Masterpieces and Personal Favorites

David Bowie – David Live

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  • You’ll find outstanding Double Plus (A++) sound or BETTER on all four sides of this Bowie classic
  • One of our favorite live recordings – a great overview of Bowie’s career through 1974
  • 1984, Rebel Rebel, Sweet Thing and Rock & Roll With Me come ALIVE in performance like you have never heard before
  • A-List players of the day deliver sonic treats, including multiple horn players, multiple percussionists, all-male chorus background vocals, the searing fuzzed-out guitar leads of Earl Slick, piano and Mellotron by Mike Garson, and the amazing Herbie Flowers on bass

*NOTE: On side one, a group of light marks makes about 15 light ticks one-half inch from the end of Track 4, Sweet Thing. On side three, a mark on the edge makes 4 light ticks at the beginning of Track 1, Rock & Roll With Me. On side four, two marks make 8 light ticks during the intro to Track 3, Jean Genie, and 8 moderately light to light ticks during the intro to Track 4, Rock & Roll Suicide.

What can we say? RCA vinyl in 1974 was ticky. Most copies of this album are a helluva lot noisier than this one.

When you listen to an incredible copy of this Bowie classic, you will have no trouble picturing yourself in the audience with a front row center seat. And the great thing about a record like this is that you can be in the front row of this very concert whenever you want!

The other top live album is, of course, Waiting For Columbus, and the two have much in common. Most importantly, the songs played live on both albums are consistently better than their studio versions. (This is especially true on the Little Feat album. Little Feat was not a studio band and their live arrangements — with the Tower of Power horns — just murder the studio ones.)

For us audiophiles, the other reason to own a Hot Copy of David Live or Waiting For Columbus is that the sound is much improved over most of the studio albums in which the material was originally found. Have you ever heard a good sounding Diamond Dogs?

But David Live is full of great sounding material from the album. 1984 is much better here than on the original album. Rebel Rebel, Sweet Thing and Rock & Roll With Me also come alive in performance. They rock! (more…)

Janis Joplin – I Got Dem Ol’ Kozmic Blues Again Mama!

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More Blues Rock Albums

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  • This outstanding 360 Stereo pressing boasts solid Double Plus (A++) sound from start to finish – exceptionally quiet vinyl too
  • This copy has the ideal combination of openness and transparency, coupled with the richness and solidity of vintage analog
  • When Janis starts singing, watch out – her voice positively JUMPS out of the speakers, something we didn’t hear her do on many of the other copies in our shootout
  • Features Try, one of Janis’s All Time Classics — and with these grades you can be sure it sounds positively amazing here

This Columbia 360 Stereo pressing is THE CURE for Dem Ol’ Kozmic Blues!

Drop the needle on the great song Try and just listen to how crisp, punchy, and BIG the drums sound.

The bottom end has real weight and the top end is silky and extended. The overall sound is rich, full, and smooth.

ENERGY is the key element missing from the average copy, but not on this bad boy (or girl if you prefer). The electric guitars are super Tubey Magical and the bass is solid and punchy.

On many copies — too many copies — the vocals are pinched and edgy. Here they’re breathy and full — a much better way for Janis to sound. There’s a slight amount of grit to the vocals at times and the brass as well, but the life force on these sides is so strong that we much preferred it to the smoother, duller, deader copies we heard that didn’t have that issue.

On copy after copy we heard pinched squawky horns and harsh vocals, not a good sound for this album. Janis’ voice needs lots of space up top to get good and loud, and both of these sides have it in spades.

Few other copies had this combination of openness and transparency on the one hand, and full, rich tonality on the other. (more…)

John Baldry Knows One Thing: It Ain’t Easy Finding Good Sounding Pressings of His Albums

A Record We Will Probably Never Shootout Again

Some records were just too much work to find, too expensive to buy and whose sales never really justified the investment in time and money required to find Hot Stamper pressings of them to offer to our customers.

This is one such album, and the link above will take you to many more.

 

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  • For its debut on the site, we present this amazing sounding British original pressing, with a Triple Plus (A+++) side one (the Rod Stewart side)
  • Side two (the Elton John produced side) was outstanding as well, earning a Double Plus (A++) for its rich, tubey sound
  • No wonder side one sounds like the best of Rod Stewart & The Faces’ early-’70s albums – Mike Bobak engineered them
  • “The backing band on Stewart’s side include fellow Face and future Rolling Stone, Ron Wood, on electric guitar and acoustic guitarist Sam Mitchell, who appeared on many of Stewart’s early-’70s solo albums.”

Here’s how this shootout got started.

A few years ago while I was working on the site I had music on youtube playing. The song “Flying” came on from the It Ain’t Easy album, and when the chorus came in I could not believe how big, rich and powerful it sounded — this, on computer speakers! (more…)

Crowded House – Crowded House

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  • A stunning sounding copy with Shootout Winning Triple Plus (A+++) sound from start to finish
  • Both sides here are super punchy, musical, clean and clear with a solid bottom end – what album from 1986 sounds as good as this one?
  • The best sounding Crowded House album ever recorded? It gets our vote!
  • Great songs like Don’t Dream It’s Over, Something So Strong and World Where You Live
  • “… the record was blessed by good timing, and the majestic ballad “Don’t Dream It’s Over” became an international hit, while its follow-up, the breezy “Something So Strong,” also turned into a hit. Both revealed different sides of Finn’s talents, with the first being lyrical and the second being effervescent…” – All Music

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Ray Charles / All Time Great Country and Western Hits – Better Sound than the Originals? Can It Really Be True?

