Labels With Shortcomings – Speakers Corner – Rock & Pop

Sarah Vaughan Sassy – A Hall of Shame Pressing from Speakers Corner

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Sonic Grade: F

A Hall of Shame Pressing, recorded in 1956 and remastered, badly, in 1999.

The Speakers Corner version of this record is awful. It’s bright and GRAINY. If you want a good Sarah record, try the album just called Sarah Vaughan that Speakers Corner put out in 2004. 

Check out our Heavy Vinyl Scorecard to read all about the latest winners and losers.

Sarah Vaughan – A Winner from Speakers Corner

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More Sarah Vaughan – Sarah Vaughan

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Sonic Grade: B

A TOP TITLE from Speakers Corner on 180 gram. This is an outstanding Sarah Vaughan album with very good sound and top players like Clifford Brown on trumpet, Paul Quinichette on tenor sax and Herbie Mann on flute. 

Check out our Heavy Vinyl Scorecard to read all about the latest winners and losers.

[We haven’t played a copy of this record in years, but back in the day we liked it, so let’s call it a “B” with the caveat that the older the review, the more likely we are to have changed our minds.]

“The Jazz World, instrumentally and vocally, may be said to be split into two camps. There are the followers and the followed; the imitators and the inimitable. True, there are many who have managed to graduate out of the first class into the second (didn’t Dizzy Gillespie once sound just like Roy Eldridge?), but in the case of Sarah Vaughan it can safely be assumed that this talent has been sui generis from the very beginning; that the Newark neighbors who heard her first infant cries in 1924 could tell immediately when it was Vaughan who was wailing.”

“It is doubtful whether anyone, including Sarah herself, is likely to be able to find any more completely satisfying representation of her work, or any more appropriate musical setting, than are offered in this LP. These sides are sure to rank among the foremost achievements of her decade as a recording artist.” – from the original liner notes

TRACK LISTING

Lullaby of Birdland
April in Paris
He’s My Guy
Jim
You’re Not The Kind
Embraceable You
I’m Glad There Is You
September Song
It’s Crazy
Lullaby Of Birdland

Two Reviews of Blood, Sweat & Tears – Fremer Vs. Better Records – You Be the Judge

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In 2010 MF reviewed both the Sundazed and Speakers Corner Heavy Vinyl pressings of the album. I think his review is mistaken on a number of counts, and mostly unhelpful. The commentary below will discuss his errors in detail, in the hopes that you, dear reader, will not make the same mistakes yourself. 

He talks about his history with the album for a while, and then notes:

Anyway, the original “360 Sound” edition of this record sounds fantastic. It’s a high quality Columbia studio recording, with vivid harmonics, impressive transparency and dynamics, shimmering highs and tight extended bass. The soundstage is expansive and the images tightly presented. I’m not sure it can get much better than the original given how well-pressed Columbia records were in those days, especially if you have a clean original.

We, however, seem to hold precisely the opposite view. I quote from our review:

“Why did it take us so long [to do a Hot Stamper shootout]? Let me ask you this: have you ever played this album? The average copy of this record is a sonic MESS. Even the best copies have problems.”

We then go on to discuss in detail what most copies do wrong and what to listen for in order to find a copy that gets it right. (More on that later.) (more…)

From Elvis in Memphis on Speakers Corner Vinyl

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Sonic Grade: B

One of the better Speakers Corner Heavy Vinyl remasters. (Probably. It’s been a very long time since I played it.)

Speakers Corner did the album in 2003 and if memory serves I liked it and recommended it at the time. I rather doubt I could stand it now. I have much less tolerance now for the vague imaging, lack of ambience and overall lifeless quality their records invariably suffer from than I did then. (more…)

Sergio Mendes – Look Around – Speakers Corner Reviewed

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Sonic Grade: C

We were fairly impressed with the Speakers Corner pressing of this album when it came out on Heavy Vinyl years ago. Since then we have learned a lot. Their version is okay, not bad, but by no stretch of the imagination can it compete with any Hot Stamper pressing on our site. 

Audiophile Sound to Die For

As you may have noticed, we here at Better Records are HUGE Sergio Mendes fans. Nowhere else in the world of music can you find the wonderfully diverse thrills that this group offers. We go CRAZY for the breathy multi-tracked female vocals and their layers of harmonies, the brilliant percussion, and, let us never forget, the critically important piano work and arrangements of Sergio himself. (more…)

John Coltrane and Johnny Hartman – Not So Special on Heavy Vinyl

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Sonic Grade: C (at best)

We were only slightly impressed with both the Speakers Corner pressing of this album and the earlier Impulse Heavy Vinyl edition from the ’90s. Neither one in our opinion is worth pursuing.

This could very well be the greatest collaboration between a horn player and a singer in the history of music. I honestly cannot think of another to rank with it. Ella and Louis has the same feel — too giants who work together so sympathetically it’s close to magic, producing definitive performances of enduring standards that have not been equaled in the fifty plus years since they were recorded. And, on the better copies, or should we say the better sides of the better copies, RVG’s sound is stunning. (more…)

If You Can’t Make a Good Record, Why Make Any Record At All?

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Steely Dan – Can’t Buy A Thrill

Speakers Corner Debunked

This has to be one of the worst sounding versions ever pressed. You think the average ABC or MCA pressing is opaque, flat and lifeless, not to mention compromised at both ends of the frequency spectrum? You ain’t heard nothin’ yet!

As bad as the typical copy of this album is, the Speakers Corner Heavy Vinyl is even worse, with not a single redeeming quality to its credit. If this is what passes for an Audiophile Record these days, and it is, it’s just one more nail in the coffin for Heavy Vinyl.

But that’s not the half of it. Go to Acoustic Sounds’ website and read all the positive customer reviews — they love it! Is there any heavy vinyl pressing on the planet that a sizable contingent of audiophiles won’t say something nice about, no matter how bad it sounds? I can’t think of one. (more…)