*Our Record Overview – The Good

Carly Simon – What to Listen For

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of the album.

Too many copies we played erred on the hi-fi-ish side, with not enough warmth. The copies that sound incredibly clean and clear just didn’t do much for us; they weren’t able to convey the intimacy and emotion of the music.

I’m sure you’ve had a similar experience playing CDs of some of your old favorites. You keep wondering why you liked the music in the first place. Don’t blame the music. Blame those crappy CDs. 

TRACK LISTING

Side One

That’s The Way I’ve Always Heard It Should Be
Alone
One More Time
The Best Thing
Just A Sinner

Side Two

Dan, My Fling
Another Door
Reunions
Rolling Down The Hills
The Love’s Still Growing

Review

Carly Simon was mostly well received by critics when released. Timothy Crouse, writing in Rolling Stone, stated “Carly’s voice perfectly matches her material” and her “…superbly controlled voice is complemented by deft arrangements.”

In more recent years, William Ruhlmann, writing for Allmusic, gave the album a three and a half star rating out of a possible five, and stated “That’s the Way I’ve Always Heard It Should Be” and “Dan, My Fling”, were the stand-out tracks.

Simon stated in the Ask Carly section on her website that “Reunions” was her mother’s—Andrea Simon—favorite song of hers.

Wikipedia

Genesis – Trespass

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  • Only the second Shootout Winning copy to ever hit the site and boy is it KILLER! Triple Plus (A+++) sound on both sides 
  • About as quiet as these British copies come – Mint Minus Minus throughout
  • “… “tasteful, subtle and refined” – Melody Maker

This original pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds. (more…)

Bruce Springsteen – Darkness On The Edge Of Town – Cleaner and Clearer than You Might Think

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We used to say that Springsteen recordings from this era always suffered from some grit and grain. With the better cleaning technologies we employ now, and dramatically better playback quality as well, much of that gritty, grainy sound is simply no longer a problem. That change and the others like it come under the general heading of Revolutionary Changes in Audio. It’s what real Progress in Audio is all about. 

It’s not easy to find good sound on this record — or any Springsteen album, for that matter — but the better copies prove that this is a much better recording than we ever gave it credit for. Full and solid with a big, punchy bottom end, this pressing has the kind of energy and power to really communicate the passion and excitement of the music. (more…)

Tony Bennett & Count Basie – Strike Up The Band on Emus

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  • You’ll find outstanding Double Plus (A++) sound on this Emus pressing of Count Basie and Tony Bennett’s 1959 classic collaboration 
  • The originals we have played are uniformly horrible sounding compared to these wonderful reissues – the tonality here is Right On The Money
  • 4 1/2 stars: “… the pairing between Bennett and Basie remains impressive. The band raves through tunes like “With Plenty Of Money And You,” and Bennett matches them, drawing strength from the bravura arrangements, while band and singer achieve a knowing tenderness on “Growing Pains.” This is an album well worth owning…”

This vintage pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds. (more…)

Benny Carter – Jazz Giant – Amazing in Mono

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A distinguished member of the Better Records Jazz Hall of Fame

This Contemporary Yellow Label Mono LP has DEMO DISC QUALITY SOUND! If you like the sound of Contemporary Records, you won’t find a better example than this! Midrange magic doesn’t get anymore magical. I don’t care who remasters this record, I don’t think they can do it as well as it was done in 1958.    

I haven’t heard the new 45 RPM version, but I seriously doubt that it sounds like this.

 

Steely Dan – Gaucho – Listening In Depth

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Another in our series of Home Audio Exercises with specific advice on What to Listen For (WTLF) as you critically evaluate your copy of Gaucho, the last of the Must Own Steely Dan albums. 

Of all the great albums Steely Dan made, and that means their seven original albums and nothing that came after, there are only three in our opinion that actually support their reputation as studio wizards and recording geniuses.

Chronologically they are Pretzel Logic, Aja, and Gaucho. Every sound captured on these albums is so carefully crafted and considered that it practically brings one to tears to contemplate what the defective DBX noise reduction system did to the work of genius that is Katy Lied, their best album and the worst sounding. (Those cymbal crashes can really mess with your mind if you let them. To get a better picture of the DBX sound just bang two trash can lids together as close to your head as possible.)

The first two albums can sound very good, as can Royal Scam, but none of those can compete with The Big Three mentioned above for sonics. A Hot Stamper copy of any of them would be a seriously good sounding record indeed. (more…)

Sergio Mendes – Look Around – Then Listen for the Huge Room on Roda

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Another in our series of Home Audio Exercises

If you have a good copy of Look Around and a high-rez stereo/room and want to have some fun, play the second track on side one, Roda. In the left channel there is some double-tracked clapping (or two people, how could you tell the difference?) in a HUGE room. Actually although it sounds like a huge room it’s probably a normal sized room with lots of reverb added. Either way it sounds awesome. 

These hand claps drive the energy and rhythm of the song, and they are so well recorded you will think the back wall of your listening room just collapsed behind the left speaker. On the truly transparent copies the echo goes WAY back. (more…)

Richard & Linda Thompson – Shoot Out The Lights – Bigger, Taller, Wider, Deeper

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Another in our series of Home Audio Exercises with advice on what to listen for (WTLF).

One of the qualities we don’t talk about nearly enough on the site is the SIZE of a record’s presentation. Some copies of the album don’t extend all the way to the outside edges of the speakers, and don’t seem to take up all the space from the floor to the ceiling. Other copies do, creating a huge soundfield from which the instruments and voices positively jump out of the speakers. 

When you hear a copy that can do that, needless to say (at least to anyone who’s actually bought some of our best Hot Stamper pressings) it’s an entirely different listening experience.

With constant improvements to the system Shoot Out is now so powerful a recording that we had no choice but to add it to our Top 100 list in 2014, but we would go even further than that and say that it would belong on a list of the Top Ten Best Sounding Rock Records of All Time. (more…)

Santana’s Guitar Solos Soar on Inner Secrets

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of the album.

On side two the final guitar solo Santana takes on Well All Right gets LOUDER in the mix than any guitar solo on any rock record with which I am familiar. The sound gets louder after the first chorus, then louder still right before the second solo, and then the solo itself gets even louder until it seems to be as loud as live music. (Operative word: seems.)

Some copies get loud and some do not. Some stereos are dynamic and some are not. If you have the right stereo, set at the right volume, and THIS copy, you will hear something that not one out of one hundred audiophiles (or music lovers) have ever heard on a record — LIVE ROCK SOUND. (more…)

John Coltrane’s A Love Supreme – Better Sounding than the Original Pressings?

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A distinguished member of the Better Records Jazz Hall of Fame.

The original Impulse pressings on the brown and orange label are the best, right?

Not in our experience. We think that plays into one of the biggest canards in all of record collecting, that the first pressings are always the best sounding.

For this album, having sampled a large group of pressings from every era, we found the originals to be inferior to the best reissues we played. Naturally the ones we offer here as Hot Stampers will be the best of those reissue pressings. We are not the least bit worried that this vintage Impulse LP won’t beat the pants off of any original as well as any reissue you may have heard. And of course it is guaranteed to be dramatically better sounding than any Heavy Vinyl pressing produced by anyone, anywhere, at any time. (more…)