*Our Record Overview – The Really Not Good At All

Some records that didn’t sound very good to us.

Jethro Tull – Aqualung – One of the Worst Releases on DCC (and That’s Saying Something!)

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More Aqualung

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Sonic Grade: F

A Hall of Shame pressing and another DCC LP debunked.

As bad as the MoFi is, the DCC is even worse. Murky and bloated, to my ear it does almost nothing right, not on vinyl anyway. I’ll bet you the DCC Gold CD is better, and it’s certainly nothing to write home about. 

Our Hot Stamper commentary below sorts out the DCC, the Classic Records Heavy Vinyl pressing and the MoFi Half-Speed Mastered LP, as well as British and domestic originals.

We love this album and we’ve played every kind of pressing we could get our hands on. The winner? Read on!

Over the course of the last 25 years we was wrong three ways from Sunday about our down-and-out friend Aqualung here. We originally liked the MoFi. When the DCC 180g came along we liked that one better, and a few years back I was somewhat enamored with some original British imports.

Our first big shootout disabused us of any notion that the British originals were properly mastered. As we noted in our Hot Stamper commentary, “The original Brits we played were pretty hopeless too: tubey magical but midrangy, bass-shy and compressed.” Another myth bites the dust.

(The same is true for Thick As A Brick; the best domestic copies are much more energetic and tonally correct.)

The Lovin’ Spoonful – Daydream on Sundazed Heavy Vinyl

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More Daydream

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Sonic Grade: D

The best sounding of the Lovin’ Spoonful records I’ve heard on Sundazed, which means that the others would get an F for sound. Don’t waste your money. I’d be surprised if the CDs weren’t better sounding. (Many Sundazed CDs are actually quite good.) 

 

 

Classic Records Stops Making Bad Records But Acoustic Sounds Picks Up Where They Left Off

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DATELINE 8/29/2010

Classic Records has officially gone under. They will not be missed, not by us anyway, except for this reason: to borrow a line from Richard Nixon, I guess we won’t have Classic Records to kick around anymore. We’ve been beating that dead horse since the day they started back in 1994. There are scores of commentaries on the site about their awful records for those who care about such things.

The last review we wrote for the remastered Scheherazade, which fittingly ended up in our Hall of Shame, is one in which we awarded it an equally fitting sonic grade of F.

TAS Superdisc List to this day? Of course it is!

With every improvement we’ve made to our system over the years, their records have somehow managed to sound progressively worse. (This is pretty much true for all Heavy Vinyl pressings, another good reason for our decision to stop carrying them in 2010.) That ought to tell you something. Better audio stops hiding and starts revealing the shortcomings of bad records. At the same time, and much more importantly, better audio reveals more and more of the strengths and beauty of good records.

(Which of course begs the question of what actually is a good record — what it is that makes one record good and another bad — but luckily for you dear reader, you are actually on a site that has much to say about those very issues. Every Hot Stamper commentary is fundamentally about the specific attributes that make one copy of a given album better than another, and how much of them you’re getting for your money with the unique pressing on offer.)

There are scores of commentaries on the site about the huge improvements in audio available to the discerning (and well-healed) audiophile as I’m sure you’ve read by now. It’s the reason Hot Stampers can and do sound dramatically better than their Heavy Vinyl or Audiophile counterparts: because your stereo is good enough to show you the difference.

With Old School equipment you will continue to be fooled by bad records, just as I and all my audio buds were fooled twenty and thirty years ago. Audio has improved immensely in that time. If you’re still playing Heavy Vinyl and Audiophile pressings there’s a world of sound you’re missing. We would love to help you find it.

One Hot Stamper just might be all it takes to get the ball rolling.

 

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Oh no, someone is going to keep pressing Classic’s shitty records! And selling them!

And wouldn’t you know it’s the same guys who’ve been making bad records since before Classic got into the game.

I advised them to dump them in a landfill but they apparently had other ideas.