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More Soul, Blues and R&B

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  • With three nearly Triple Plus (A++ to A+++) sides, this copy is close to the BEST we have ever heard, right up there with our Shootout Winner – exceptionally quiet vinyl too
  • What was especially shocking about this shootout is that in some ways the best sounding copies of the reissue not just the equal of, but actually best their original album counterparts
  • 22 classic songs on two LPs, including huge hits like I Can’t Stop Loving You, You Don’t Know Me, Oh Lonesome Me, Bye Bye Love, and much more – no wonder AMG gave both discs 5 stars
  • This is some big, bold, absolutely glorious Tubey Magical analog – the tape to disc transfer is Hard To Fault (HTF), making a mockery of the audiophile remasters to come

The music is wonderful. Just listen to that swingin’ horn section behind Ray on Hey, Good Lookin’. They are hot! And Bye Bye Love just plain ROCKS.

Both these LPs have the kind of Tubey Magical Midrange that modern pressings cannot BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back. (more…)

George Harrison – All Things Must Pass

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  • To say that this one has been a long time coming would be an understatement! FINALLY, an incredible sounding copy of All Things Must Pass
  • Superb Double to Triple Plus (A++ to A+++) sound on the fifth side and Double Plus (A++) sound on the remaining five sides — wonderfully big, full and Tubey Magical yet still clean and clear with tons of space and a lovely bottom end
  • “Without a doubt, Harrison’s first solo recording, originally issued as a triple album, is his best.” – All Music

Tubey Magic Is Key

This original British pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

John Klemmer / Touch – A Great Test for Your Tweeters

 

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Mobile Fidelity, maker of some of the worst sounding records in the history of the medium, is the KING on this title.

Klemmer says pure emotion is what inspired the album’s creation. Whatever he tapped into to find the source of that inspiration he really hit pay dirt with Touch. It’s the heaviest smooth jazz ever recorded. Musically and sonically, this is the pinnacle of Klemmer’s smooth jazz body of work. I know of none better. (If you want to hear him play more straight-ahead jazz try Straight from the Heart on Nautilus.)

High Frequency Testing

MoFi was famous for demonstrating on an actual scope that the standard domestic ABC pressing had nothing above about 8 or 10 thousand cycles up top, which is why they all sound insufferably dull and dead. Some MoFi copies have no real top end either, which is the reason to we do these shootouts — to find the copies that are actually mastered and pressed right, not just the ones that should have been.

There’s plenty of information above 15K I would guess on this record — all those delicate percussion instruments ring so sweetly, the highs have to be extending way up there. (This album would probably make a good test to see how well your tweeters work, as well as for turntable setup. The right tracking weight and VTA are crucial to getting all the harmonics of a record like this right.) (more…)

Randy Newman – Sail Away

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More Singer-Songwriter Albums

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  • This outstanding pressing boasts solid Double Plus (A++) sound from start to finish
  • We guarantee there is dramatically more richness, fullness and presence on this copy than anything you have ever heard, and that’s especially true if you made the mistake of buying whatever godawful Heavy Vinyl pressing is currently on the market
  • Our favorite Newman album for both music and sound (12 Songs being the main competition)
  • 5 stars: “Whether he’s writing for three pieces or 30, Newman makes superb use of the sounds available to him, and his vocals are the model of making the most of a limited instrument. Overall, Sail Away is one of Newman’s finest works, musically adventurous and displaying a lyrical subtlety that would begin to fade in his subsequent works.”

Some of Newman’s best songs can be found on Sail Away, including Political Science, You Can Leave Your Hat On, Last Night I Had a Dream and of course the wonderful title track. AMG goes nuts about Sail Away, giving it the full 5 stars and calling it “musically adventurous” and “one of Newman’s finest works.”

If you only have room for one Randy Newman record in your collection, this would be our pick. (more…)

Caldera – Carnavalito! Louder Is Better

Records You Can Buy that Sound Best on Big Speakers at Loud Levels

Carnavalito is a track that really comes ALIVE when you Crank Up the Volume. I played it FULL BLAST on two different occasions for audiophile friends of mine just to show them what happens when a Big Speaker Stereo meets a Large Scale Recording with absolutely AMAZING audiophile quality sound — BIG and BOLD, wall to wall and then some!

It’s my favorite track not only for the album as a whole but for the band’s entire recorded output. It just doesn’t get any better than this if you have the system for it.

Hearing the megawatt energy in the section when the soprano saxophonist jumps in, right into an ongoing orgy of wild percussion, who then proceeds to blow his brains out — now that is a thrill beyond belief. Played REALLY LOUD it’s about the closest to The Real Thing, the Live Event, that you will ever hear in your living room. (Unless you have a very large living room and lots of latin jazz musician friends.)

Even a year ago there was no way I could get that music to play that LOUD, that CLEANLY, and that tonally CORRECT, from the deepest bass to the highest highs, with the wild swings in dynamics that the recording captures so well. The Audio Revolution Is Alive and Well and making progress all the time. It’s never too late to join in the fun.

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Peter Gabriel – Security

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  • A stunning copy of Security with Shootout Winning Triple Plus (A+++) sound on the second side and solid Double Plus (A++) sound on the first
  • One of the most important records in the Peter Gabriel canon, original and influential on so many levels
  • With the benefit of today’s technology, on a copy this good you hear into the soundfield in a way never possible before, picking out all the drummers and counting all the layers of multi-tracked choruses
  • “Security remains a powerful listen, one of the better records in Gabriel’s catalog, proving that he is becoming a master of tone, style, and substance…”

Man does this album sound better than I remember it from back in the ’80s when I first played it. Stereos have come a long way since then, along with a host of other things that help records sound better, such as cleaning fluids, room treatments and all the rest. Now you can really hear INTO the soundfield in a way that simply was never possible before, picking out all the drummers and counting all the layers of PG’s multi-tracked choruses. On the best pressings, both sides are huge, and the music jumps out of the speakers. The balance is perfection. (more…)