45 RPM Pressings – Reviews and Commentaries

An Amazing 45 RPM Discovery from 2015

More of the music of Sergei Prokofiev (1891-1953)

PLEASE NOTE:

We no longer give Four Pluses out as a matter of policy, but that doesn’t mean we don’t come across records that deserve them from time to time.


We award this copy our very special Four Plus A++++ grade, which is strictly limited to pressings (really, individual sides of pressings) that take a given recording to a level we’ve never experienced before and had no idea could even exist. We estimate that about one per cent of the Hot Stamper pressings we come across in our shootouts earn this grade. You can’t get much more rare than that.

This Japanese 45 RPM remastering of our favorite recording of Prokofiev’s wonderful Lt. Kije Suite has DEMONSTRATION QUALITY SOUND. For starters, there are very few records with dynamics comparable to these. Since this is my favorite performance of all time, I can’t recommend the record any more highly.   

Most of what’s “bad” about a DG recording from 1978 is ameliorated with this pressing. The bass drum (drums?) here must be heard to be believed. We know of no Golden Age recording with as believable a presentation of the instrument as this.

When a particular pressing we’re auditioning takes the recording to a level significantly higher than our expectations, it gets our attention, big time. This can only happen with a record we know well. We thought we knew how good Lt. Kije on Japanese 45 could sound but we were wrong — this pressing is clearly better than the copy we would be proud to call White Hot, which means this one deserves an impossible sonic rating of eleven on a scale of one to ten.

Forget the logic. It’s not about that, it’s about the sound and the music, and we make no apologies for calling this copy Beyond White Hot. It blew our minds.

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Letter of the Week – “Closed, muffled and flat as a pancake.”

Hot Stamper Pressings of the Music of Miles Davis Available Now

Our good customer Bennett bought very expensive, top quality pressings of two killer Miles Davis albums from us recently.

His letter reads:

Hi Tom,

Last night I listened to my 2015 Mobile Fidelity 45 RPM pressing.

I couldn’t get through the first cut.

Closed, muffled and flat as a pancake. No life or energy whatsoever.

Bennett,

Agreed on all counts. My notes for their pressing read:

  • Thick, dark, flat.
  • Lacks air, space, presence.
  • Not a bad sound but it’s not right.

Thanks for  your letter,

Tom

PS

Having listened to the record more extensively, I see now I was being much too kind.

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A True Audiophile Pressing at 45 RPM to Shame Them All

More of the music of Sergei Prokofiev (1891-1953)

Reviews and Commentaries for the Music of Sergei Prokofiev

This Japanese 45 RPM remastering of our favorite recording of Prokofiev’s wonderful Lt. Kije Suite has DEMONSTRATION QUALITY SOUND. For starters, there are very few records with dynamics comparable to these. Since this is my favorite performance of all time, I can’t recommend the record any more highly. 

Most of what’s “bad” about a DG recording from 1978 is ameliorated with this pressing. The bass drum (drums?) here must be heard to be believed. We know of no Golden Age recording with as believable a presentation of the instrument as this.

The drum is clearly and precisely located at the back of the stage; even better, it’s as huge and powerful and room-filling as it would have been had you attended the session yourself. That’s our idea of hi-fidelity here at Better Records.

Real Dynamics

Over the course of this and many other shootouts, we’ve discovered that it’s practically impossible to find the right volume setting for this album. It’s so dynamic that no matter what volume you set it at the loud portions get too loud. There is a huge amount of deep bass on this recording and that, coupled with the practically unparalleled dynamics, means that you must have a great deal of amplifier power to reproduce this one properly. Either that or a very efficient speaker such as a horn. I confess I would need a great deal more power than I have at my disposal to get the climaxes of this recording to play cleanly.

The Best DG Recording

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