A distinguished member of the Better Records Rock Hall of Fame.
An OFF THE CHARTS side one with more tubey magic than you probably ever imagined! We always have fun playing a great copy of the psychedelic ’60s masterpiece, because the sound gives you so many of the qualities we love about good ol’ analog. No one’s recording albums any more with this kind of richness, sweetness, and warmth, that’s for sure! Drop the needle on My Best Friend or Today to hear that trippy Sixties San Francisco sound at its best.
I don’t know how many more Hot Stamper copies we’ll be able to dig up, as these are getting harder and harder to come by — not to mention more expensive. Decent looking original pressings sell for good money these days, and not too many of them sound all that good. Add in the groove damage and surface noise that plague most of them, and you can see why it’s hard for us to continue picking them up and hoping for the best.
It’s An Uphill Battle Every Time
This album is an exceedingly difficult nut to crack — no matter how many copies we have, no matter how much information we have to work with. Play the typical copy and you’ll likely run for cover — we heard played copies that were aggressive, shrill, lifeless, dull, thick, veiled, bass-shy — you name it, we heard it. Not only that, but as a rule these early pressings are BEAT TO DEATH. Finding a copy that sounds any good and plays Mint Minus Minus or better is a real challenge.
But we didn’t give up. We knew that the best pressings of this album have tubey magic in spades. Undaunted, we kept up the search and eventually found some OUT OF THIS WORLD Hot Stamper copies.
Almost every pressing you’ll ever find suffers from at least a bit of harmonic distortion — some MUCH worse than others. We were convinced at one point that it was on the tapes, but after playing these super clean copies, we now know that not to be the case. (more…)