The best copies give you dynamics and immediacy like you have rarely heard outside of the live event. Hell, this record IS live; it’s live in the studio. It’s a direct to disc recording, what else could it be?
There is simply nothing getting in the way of the music. If you have the system for it, you can recreate the live sound of this session in a way that few other recordings allow you to do.
This copy had one quality not heard on most of the others: Tubey Magic. The sound is rich and full-bodied, practically free of grit and grain – this is the kind of sound one hears occassionally on the best tube equipment and practically nowhere else. Of course this is an all-transistor affair, but tubey sound is what ended up on the record, so go figure.
Many copies were slightly lean, making the sax a bit aggressive in places. The killer copies fill out the horn sound, giving it the needed weight and body that the real instrument would have, without adding a euphonically artificial richness that the real instrument wouldn’t. (more…)