Mobile Fidelity

Bad Santana LPs

santamofi

This is one of the MoFi LPs we’ve reviewed on the site. This MoFi link will take you to reviews of more than 90 more.

We also have a Hall of Shame for bad sounding records such as these. It currently has 250 members but could easily have double that if someone wanted to take the time to make entries for all the bad audiophile pressings we’ve played over the years. (That person would have to be me and I don’t want to do it.)

Santana is a record we admit to having liked a bit when it first came out. Since then we have changed our minds. As embarrassing as it may be, clearly We Was Wrong.

It’s just too damn compressed and lifeless. The Whomp Factor on this pressing is Zero. Since whomp is critical to the sound of Santana’s music, it’s Game Over for us. The review below is exactly what we wrote at the time the record came in. We tried to like it, but it’s clear to us now that we tried to like it too hard. Please accept our apologies.

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A Dirty Trick Played on the Audiophile Public

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Genesis – A Trick Of The Tail

MoFi Debunked

Sonic Grade: F

A Hall of Shame pressing and another Half Speed debunked.

The last time I played the MoFi I could not believe how ridiculously COMPRESSED it was. On top of that, the midrange is badly sucked out (as is the case with most MoFi’s) making the sound as dead as dead can be. You think 180 gram records are lifeless? Play this piece of crap and see just how bad an audiophile record can sound.

See all of our Genesis albums in stock

And to think I used to like this version! I hope I had a better copy back in the ’80s than the one I played a few years ago. I’ll never know of course. If you have one in your collection give it a spin. See if it sounds as bad as we predict it will.

One of the Great Audio Disasters, Circa 1980

More Aja

 

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Steely Dan – Aja

Sonic Grade: F
 
More Mofi Bashing, But Boy Does The MOFI Deserve It.

I remember back in the ’70s when I thought this album sounded pretty good on my plain old ABC original. Then I got a copy of the Mobile Fidelity pressing and I thought it sounded even better. Side two of the MoFi had bass that was only hinted at on my domestic copy.

Sometime in the ’80s I realized that the MoFi was hideously phony sounding, and that all the bass on side two was boosted far out of proportion to what was on the master tape. The song Home At Last must have at least an extra five DBs added at 40 cycles. It’s ridiculous.

And that’s just the bottom end; the highs are every bit as wrong. (more…)

Latest Thoughts on Let It Be

 

Yet another album we are clearly obsessed with

Click on the link below to pull up the many reviews and commentaries we’ve written, as well as Hot Stamper copies that are currently available on the site.

LET IT BE

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Including:

A top copy, the MoFi, the new Heavy Vinyl pressing, What to Listen For and our take on the Bell Sound domestic original.

Ridiculously Phony and Compressed Sound – The Beatles on MoFi

More about The White Album

beatlwhitemfslSonic Grade: D

Another MoFi LP debunked.

The last time I played a copy of the MoFi I could not believe how ridiculously phony and compressed it was. And to think I used to like their version when it came out back in the ’80s!

A good example: on Yer Blues, the MFSL pressing positively wreaks havoc with all the added bass and top end The Beatles put on this track. The MoFi version is already too bright, and has sloppy bass to start with, so the result on this track is way too much BAD bass and way too much BAD spitty 10k-boosted treble, unlike the good imports, which have way too much GOOD bass and treble.

Yer Blues ROCKS! Listen to the big jam at the end of the song, where John’s vocal mic is turned off but his performance is still caught by a room or overheard mic. They obviously did this on purpose, killing his vocal track so that the “leaked” vocal could be heard.

Those crazy Beatles! It’s more than just a cool “effect”. It actually seems to kick the energy and power of the song up a notch. It’s clearly an accident, but an accident that works. I rather doubt George Martin approved. That kind of “throw the rule book out” approach is what makes Beatles recordings so fascinating, and The White Album the most fascinating of them all.

The EQ for this song is also a good example of something The Beatles were experimenting with, as detailed in their recording sessions and interviews with the engineers. They were pushing the boundaries of normal EQ, of how much bass and treble a track could have. This track has seriously boosted bass, way too much, but somehow it works!
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Today’s Half-Speed Mastered Disaster is Abandoned Luncheonette

Sonic Grade: D

A Hall of Shame pressing and another MoFi LP debunked.

Those of you who have had the misfortune to play the MoFi LP know that they absolutely ruined this album. They boosted the hell out of the top end, the last thing in the world this recording needed.

