Miscellaneous

If You Like Power Pop, Check Out the Big Beat of The Knack’s Drummer, Bruce Gary

We rarely have Get The Knack in stock, but we do have

Other Debut Albums of Interest

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This Monster Power Pop Debut by the Knack is an AMAZINGLY well-recorded album, with the kind of Wall to Wall Big Beat Live Rock Sound that rivals Back in Black and Nevermind — if you’re lucky enough to have a copy that sounds like this! (If you’re not then it doesn’t.)

This is a Rock Demo Disc that is very likely to lay waste to whatever rock demo disc you currently treasure. My Sharona is simply STUNNING here. You just can’t record drums and bass any better! 

And let’s not forget the song Lucinda. It’s got exactly the same incredibly meaty, grungy, ballsy sound that Back in Black does, but it managed to do it in 1979, a year earlier!

Mike Chapman produced this album and clearly he is an audiophile production genius. With a pair of Number One charting, amazing sounding Pop albums back to back — Blondie’s Parallel Lines in 1978 and this album early the next year — how much better could he get? The answer is: None more better. (more…)

Company Better Records Searches and Sells Most the Best Prints of Vinyl Albums!

Most the Best Prints of Vinyl Albums Available Now!

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Years ago we were contacted by a Russian reporter who wanted to do a story on Better Records and our Hot Stampers. How could we possibly turn down the chance to spread the word to our liberated friends on the other side of the world about these amazing sounding pressings? Note that the key feature of the article is how high the prices are. This is apparently big news in Russia, yes? The full newspaper page shows three records, each of which is many hundreds of dollars. Crazy Americans? Maybe so, but we say put that on your revolving object and spin it if you don’t believe these are the most musical records. You will see that each cent spent for them is justified.

SOUND AND COLOR

Selectors from California

Company Better Records searches and sells most the best prints of classical vinyl albums

If still one week ago you I am ready to give the sum for well written down vinylic disk, I, perhaps, have stopped on fifty dollars. The price reissue disks in the catalogue of Company Acousticsunds.com is those at the maximum. But in the same catalogue there are disks and on 20 dollars.

Purchase of disks – not cheap pleasure. But who has told, what the illness, known to us as “audiophilia” – for those who wishes to save? What component of a stereosystem take, fluctuations in the price – thousand dollars. It is possible to get a revolving object both for 500 dollars, and for 50 thousand Difference – hundredfold, thus, I assure you, what is also more dear what for, to limit the most valuable component of a stereosystem – the most musical record?

Recently I have learned, that there are records which cost in tens times more expensively. They for elites, and these elites approve, that each cent spent for them is justified.

It is a question of Californian company Better Records which main goods – Hot Stampers, Is a plate which correspond to the highest requirements of sounding.

[words missing in newspaper scan]… a way – to hear to it. You can trust only to the ears, instead of all those advertising labels which today decorate disks for audiophiles.

– Means, you listen to each disk which you then sell as hot-stamper?
– Only so.

– How many at you leaves on it of time?
– It is enough to hear to 10 seconds to define its quality. If it sounds well – we put aside it. Then we listen to it more closely and we estimate according to ours and after a sink [I think this means record cleaning] will be huge. Therefore the machine for a sink of disks also costs thousand dollars! (more…)

The Personification of the Dunning-Kruger Effect

Presenting the poster boy for the Dunning-Kruger effect, a man who fancies himself an audiophile/mastering engineer.

He’s a mastering engineer in the same sense that a person who makes mud pies is a piemaker.

I have not played any of his classical albums. I have in fact only played one title, a jazz record I happen to know well, and his remastered version is no better than the other records that get an F grade for sound and can currently be found in our Bad Sounding Audiophile Records Section.

I will publish a review one of these days, but until then, I recommend you steer well clear of this man’s records.

An extract from Steven Novella’s explanation of this psychological effect gives some background:

Dunning summarizes the effect as:

“…incompetent people do not recognize—scratch that, cannot recognize—just how incompetent they are,”

He further explains:

“What’s curious is that, in many cases, incompetence does not leave people disoriented, perplexed, or cautious. Instead, the incompetent are often blessed with an inappropriate confidence, buoyed by something that feels to them like knowledge.”

(more…)

Classic Tracks: “She’s Not There”

 

Classic Tracks: “She’s Not There, The Zombies

If one of the defining characteristics of a Classic Track is its immediate recognition, then The Zombies’ “She’s Not There” is as classic as it comes. One of its atypical characteristics, the distinctive opening bass notes and subsequent line that continues throughout the track, surely helped the band win the 1964 Hert’s Beat Competition, which earned them a recording contract with Decca Records. On the map and on their way.

The band had gotten together when they were 15-year-old schoolmates in 1961 in their hometown of St. Albans, England. Keyboardist Rod Argent recruited some of the members, as lead vocalist Colin Blunstone remembers, based on the alphabet. “We sat in class in alphabetical order, and I had a guitar,” Blunstone recalls.

Then after they won the competition, according to Blunstone, and just two weeks prior to their big recording session, producer Ken Jones said, “You could always try to write something.” (more…)