Labels With Shortcomings – Speakers Corner – Classical

Tchaikovsky / 1812 Overture – Alwyn – Speakers Corner Reviewed

More Peter Ilyich Tchaikovsky (1840-1893)

More 1812 Overture – Alwyn

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Sonic Grade: B

Excellent, one of the best of the Deccas. Better sound by far than the Classic with Reiner, although of course the original of that record is quite good. You may get better results if you reverse your absolute phase when playing this record. It’s been a while since I did it so better to check it yourself and see how you like it each way.

Mozart’s Wonderful Clarinet Concerto on Speakers Corner

More Mozart

More Clarinet Concerto / Maag

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Sonic Grade: B?

A fairly good Speakers Corner Decca reissue.

Not sure if we would still agree with what we wrote back in the ’90 when this record came out, but here it is anyway. 

“One of the best of the Deccas. I raved about this one years ago when it came out. If I had to pick a record to demonstrate how wonderful Decca recordings are, musically and sonically, this would be an easy choice.”

Further Reading

…along these lines can be found below.

Check out our new section: The Better Records Hall of Fame for Orchestral Music.

We have a section for all the Classical Records we have reviewed on the site to date.

We also have a section for all the Heavy Vinyl Classical Records we have reviewed on the site.

We have a number of Commentaries specifically addressing issues we’ve encountered when playing classical recordings.

Diffuse, Washed Out, Veiled, and Just So Damn Vague

 

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Rimsky-Korsakov – The Tale of Tsar Saltan on Speakers Corner

Sonic Grade: C

We cracked open the Speakers Corner pressing shown here in order to see how it would fare up against a pair of wonderful sounding Londons we were in the process of shooting out a while ago. Here’s what we heard in our head to head comparison.

The soundstage, never much of a concern to us at here at Better Records but nevertheless instructive in this case, shrinks roughly 25% with the new pressing; depth and ambience are reduced about the same amount. But what really bothered me was this: The sound was just so VAGUE.

There was a cloud of musical instruments, some here, some there, but they were very hard to SEE. On the Londons we played they were clear. You could point to each and every one. On this pressing it was impossible.

Case in point: the snare drum, which on this recording is located toward the back of the stage, roughly halfway between dead center and the far left of the hall. As soon as I heard it on the reissue I recognized how blurry and smeary it was relative to the clarity and immediacy it had on the earlier London pressings. I’m not sure how else to describe it – diffuse, washed out, veiled. It’s just vague.
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Bizet’s Carmen Fantaisie on Speakers Corner Vinyl

More Georges Bizet (1838-1875)

More Carmen Fantaisie, etc. – Ricci / Gamba

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Sonic Grade: C

Speakers Corner remastered this title back in the ’90s and did a decent enough job; I would guess my grade would be about a “C.” We carried it and recommended it at the time. I doubt if I would have very many kind things to say about it now. We’ve played an enormous number of superb classical records in the last ten years or so, raising the bar dramatically higher than it used to be.  (more…)

Speakers Corner Heavy Vinyl and the Loss of Transparency

More Peer Gynt

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We recently gave the Heavy Vinyl pressing from Speakers Corner, the same one that we had previously recommended back  in the ’90s, a sonic grade of C+ in our current Heavy Vinyl Scorecard section. To our ears now it has many more shortcomings than it did back then, which we discuss below.

So often when we revisit the remastered pressings we used to like on Heavy Vinyl we come away dumbfounded — what on earth were we thinking? These are not the droids sounds we are looking for. Perhaps our minds were clouded at the time.
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