Actually, that’s probably not true. People who collect MoFi records probably like the kind of phony sound found on the MoFi of this title.

To the extent that a MoFi collector is not happy with the sound, my guess is he would more than likely place the blame on the recording, not the mastering.

Of course, since such a collector would never lower himself to buy a plain old domestic copy of the record, he would have no way of knowing that it trounces his so-called audiophile pressing. If your stereo likes that MoFi sound in this day and age, you shouldn’t be buying records. You should be buying new equipment. (more…)

Romantic Russia on MoFi

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Borodin, Glinka & Mussorgsky / Romantic Russia / Solti

MoFi Debunked

Sonic Grade: D

Another MoFi LP debunked.

A well-known reviewer has many kind things to say about this pressing, but we think it sounds like a hi-fi-ish version of a ’70s London, which means it’s opaque and the strings are badly lacking in Tubey Magic. The bass is like jello on the MoFi, unlike the real London which has fairly decent bass.

More orchestral music conducted by Georg Solti

MoFi had a bad habit of making bright classical records. I suppose you could say they had a bad habit of making bright records in general. A few are dull, some are just right, but most of them are bright in one way or another. Dull playback equipment? An attempt to confuse detail with resolution? Whatever the reasons, the better and more accurate your equipment becomes, the most obvious this shortcoming will be. My tolerance for their phony EQ is at an all time low. But hey, that’s me. (more…)

Surfer Girl Takes MoFi Spit to a New Level

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MoFi Debunked

Sonic Grade: F

A Hall of Shame pressing

I played the MoFi pressing of this record many years ago, some time back in the early ’90s if memory serves, and at the time I could hardly believe that the good people of MoFi would release a record that was so ridiculously SPITTY. The sibilance is positively out of control, the result of their wacky cutting system and phony EQ.

But then I remembered that there has never been a title produced by these people with sound so bad that they would have cancelled its release,

The audiophile public was clamoring for remastered pressings of their favorite albums and MoFi saw it as their duty to serve them.

In other words, to paraphrase a famous wag, their fans had spoken and now they must be punished.

It started with their execrable remastering of Katy Lied and continued all the way to the turgid muck of the Anadisc series and beyond. Those who have visited our Hall of Shame have seen many of their worst productions on display. If we had more time to write listings for them I’m sure I could come up with double or triple the number that are in there now.

More Beach Boys

 

Traveling Back in Time with Cat Stevens on MoFi


stevensteafomofi

 

to Hear It on Vintage Equipment

Our good customer Roger wrote us a letter years ago about his MoFi TEA FOR THE TILLERMAN, in which he remarked, “Sometimes I wish I kept my old crappy stereo to see if I could now tell what it was that made these audiophile pressings so attractive then.”

It got me to thinking. Yes, that would be fun, and better yet, it could be done. There are actually plenty of those Old School systems still around. Just look at what many of the forum posters — god bless ’em — are running. They’ve got some awesome ’70s Japanese turntables, some Monster Cable and some vintage tube gear and speakers going all the way back to the ’50s.

With this stuff you could in effect travel back in time, virtually erasing all the audio progress of the last 30 years. Then you could hear your MoFi Tea for the Tillerman sound the way it used to when you could actually stand to be in the same room with it.
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Audiophile Ineptitude Incarnate

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Sticky Fingers on MoFi

Sonic Grade: F

A Hall of Shame pressing and another MoFi LP debunked.
The MoFi pressing of this album is a joke. It’s so compressed, lifeless, and lacking in bottom end that it would hardly interfere with even the most polite conversation at a wine tasting. I consider it one of the worst sounding versions ot the album ever made. It’s an Audiophile Record in the worst sense of the word.

A well-known reviewer actually — I kid you not — was still defending the sound of the MoFi as late as 2010. In one of his reviews earlier in 2008 he used it to test a piece of equipment he was evaluating! I kid you not.

In 2010 he wrote this:

Mo-Fi’s half-speed mastered edition (MFSL 1-060) was controversial when issued in 1980, with its jacked up lower bass, icy top end, sucked out midrange and low overall level. I’ll tell you though, as my system has improved, the more I’ve come to appreciate it. It offers outstanding focus and clarity and its portrayal of inner detail and transient snap is unsurpassed. Admittedly the sound is not for everybody.

 

It’s not for me, that’s for damn sure.

MORE STICKY FINGERS