both sound WONDERFUL on this pressing.

But…

For the first time in my life, over the course of the last five years or so I’ve really gotten to know the album well, having found a CD at a local store to play in the car (and now I also have a cassette to play in my Walkman while working out).

I’ve listened to Fulfillingness’ First Finale scores of times. I now see that it is some of the best work Stevie Wonder ever did, right up there with Innervisions and ahead of any other Stevie Wonder album, including Talking Book and Songs in the Key of Life.

The best songs on the album to my mind are the quieter, more heartfelt and emotional ones, not the rockers or funky workouts. My personal favorites on side one are: Smile Please. Heaven Is 10 Zillion Light Years Away, Too Shy to Say and Creepin’, which, as I’m sure you’ve noticed, are all the songs that weren’t hits.

On side two the two slowest songs are the ones I now like best: It Ain’t No Use & They Won’t Go When I Go (famously and brilliantly covered by George Michael on Listen Without Prejudice Vol. 1 in 1990). (more…)

Stevie Wonder – Talking Book

With outstanding Double Plus (A++) sound on both sides, this is the way Talking Book is supposed to sound
Richer, warmer, more natural, more relaxed, this is what vintage analog is all about, that smooth sound that never calls attention to itself and just lets the music flow
So many great songs: You Are the Sunshine of My Life, Tuesday Heartbreak, You’ve Got It Bad Girl, Superstition, etc.
5 Stars: “What had been hinted at on the intriguing project Music of My Mind was here focused into a laser beam of tight songwriting, warm electronic arrangements, and ebullient performances — altogether the most realistic vision of musical personality ever put to wax…”

Those of you who are familiar with this record will not be surprised to learn that these shootouts are TOUGH. Very few copies are any better than mediocre.

This copy is more dynamic, open and transparent than most pressings BY FAR. There’s ton of space around all of the instruments, the bass is big and punchy and the vocals are present, warm and tonally right on the money. (more…)

Ladysmith Black Mambazo – Shaka Zulu

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Insanely good sound throughout for this Grammy-winning record from 1987 with each side earning Triple Plus (A+++) grades or very close to it
This White Hot copy will show you just how good this Grammy winning record was supposed to sound
“In the wake of their participation on his Graceland album, Paul Simon produced this Ladysmith album, their most accessible work for Western ears, which is pristinely recorded and sung partially in English.” – All Music, 4 1/2 Stars

This Hot Stamper will show you just how good this Grammy winning record was supposed to sound, but for some reason (or reasons) never did, a story that anyone on this site is all too familiar with. In many ways this is actually a honest-to-goodness Demo Disc, with amazingly big, open, three-dimensional, clear and transparent sound. Both sides here probably show you what Roy Halee was hearing on the tape when he was mixing the album.

It may not be perfect, but it’s a whole lot better that the vast majority of records made in 1987, that I can tell you with no shortage of confidence. (more…)

Barbra Streisand – The Barbra Streisand Album

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

A killer 360 original stereo pressing with Triple Plus (A+++) sound from start to finish – the first copy to hit the site in many years. We recently did a shootout for this album and were thrilled at how natural and immediate the sound on the best copies can be. Good Ol’ Babs (actually, a very young Babs here) sounds LOVELY on this pressing — her voice is rich, breathy and textured with stellar presence. The orchestra backing her sounds wonderful and there’s plenty of bass to set a nice foundation for the music.

Excellent, natural, unprocessed sound. And she does a very nice job with this set of standards. This, and the album Guilty, are the two Streisand records I’m most likely to play. (more…)

Muddy Waters – The London Muddy Waters Sessions

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Shootout Winning Triple Plus (A+++) sound throughout making this the best copy to ever hit the site!
Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magic, size and energy of these wonderful sessions, this is the way to go
The London Muddy Waters Sessions won the 1972 Grammy Award for Best Ethnic or Traditional Folk Recording!
A great lineup: Blues fans Rory Gallagher, Steve Winwood and Mitch Mitchell are all featured here, along with many other Bluesmen

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Stevie Wonder – Innervisions – Our Four Plus Shootout Winner from 2008

A++++ Beyond White Hot Stampers Discovered! After struggling through multiple stalled shootouts, we’ve finally unearthed copies of this wonderful album that have the sound we’ve been waiting for. We’ve gone through SCORES of pressings in the hope that one day we’d find a copy like this — with two Demo Quality sides, and fairly quiet vinyl, it’s our first ever White Hot Stamper for Stevie Wonder’s Innervisions.

Both sides were the shootout champions, but side one went so far beyond any other copy that we’ve ever played that we had no choice to award it the rare A++++ grade — that’s FOUR big pluses, and it earned each and every one of them!

Mindblowingly Hot Sound On Both Sides

Words are hardly going to be able top convey how superb this copy sounds, but let’s give it a try. My initial note for side one reads, simply, “Holy Sh*t!!!” It didn’t take thirty seconds before everyone in the room realized that we were hearing the best copy of this album to ever hit our table. It’s tight and punchy down low, sweet and silky up top, and warm and sweet in the middle. The clarity and transparency are nothing short of shocking. The presence and immediacy will make you forget you are listening to a record — no other copy we’ve ever played gave us such a feeling of live music happening right in front of us. Any element you can think of is PERFECTION on this side one: bass, cymbals, keyboards, vocals, guitars — all Right On The Money. We’ve always had high hopes for this album, but this copy went beyond even our wildest dreams. (more…)