Older Reviews – Blues, R’n’B, Soul, etc.

Albert King – Born Under a Bad Sign – Where Are All the Clean Copies?

A Record We May Never Shootout Again

Some records were just too much work to find, too expensive to buy.

This is one such album. Our last shootout was in 2007!

The link above will take you to many more.

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This original Stax LP has AMAZING sound. You could not make this record sound any better. We really liked the Sundazed copy of this record until we heard this bad boy. It MURDERS the Sundazed! It has more life, energy and natural presence.

We always suspected that a good original pressing would be better than the Sundazed but we had no way of knowing since all the copies we ever saw were beat to death. This is the first clean copy of this record I’ve seen in 20 years.

The sound is RICH and FULL with lots of texture to the guitars. It’s very natural sounding and full-bodied.

Like many of these old Stax pressings this record would benefit from a bit more extension on the top end. If you can add a a click of treble the sound will be even more out of this world.

One of the all time great electric blues albums — a Must Own for fans of the genre (more…)

Average White Band – Cut The Cake

More Average White Band 

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We’ve always been big fans of their AWB album, but it was only recently that we discovered how good Cut The Cake can sound on the right pressing. Most of the copies we’ve heard over the years have sounded flat and dry, but we got a hold of a hot one here! All Music Guide calls it “one of their finest, most engaging albums” and when it sounds this good, we sure aren’t going to argue!

Check out the title track and School Boy Crush for some funky fun with great sound! (more…)

Taj Mahal – Live & Direct (Direct to Disc)

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This is a Minty looking Crystal Clear Direct-to-Disc LP with Very Little Sign of Play. It’s an EXTREMELY rare title, one of the rarest and best Crystal Clear Direct Discs, with very good sound as I recall. 

“… several outstanding performances by Taj and his International Rhythm Band. Indeed, ‘Little Brown Dog’ catches Taj in one of his transcendental live moments when he gets so down in the groove you never want him to stop.” – AMG Review

Otis Redding – Good To Me – Live at the Whisky A Go Go Volume 2 – Reviewed in the ’90s

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A distinguished member of the Better Records Rock and Pop Hall of Fame

This Stax British Import is a Better Records highly recommended recording. If I had to choose one Otis Redding record to keep, this would be the one! As good as his studio albums are, the guy was MAGICAL live. (more…)

Roberta Flack – Chapter Two

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This is the best sounding Roberta Flack solo album to ever hit the site! (I say “solo” because the best copies of Flack / Hathaway are also incredible.)

We fell hard for this album when we started comparing these a while back but it has taken us until now to finally get a copy listed. Most in the bins are way too noisy for us to sell and few of them sound anything like this! If you’re a Roberta Flack fan or just enjoy amazing sounding soul music, you won’t want to miss out on this one!

It’s a matter of opinion, of course, but for my money the opener “Reverend Lee” is the best song on here. Roberta absolutely knocks that one outta the park and on a copy like this one it is magical. (more…)

Sly and The Family Stone – Greatest Hits – Our Shootout Winner from 2008

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Finally, a Triple Plus side for Sly’s Greatest Hits album, the first time this album has EVER sounded the way it is supposed to! Man, most copies of this album just plain suck — sonically of course. Musically I have to second the sentiments of the writer for AMG who noted: “Music is rarely as vivacious, vigorous, and vibrant as this, and captured on one album, the spirit, sound, and songs of Sly & the Family Stone are all the more stunning.” So true.

No side one had the ultimate sound we were looking for. This side one earned an A+, best in the shootout, but far from perfect. It’s tonally correct and not nearly as smeary and sub-gen as most copies, but it sure doesn’t sound like side two. That side blew every copy we played out of the water. Nothing came within two pluses. I can’t remember when that happened last. It might never have. (more…)

Young-Holt Unlimited – Oh Girl

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This is a very nice looking Atlantic LP with AMAZING SOUND! The sound just JUMPS out of the speakers as soon as the needle hits the groove. If more records sounded like this I’d be out of a job — you wouldn’t need me to find good pressings for you. Records like this in my experience are the exception not the rule. Few of these have survived, so I have no other copies to compare to this one.

I can tell you this: the ‘4 Men With Beards’ 180g pressing is a pretty pale imitation of the sound on this album.

John Mayall – Empty Rooms

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A distinguished member of the Better Records Rock and Pop Hall of Fame

With only keyboards, guitars, saxes and flutes — the absence of a drummer is especially noteworthy — the group creates a mystical, low-key atmosphere in the studio within which JM tells his stories. In other words, it’s different. When it comes to John Mayall’s recorded works, that’s not a bad thing. 

We’ve auditioned a good dozen or more of his albums over the years, most of which we found interesting but not especially compelling (not at our prices anyway). He averaged about two albums a year through the ’60s and ’70s and on most of the ones we’ve played it seems that he struggled to come up with material good enough to fill them all.

That said, we took a liking to this one and proudly offer it here for the first time.

Side One

Excellent energy and vocal presence. Clear and full, with good lots of studio space.

The second and third tracks tended to sound better to us than the first by the way.

Side Two

Natural and balanced, with rich and tubey 1970 sound. The second track is especially Tubey Magical and smooth in the right way. (more…)

Tower of Power – Back To Oakland

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When you hear it on a Hot Stamper like this, there is little in the recording to criticize. The brass is textured with just the right amount of bite (but not to the point of sounding gritty). In addition, the soundstage is wide and three-dimensional, with the kind of transparency that allows you to hear into the music all the way to the back wall of the studio (assuming your system resolves that kind of information).

The most obvious effect is that all the horns are separated out from one another, not all smeared together, with plenty of space around the drums, guitars and vocals as well. The sound is freely flowing from the speakers, not stuck inside them.

We love this funky music and have long been delighted with how wonderful the best pressings can sound. This may be Tower of Power’s best; certainly it’s one of their most consistent and well-recorded. (more…)

Stevie Wonder – Fulfillingness’ First Finale – Our Shootout Winner from 2011

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A distinguished member of the Better Records Rock Hall of Fame.

EXCELLENT SOUND ON BOTH SIDES on this White Hot Stamper pressing of the great follow-up to Innervisions! We’ve been collecting clean copies for ages and were able to have a MASSIVE shootout for this album, so I can say with complete confidence that you will not find a better sounding copy of this album no matter what you do! Both sides are warm, rich and natural with excellent immediacy to the vocals. The drums are clear and crisp, the bass has real weight, and the overall sound is big and lively.

It’s very difficult to find copies of Stevie’s albums that sound great and play quietly. I know many of you are aware of this because we get so many requests for Hot Stamper pressings of his various albums. You might be able to get quiet vinyl on the Japanese Stevie pressings, but you won’t find The Real Sound — no way, no how.

The vinyl on this copy plays between Mint Minus Minus and Mint Minus — not too bad but far from silent. There’s constant light to moderate noise behind the music, particularly audible in the quietest passages. It’s a small price to pay to get sound this good for music this important, but it’s not a record for anyone who demands Minty vinyl. If you can’t live with a little surface noise, you probably won’t ever hear any of Stevie’s classic albums sound as amazing as this one does. (more…)