- A superb sounding original stereo copy with solid Double Plus (A++) sound or very close to it on both sides – exceptionally quiet vinyl too!
- Bigger and richer, with lovely Tubey Magic and breathy vocals, this Tri-Color Reprise pressing lets us hear Sammy at the peak of his powers performing some of Nat’s most memorable songs
- 4 Stars: “Alongside Cole’s collaborator, Billy May, and notable jazz arranger Claus Ogerman, Davis and company turned in one of the finest and most underrated efforts.”
- An amazing copy of this Prog Blockbuster, with Shootout Winning Triple Plus (A+++) sound on the first side and solid Double Plus (A++) sound on the second – super quiet vinyl too, as quiet as any copy we have ever listed
- An incredibly complex recording, with huge organs, light-speed changes and an abundance of multi-tracked parts
- A recording that will push even the highest quality, most heavily tweaked stereo to its limits – if you can play this record good and loud, you can play anything
- 5 stars: “Close to the Edge represented the musical, lyrical, and sonic culmination of all that Yes had worked toward over the past five years. In 1972, Close to the Edge was a flawless masterpiece.”
This vintage Atlantic pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)
- With STUNNING Shootout Winning Triple Plus (A+++) sound or very close to it on both sides, this copy is one of the best we have ever heard
- It’s all here: huge amounts of rock solid bass, clear guitar transients, breathy, natural vocals, and jump out of the speakers presence and energy
- A real Demo Disc at high volumes on the right system – Modern Love, China Girl and the title track are knockouts when you play them good and loud
- Top 100 of course – Let’s Dance is one of the best sounding Bowie albums ever recorded – this superb pressing is proof!
Bowie is without question one of the all-time great frontmen and producers. This is his last good album and a Must Own for audiophiles, especially if you have big dynamic speakers. Like we say, with this one you are in for a treat.
Hearing a top copy of Let’s Dance is truly a special experience; the damn thing is amazingly well recorded, especially considering it came along well after the Golden Age of Rock Recording (the ’60s and ’70s, don’t you know). The sound is analog at its best; rich, full and super-punchy. (more…)
- This outstanding copy of Steppenwolf’s debut album boasts solid Double Plus (A++) sound from first note to last
- Both sides here are really rockin’ — big and full-bodied with tight punchy bass and lots of energy
- Condition is often an issue with extremely popular rock records from this era, but this one is scratch free and fairly quiet throughout
- Includes killer hits “Born To Be Wild” and “The Pusher,” both featured in the 1969 movie Easy Rider
- 4 stars: “…a surprisingly strong debut album from a tight hard rock outfit… The playing is about as loud and powerful as anything being put out by a major record label in 1968…”
- An outstanding copy with Shootout Winning Triple Plus (A+++) sound on the second side and solid Double Plus (A++) sound on the first
- These sides are rich, sweet and Tubey Magical with wonderfully breathy vocals and lots of space around all of the players
- “The pair made the most of their first collaboration, devising a program of 12 standards that combined Riddle’s pugnacious yet intricate arrangements with Clooney’s warm, grand vocals to create a swing record with feeling… Vocalist fits together with orchestra like hand in glove…” – All Music
- Surprisingly rich and natural – dare we say Analog? – sound throughout – both sides came out on top, with Triple Plus (A+++) grades – exceptionally quiet vinyl too
- Forget the dubby domestic pressings and whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magic, size and energy of this wonderful Brit Pop album, an import pressing like this one is the only way to go
- “… a set of tunes aimed squarely at the charts. The one that succeeded most spectacularly, of course, was the title cut, a glossily-updated Motown-style ballad that became one of the decade’s biggest hits — aided by a video that cast singer Tony Hadley as a young Frank Sinatra, crooning about the sound of his soul.
Forget the dubby domestic pressings. Like so many British bands on the Chrysalis label, when it came time to master the album for our domestic market, not theirs, the people in charge (whoever they may have been) took the easy way out and simply ordered up a dub of the tape to send across the pond.
Too many wonderful albums by highly accomplished bands had their records ruined by sub-generation masters. (Ruined for audiophiles. The general public couldn’t care less.) (more…)
- This outstanding pressing of Stevie Ray Vaughan and Double Trouble’s sophomore album boasts solid Double Plus (A++) sound on both sides – fairly quiet too
- The bass is big, the overall presentation is huge, and the energy is jumpin’ on this early pressing – this is the right sound for SRV’s hard-chargin’ Electric Blues
- 4 stars: “Stevie Ray Vaughan’s second album, Couldn’t Stand the Weather, pretty much did everything a second album should do: it confirmed that the acclaimed debut was no fluke, while matching, if not bettering, the sales of its predecessor, thereby cementing Vaughan’s status as a giant of modern blues.”
Excellent sound for this Stevie Ray classic! Just picture yourself in a blues club. Now imagine the volume being about ten times as loud. This is the kind of music you would hear and it would tend to sound pretty much like this, a bit messy but also real. If you’re one of those audiophiles who likes pinpoint imaging, forget it. They were going for the “live in the studio” sound with this one, which means it’s a bit of a jumble image-wise. But that’s the way you would hear it in a blues club, so where’s the harm? (more…)
A distinguished member of the Better Records Rock and Pop Hall of Fame.
Man’s Temptation, track 3 on side one, has got some seriously bright EQ happening (reminiscent of the first BS&T album), so if that song even sounds tolerable in the midrange you are doing better than expected.
What you get with this copy is some of the most transparent, lowest distortion, cleanest cutting we’ve ever heard. This copy is high-rez like you will not believe, with an unusually extended top end on both sides.
Turn It Up
Most copies are far too bright and phony sounding to turn up loud; the distortion and grit are just too much at higher volumes. On a copy like this, with more correct tonality and an overall freedom from distortion, you can TURN IT UP and LET IT ROCK.
Season of the Witch sounds amazing at loud levels on this copy, with its big build-ups and quiet breakdowns. It is nothing less than a thrill to just let it blast away at the levels we were listening at. The band is RIGHT THERE.
A++, big and clear with absolutely ZERO smear! The bass is solid and tight, and there’s more transparency here than on the typical pressing. So good!
We awarded this side a rare A++++ grade, reserved for the kind of sound that makes us completely rethink the possibilities of a recording! Super spacious and three-dimensional with an amazingly extended top end, this absolutely blew away everything else in our shootout. Rich and Tubey Magical with incredible energy and no smear at all, this is doing everything we want it to. AMAZING! (more…)
Sonic Grade: B
Another MoFi LP reviewed.
Super Session is one of the best-sounding MoFi pressings. The midrange sounds wonderful — silky sweet and transparent. Not having been cut by Stan Ricker, the top end doesn’t have that SR/2 boost. Overall it’s a very nice sounding record, and the music just can’t be beat.
A distinguished member of the Better Records Orchestral Music Hall of Fame.
Another remarkable Demo Disc from the Golden Age of recording, in this case 1961, with the benefit of more modern mastering from the ’70s, a combination that works wonders on this title, as you will hear from both of these White Hot sides.
The sound is so transparent, undistorted, three-dimensional and REAL, without any sacrifice in solidity, richness or Tubey Magic, that we knew we had our shootout winner with this copy.
It simply could not be beat: no other copy excelled in so many areas of reproduction whilst striking the ideal balance between soloist and orchestra. (more…)