*Our Record Overview – The Really Not Good At All

Some records that didn’t sound very good to us.

Sergio Mendes – Sergio Mendes & Brasil ’66 – MoFi Debunked

More Sergio Mendes

More Sergio Mendes & Brasil ’66

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Sonic Grade: D

Hall of Shame pressing and another MoFi LP debunked. 

So spitty and thin! Why, in God’s name, why? (more…)

Bob Seger – Night Moves – MoFi Debunked

More Bob Seger

More Night Moves

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Sonic Grade: F

A Hall of Shame pressing and another Half Speed debunked.

The last time I played a copy of the MoFi I could not believe how ridiculously bright it was.  

Ron McMaster Strikes Again – Who Approved This Miserable Band Pressing?

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The Band on Heavy Vinyl

A Hall of Shame Pressing and another Heavy Vinyl LP debunked.

Flat, compressed, no top end, no Tubey Magic, this is Ron McMaster’s work at its worst, helped along by the fact that he does not have the original master tape or even a copy of it to work with, but instead the new remix that was made a few years back because the original tape had been lost. And somehow reviewers like it!
(more…)

Romantic Russia – Who on Earth Could Possibly Take This Kind of Sound Seriously?

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Borodin, Glinka & Mussorgsky / Romantic Russia / Solti

 

Sonic Grade: F

Another MoFi LP debunked.

A well-known reviewer has many kind things to say about this pressing, but we think it sounds like a hi-fi-ish version of a ’70s London, which means it’s opaque and the strings are badly lacking in Tubey Magic.

The bass is like jello on the MoFi, unlike the real London which has fairly decent bass.

More orchestral music conducted by Georg Solti

MoFi had a bad habit of making bright classical records. I suppose you could say they had a bad habit of making bright records in general. A few are dull, some are just right, but most of them are bright in one way or another. Dull playback equipment? An attempt to confuse detail with resolution? Whatever the reasons, the better and more accurate your equipment becomes, the most obvious this shortcoming will be. My tolerance for their phony EQ is at an all time low. But hey, that’s me. (more…)

Rimsky-Korsakov – Scheherazade – A Classic Records Disaster

More of the music of Rimsky-Korsakov (1844-1908) 

Scheherazade 

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Sonic Grade: F

Hall of Shame pressing and another Classic Records LP debunked.

In 2009 or 2010, during our testing of the TT Weights turntable products, the record I played again and again — close to a hundred times over the course of two days — was a wonderful White Dog pressing of LSC 2446. The sound was glorious, some of the best reproduction of large orchestra I have ever heard.  

(Harry Pearson disgraced himself even further by putting this Classic Record on his TAS List of Super Discs.)

A week later I was still testing the system, and again using Scheherazade. A friend brought over his Classic pressing, probably the same one I would have sold him in the mid-’90s. Now we could compare the two.

It was a massacre. The sound on the reissue is simply AWFUL. (more…)

Grieg / Music From Peer Gynt / Fiedler – A Cisco Disaster

More of the music of Edvard Grieg (1843-1907)

Music From Peer Gynt / Fiedler

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Sonic Grade: F

Hall of Shame pressing from Cisco / Impex

Pretty bad, on a par with the shrill crap Classic Records has been dishing out for years, but in the opposite tonal direction: dull and deadsville. (more…)

Paganini / Violin Concertos 1 & 2 – Fenn Music Debunked

More of the music of Niccolò Paganini

Violin Concertos 1 & 2

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Sonic Grade: F

Hall of Shame Pressing and another Heavy Vinyl Classical LP debunked.

We managed to get hold of the Heavy Vinyl pressing put out by Fenn Music in Germany, about which a well known record dealer on the web (you may recognize the style) had this to say:

Stunning Reissue Of EMI ASD 440 Recorded In Stereo In 1961. This Recording Featuring The Royal Philharmonic Conducted By Alberto Erede Provides Convincing Proof, If Any Were Needed, That Menuhin Was One Of The Great Violinists Of The 20th Century.

The “convincing proof” provided by this record is that those responsible for it are Rank Incompetents of the Worst Kind (see what I did there?). Screechy, bright, shrill, thin and harsh, it’s hard to imagine worse sound to be subjected to from this piece of Heavy Vinyl trash.

NO warmth. NO sweetness. NO richness. NO Tubey Magic. In other words, NO trace of the original’s (or the early reissue’s) analog sound. I may own at most one or two classical CDs that sound this bad, and I own quite a few. I have to wonder how records this awful get released. Then again, the Heavy Vinyl Buyer of today is not known for his discrimination; if he were Sundazed and Analogue Productions would have gone out of business many years ago. (more…)

Massenet – Le Cid Ballet Music – Klavier Debunked

More of the music of Jules Massenet (1842-1912) 

Le Cid Ballet Music 

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Sonic Grade: D

Hall of Shame pressing. 

This hi-fi-ish Doug Sax/ Acoustic Sounds re-butchering of the Fremaux on Klavier is insufferable. Back in the day audiophiles in droves bought them from all the major mail order audiophile record dealers (you know who I’m talking about), apparently not noticing the overblown bass and spark-spark-sparkling top end. (Perhaps the same audiophiles who think that Mobile Fidelity makes good sounding records?)

If your system needs boosted bass and highs try this Klavier pressing. Better yet, fix your stereo so you won’t need phony audiophile records like this one to make it sound good! (more…)

Massenet / Le Cid / Martinon – This Blueback Was Awful

More of the music of Jules Massenet (1842-1912) 

Le Cid / Martinon 

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Sonic Grade: F

Hall of Shame pressing. Don’t buy into that record collecting / audiophile canard that the originals are always better.

The original Blueback pressing — true, we only had the one, so take it for what it’s worth — was a complete disaster: shrill, with no top or bottom to speak of.  (more…)

Beethoven / 4th Movement of the Ninth Symphony / Mitzelfelt

More of the music of Ludwig van Beethoven

4th Movement of the Ninth Symphony / Mitzelfelt

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Sonic Grade: D

Hall of Shame pressing and another Audiophile Recording debunked.

Can’t find anything nice to say about this record.  It’s just awful.