Labels With Shortcomings – Simply Vinyl

Crowded House – Woodface – A Simply Vinyl Winner

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Sonic Grade: B (or better!) 

Woodface easily meets the definition of a Desert Island Disc. I’ve played it hundreds of times and enjoy it more with each play, which insures that on my desert island I’ll never get sick of it. To my way of thinking it contains some of the most original, melodic, hook-laden, sophisticated popular music recorded in the last twenty years. Astonishingly (to me, anyway) it didn’t even chart here in the states, a sad commentary about the state of the music biz, a state that only seems to worsen as the decades roll on.

In Defense of Simply Vinyl – Are Their LPs Really Worse Than Anybody Else’s?

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Making Movies on Simply Vinyl had been out of print for quite a while, so when it was repressed recently [in the mid-2000s I would guess] we took the opportunity to give it a fresh spin and were SHOCKED — that’s right, SHOCKED — to hear how good it sounded, every bit as good as we remember it from years ago.

It sounded like a good British import, not some 180 gram remastered wannabe. Most 180 gram records don’t do anything for us these days [circa 2008] — they leave a lot to be desired as we point out left and right in our commentaries — but here’s a wonderful exception to the dismal heavy vinyl rule.

But it is a good British (or Dutch, same thing) import, because Simply Vinyl is not in the remastering business.

Addedum 2012 

We played another copy on SV a year or so later, 2009 or 2010 as I recall, and it did not sound nearly as good as the one we describe above, for what that’s worth.

Also SV has “newer” masterings of many of their records which in our experience are uniformly inferior to the earlier ones. I would not buy any SV if I were you unless I heard it first or could return it.

 

Blondie – Parallel Lines on Audiophile Vinyl

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Sonic Grade: D or worse

All Hall of Shame Pressings.

EMI and Simply Vinyl both released Heavy Vinyl versions of the album with little sonic success. I remember being underwhelmed by the Simply Vinyl version, the perfect example of the smeary sub-gen sound you get when a record is made from a dub tape. The EMI 180 was brighter and thinner and every bit as wrong in its own way. Choosing among them would have been difficult. The best choice: none of the above. 

As is so often the case, the Heavy Vinyl Reissues are simply a disgrace.

MOBILE FIDELITY

Two words: compressed muck (like most domestic pressings, to be fair).

I became a giant fan of this album the moment I heard it, but I always felt that the sound of my old original left something to be desired. So many copies are thick and lifeless; the music wants to cook but the sound seems to be holding it back.

And like an idiot I’m sure I had traded my original domestic pressing in for the MoFi when it came out in the early ’80s, the kind of dumbass audiophile move I discuss in the commentary Audiophilia 101: What Kind of Fool Was I?

As previously noted, the MoFi, one of those Jack Hunt turgid muckfests (check out City to City #058 for the ultimate in murky MoFi sound), is incapable of conveying anything resembling the kind of clean, clear, oh-so-radio-friendly pop rock sound that Mike Chapman and the band were aiming for.

The recording has copious amounts of Analog Richness and Fullness to start with. Adding more is not an improvement; in fact it’s positively ruinous.

 

Peter Green’s Fleetwood Mac – A Simply Vinyl Winner

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Sonic Grade: B

160 gram Simply Vinyl pressing of this EXCELLENT LP. This is the early, BLUESY Mac, about as far from Rumours as you can get. The sound here is excellent — dark and smooth like a good British Blues album should be.  Simply Vinyl did a superb job here.

Correction: an unnamed mastering engineer at the label that owns the tape did a superb job. Simply Vinyl isn’t in the business of mastering or remastering ANYTHING. They leave that up to the pros at the record labels.

Sometimes those guys screw it up and sometimes they get it right.

Roxy Music – Avalon – A Simply Vinyl Mastering Success ? Or Is It?

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Sonic Grade: B (I’m guessing)

[These notes were written many years ago, which means that we ourselves may not agree with some or all of the commentary.] 

This version just plain KILLS most domestic copies and probably quite a few Brit ones too. Simply Vinyl did a superb job here.

Correction: an unnamed mastering engineer at the label did a superb job. Simply Vinyl isn’t in the business of mastering ANYTHING. They leave that up to the pros at the record labels. Sometimes those guys screw it up and sometimes they get it right. (more…)

Gerry Rafferty – City To City – A Simply Vinyl Disaster

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Sonic Grade: F

Hall of Shame pressing and another Simply Vinyl pressing debunked.

We had two copies of the Heavy Simply Vinyl pressing to audition as part of our last big shootout a few years back. We used to actually like it, but it now sounds worse than we remember, especially in the low end, which is a blurry mess. Better than any domestic copy I suppose, but that’s not really saying much.    (more…)

Genesis – Abacab on Simply Vinyl

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Sonic Grade: F

Hall of Shame pressing and another Simply Vinyl pressing debunked.

Dreadful sound.

Check out our Rock and Jazz Heavy Vinyl Scorecard to read all about the latest winners and losers. 

Fairport Convention – Unhalfbricking – Simply Vinyl Reviewed

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Sonic Grade: B

One of the better Simply Vinyl recuts. We haven’t played a copy of it in years, but back in the day we liked it, so let’s call it a “B” with the caveat that the older the review, the more likely we are to have changed our minds. Not sure if we would still agree with what we wrote back in the ’90s when this record came out, but here it is anyway.

“This 180 gram LP comes recommended, with very good English sound (smooth, rich) for this early Richard Thompson folk music, with the wonderful Sandy Denny on vocals. Happily, not your standard audiophile fare.” 

A 5 Star Rave Review in the All Music Guide! (more…)