[This review was written in 2010. Since then I have played copies of these Crystal Clear organ recordings and been much less impressed. The ambience is a fraction of what it should be, and the reason I know that is that the vintage organ recordings I play have dramatically more size and space than these audiophile pressings do. Live and Learn.]
A distinguished member of the Better Records Orchestral Music Hall of Fame.
Are we changing our tune about Audiophile records? Not in the least; we love the ones that sound right. The fact that so few of them do is not our fault.
The methods used to make a given record are of no interest whatsoever to us. We clean and play the pressings that we have on hand and judge the sound and music according to a single standard that we set for all such recordings. Organ records, in this case, get judged against other organ records. If you’ve been an audiophile for forty years as I have you’ve heard plenty of organ records.
Practically every audiophile label on the planet produced at least one, and most made more than one. Some of the major labels made them by the dozen in the ’50s and ’60s, and many of those can sound quite wonderful.
Who made this one, how they made it or why they made it the way they did is none of our concern, nor in our mind should it be of any concern to you. The music, the sound and the surfaces are what are important in a record, nothing else.
Richter was making recordings of this caliber for London and Philips in the late ’50 and all through the ’60s. Clearly the direct to disc process is not revelatory when it comes to organ records (or any other records for that matter), but finding vintage Londons with quiet vinyl that sound as good as this disc does is neither easy nor cheap these days, so we are happy to offer our Bach loving customers a chance to hear these classic works sounding as good as they can outside of a church or concert hall.
- White Hot on both sides, a DEMO DISC quality organ Direct to Disc recording
- Full, rich, spacious, big and transparent, with no smear
- The size and power of a huge church organ captured in glorious direct to disc analog
- We’ve never been fans of Crystal Clear, but even we must admit this recording is Hard To Fault
Toccata, Adagio and Fugue (J.S. Bach)
Toccata and Fugue in D Minor (J.S. Bach)
Toccata Fom the Symphonie Concertante (J. Jongen)
Wikipedia on Bach
Bach was best known during his lifetime as an organist, organ consultant, and composer of organ works in both the traditional German free genres—such as preludes, fantasias, and toccatas—and stricter forms, such as chorale preludes and fugues.
At a young age, he established a reputation for his great creativity and ability to integrate foreign styles into his organ works. A decidedly North German influence was exerted by Georg Böhm, with whom Bach came into contact in Lüneburg, and Dieterich Buxtehude, whom the young organist visited in Lübeck in 1704 on an extended leave of absence from his job in Arnstadt. Around this time, Bach copied the works of numerous French and Italian composers to gain insights into their compositional languages, and later arranged violin concertos by Vivaldi and others for organ and harpsichord.
During his most productive period (1708–14) he composed several pairs of preludes and fugues and toccatas and fugues, and the Orgelbüchlein (“Little organ book”), an unfinished collection of 46 short chorale preludes that demonstrates compositional techniques in the setting of chorale tunes. After leaving Weimar, Bach wrote less for organ, although his best-known works (the six trio sonatas, the “German Organ Mass” in Clavier-Übung III from 1739, and the Great Eighteen chorales, revised late in his life) were all composed after his leaving Weimar. Bach was extensively engaged later in his life in consulting on organ projects, testing newly built organs, and dedicating organs in afternoon recitals.
Wikipedia on Fox
Virgil Keel Fox (May 3, 1912–October 25, 1980) was an American organist, known especially for his flamboyant “Heavy Organ” concerts of the music of Bach. These events appealed to audiences in the 1970s who were more familiar with rock ‘n’ roll music, and were staged complete with light shows. His many recordings made on the RCA Victor and Capitol labels, mostly in the 1950s and 1960s, have been re-mastered and re-released on compact disc in recent years. They continue to be widely available in mainstream music stores.