Labels With Shortcomings – Rhino / Warners

The Yes Album – Rhino 180g Debunked

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Sonic Grade: F

Hall of Shame pressing. The worst version ever? Could be! That notorious hack Ron McMaster strikes again. (more…)

The Doors – The Soft Parade on Rhino Vinyl

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Sonic Grade: F

Hall of Shame pressing and another Heavy Vinyl LP debunked.

A Gold Label original pressing blew out minds not long ago, after whichwe wrote “Need I even mention how much better this copy sounds than the 180g version from the Rhino Box Set, digitally remastered by Bernie Grundman? That thing is just awful, possibly the worst sounding pressing I have ever heard.” 

The Gold CD Hoffman did for Audio Fidelity is very likely to be night and day better. So much for the concept of vinyl superiority. Not with Bernie at the helm anyway. (more…)

Joni Mitchell Blue – Play The Game, Not the Album

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Another in our series of Home Audio Exercises, one we created all the way back in 2007. If you want to learn more about doing your own shootouts this listing has lots of good advice.

In 2007 we mentioned to our customers that we would not be carrying the new 180 gram Rhino pressing of Blue. We noted:

Since Kevin and Steve are friends of mine I won’t belabor its shortcomings. Let’s just say I think you can do better.

Down the road when we’ve had a chance to do a shootout amongst all our best copies, we will be offering something more to our liking. I recommend instead — and this is coming from a die-hard LP guy, someone who disconnected his home CD player over two years ago and only plays the damn things in the car — that you pick yourself up a nice used copy of the gold CD Hoffman mastered for DCC. It’s wonderful.

Some people are already upset with us over this decision, actually going so far as to question our motives, if not our sanity. Without a doubt we feel this will end up being the single most controversial stance we’ve ever taken. I predict that a great number of audiophiles are going to get really upset over our criticism of this new pressing. We are going to get emails like crazy asking us to explain what on earth could possibly be wrong with such a wonderful sounding LP. The writers of these emails will no doubt extoll its virtues relative to the other pressings they may have heard, and, finding no other reasonable explanation, these writers will feel impelled to question both the quality of our playback equipment and — yes, it’s true — even our ability to recognize a good record when it’s spinning right on our very own turntable. (more…)

Rickie Lee Jones on Rhino Heavy Vinyl – Not My Idea of Good Sound

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Sonic Grade: C

We were fairly unimpressed with the Rickie Lee Jones on Warners that came out a few years back. It has that phony Modern Mastering sound we find so unappealing on the Rhino reissue of Blue. (We seem to be pretty much alone in not liking that one, and we’re proud to say we still don’t like it. Hey, play The Blue Game and maybe you’ll see why.)

We liked the new Sweet Baby James Hoffman and Gray cut. We note in our review that “Hoffman and Gray can take pride in this Sweet Baby James. It’s some of the best work I’ve heard from them to date. If more DCC and Heavy Vinyl reissues sounded like this, we wouldn’t be so critical of them. Unfortunately they don’t, and there are scores of pages of commentary on the site to back up that statement for those of you interested in the subject.”

We went on to say “The amazing transparency and dynamic energy of the best originals will probably never be equalled by an audiophile pressing like this. (It hasn’t happened yet and we remain skeptical of the possibility.) Considering that this pressing is sure to beat most reissues, imports and such like, we have no problem heartily recommending it to our customers, especially at the price.” (more…)

Thick and Dull – Not Our Sound!

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John Coltrane – Giant Steps

Rhino 45 RPM 2 Disc Set Debunked

Sonic Grade: F

The sound of the 45 RPM 2 disc version cut by Bernie Grundman does not exactly tickle our fancy. It sounds thick and dull, much like the Deja Vu Bernie remastered years ago for Classic Records.

As is the case with so many of the Heavy Vinyl reissues released these days, the studio ambience you hear on these pressings is a pitiful fraction of the ambience the real pressings are capable of revealing, the ones mass-produced by Atlantic, original and reissue alike.

Rhino bills their releases as being pressed on “180 gram High Performance Vinyl.” However, if they are using “performance” to refer to sound quality, we have found the performance of their vinyl to be quite low, lower than the average copy one might stumble upon in the used record bins.

Check out our Heavy Vinyl Scorecard to read all about the latest winners and losers.

John Coltrane’s Giant Steps – Another in a Very Long Line of Disappointing Rhino Remasters

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Sonic Grade: D

Mastered by Kevin Gray, this record has what we like to call ”modern” sound, which is to say it’s clean and tonally correct for the most part, but it’s missing the Tubey Magic the originals and the good reissues both have plenty of.

Any properly mastered, properly pressed ’70s copy on the red and green label will be richer, fuller, sweeter, and just plain more enjoyable than this 180 gram version. It’s below average, which means it merits a D.

That said, “Giant Steps” is not an easy record to find in good condition, because any serious jazz lover would have played it plenty. It is inarguably one of John Coltrane’s greatest achievements.  (more…)

Why Own a Turntable if You’re Going to Play Mediocrities Like These?

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This commentary was posted in 2007 and amended later with the statement that we would no longer be ordering new heavy vinyl titles starting in 2010. By 2011 we had eliminated them completely from our site. If you bought any Heavy Vinyl pressing from us, ever, now is the time to get rid of it and hear what a Hot Stamper can do for your musical enjoyment. 


Three of the Top Five sellers this week (8/22/07) at Acoustic Sounds are records we found hard to like: AjaAqualung and Blue. Can you really defend the expense and hassle of analog LP playback with records that sound as mediocre as this Rhino pressing of Blue? 

Why own a turntable if you’re going to play records like these? I have boxes of CDs that sound more musically involving and I don’t even bother to play those. Why would I take the time to throw on some 180 gram record that sounds worse than a good CD? (more…)

Talking Heads – Remain In Light on Ridiculously Bad Rhino Vinyl

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Sonic Grade: F

Hall of Shame pressing.

The Rhino Heavy Vinyl reissue of this album was Dead On Arrival the minute it hit my turntable. No top, way too much bottom, dramatically less ambience than the average copy — this one is a disaster on every level.

Rhino Records has really made a mockery of the analog medium. Rhino touts their releases as being pressed on “180 gram High Performance Vinyl.” However, if they are using performance to refer to sound quality, we have found the performance of their vinyl to be quite low, lower than the average copy one might stumble upon in the used record bins. 

Frank Sinatra – September of My Years – More Rhino Mediocrity

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Sonic Grade: C-

The originals are better and not that hard to find.  Skip the orange label reissues.

Check out our Heavy Vinyl Scorecard to read all about the latest winners and losers. 

 

Deep Purple – Machine Head on Rhino 180 Gram Vinyl

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Sonic Grade: F

Hall of Shame pressing. 

I’m guessing that very few people have ever heard this record sound good. The average copy is nothing special, but this one is a boring, lifeless mess so save your money.

Rhino Records has really made a mockery of the analog medium. Rhino touts their releases as being pressed on “180 gram High Performance Vinyl.” However, if they are using performance to refer to sound quality, we have found the performance of their vinyl to be quite low, lower than the average copy one might stumble upon in the used record bins.