So now it’s one stop shopping for all the bad sounding Heavy Vinyl you might be foolish enough to buy. Or perhaps you were misguided by the ridiculous comments and reviews pedaled on audiophile websites extolling the virtues of these pressings.

Don’t believe a word of it. You can count the good sounding records put out by these guys on one hand.  I honestly cannot think of one I would have in my house to tell you the truth.

Picture Of Heath – Pure Pleasure Reviewed

More Chet Baker / More Art Pepper

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Sonic Grade: D

Putatively remastered from the original analogue master tapes by that notorious hack Ron McMaster at Capitol Studios, this pressing is dramatically flatter and less musical than any original pressing (or Japanese pressing!) that we have ever played. The CD may very well be better.

Check out our Heavy Vinyl Scorecard to read all about the latest winners and losers.

Since we here at Better Records never tire of beating long-dead horses, let’s lay into a couple of our favorites: Heavy Vinyl reissues and CDs. When we play these “Shadows of the Real Thing”, so lacking in life and the analog magic of the best pressings, the one thing we can say about them consistently is that they’re a drag. They’re just no fun. They don’t give you the thrill this wonderful music is supposed to give you — can give you and does give you — if you have the right vinyl pressing. 

 

 

Queen – A Night at the Opera – A DCC Disaster

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Sonic Grade: F

Murky, opaque and compressed: yes, we can agree it has never been an especially good sounding record on anything but the most difficult to find UK pressings, but does it deserve this kind of mastering disrespect? Isn’t the idea to try and FIX what is wrong, rather than to make it worse? At collector prices no less. Don’t waste your money.

A Hall of Shame pressing and another DCC LP debunked. 

Check out our Heavy Vinyl Scorecard to read all about the latest winners and losers.

 

Jennifer Warnes The Hunter – A Cisco Disaster

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Sonic Grade: F

A Hall of Shame pressing from Cisco / Impex.

Some of the worst sound I have ever heard in my life. An absolute disgrace, both sonically and musically. 

Check out ouHeavy Vinyl Scorecard to read all about the latest winners and losers.

The Pretenders – Nautilus Debunked

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More The Pretenders – Pretenders

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Sonic Grade: D

A Hall of Shame pressing and another Half-Speed Mastered Audiophile Pressing Debunked

Completely lifeless. This pressing takes all the rock out of rock and roll. A ridiculous joke played on a far-too-credulous audiophile public.  

Steely Dan – Katy Lied – A MoFi that Beggars Belief

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Sonic Grade: F

A Hall of Shame pressing and another MoFi LP debunked.

By the time I was avidly collecting Mobile Fidelity records in the late ’70s this title had already gone out of print, one of the first to do so. My guess is that even the cloth-eared audiophiles at MoFi knew when they had a turkey on their hands and mercilessly put this one out to pasture. Yes, the sound is so bad that even MoFi could hear it. 

Compressed and lifeless as the screen speakers so popular at the time, it’s hard to imagine any version sounding worse than this one.

And yet I continued to play my copy, for enjoyment of course, oblivious — I must have been oblivious, right? — to the bad sound. (more…)

Jefferson Airplane – Surrealistic Pillow – A DCC Disaster

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Sonic Grade: F

A Hall of Shame pressing and another DCC LP debunked.

Sour and opaque, a major disappointment. You can do worse but it isn’t easy.

Hot Stamper Commentary from 2008

LOW DISTORTION, TONS OF ENERGY, and AMAZING TUBEY MAGIC on BOTH SIDES! You aren’t going to believe the RICHNESS, SWEETNESS, and WARMTH of the sound.  (more…)

Balalaika Favorites on Classic Records

More Mercury Recordings

More Balalaika Favorites

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Sonic Grade: D

Another Classic Records LP reviewed.

It’s been quite a while since I played the Classic pressing, but I remember it as unpleasantly hard and sour.