This very nice looking Epic Demo LP sounds about as good as you could hope for from this famously compromised recording. Some tracks sound great and others don’t. It’s not a Demo Disc by any stretch but I can’t imagine it sounding much better than it does here; it’s tonally correct from top to bottom. Almost any remastering engineer is going to want to brighten this up, but believe me that will ruin it and turn it into the dry, grainy, transistory crap that labels like Sundazed and Get Back like to put out. The music is wonderful, of course, earning 5 big stars in the All Music Guide.(more…)
THE BEST SOUND I HAVE EVER HEARD FOR THIS ALBUM! We’ve been playing this album for years, but we’ve sure never heard it sound like this. Both sides have BIG, FULL-BODIED SOUND that takes this soulful music to an entirely new level.
Both sides here are AGAIG — As Good As It Gets, Master Tape Sound. The overall sound is open, spacious, and transparent with lots of DEEP bass. You can easily pick out all the background vocals, and Bowie’s voice sounds just right. The strings have amazing amounts of texture — you can really hear the sound of the rosin on the bow. The highs are silky sweet and the bottom end is punchy and powerful. You won’t believe how superb the cymbal crashes sound — you’re right there in the room with these guys!(more…)
EXCELLENT MUSIC AND SURPRISINGLY GOOD SOUND! We picked up this Epic Yellow Label Promo LP just for fun because someone here remembered liking this album back in the day. When we cleaned it up and dropped the needle on it, we couldn’t believe how CORRECT it sounded. It’s not going to ever make anyone’s SuperDisc list, but if you dig funky, energetic, soul music from the late ’60s, you can’t do much better than this record. It’s right up there with Sly’s next two albums, Stand! and There’s A Riot Goin’ On.
The sound is lively with wonderful presence. You can really hear the room around the handclaps and lots of ambience around the voices. The bottom end is tight and punchy — just what the doctor ordered for this kind of music. The electric guitars have a great, meaty texture that takes a song like Dynamite to new heights. There’s just a bit of congestion in the craziest parts of the songs, but overall there’s surprisingly low distortion here. The top end could use just a bit more extension, so add a click of treble to make the sound even better. (more…)