Labels With Shortcomings – Nautilus

The Police – Zenyatta Mondatta – Nautilus Debunked

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Sonic Grade: D

Hall of Shame pressing and another Half Speed debunked. 

And to think we used to actually like the sound of the Nautilus pressing! It suffers from all the same shortcomings other Nautilus and similar half-speeds suffer from: the kind of pretty but lifeless and oh-so-boring sound that we describe in listing after listing. (More bad Nautilus pressings are discussed below.) 

Three of the Best, Or So We Thought

I just did shootouts with three of the best Nautilus Half-Speeds: Heart, The Police’s Ghost in the Machine, and Little Feat. None of them sound like the real thing, and especially disappointing was one of my former favorites, the Little Feat album.

On the title track the Nautilus is amazingly transparent and sweet sounding. There are no real dynamics or bass on that track, so the “pretty” half-speed does what it does best and shines. But all the other tracks suck in exactly the same way Night and Day does. Cutting the balls off Little Feat is not my idea of hi-fidelity.

We put audiophile beaters up for sale every week. Each and every one of them is a lesson on what makes one record sound better than another. If you want a wall full of good sounding records, we can help you make it happen. In fact it will be our pleasure. Down with audiophile junk and up with Better Records. (more…)

Letter of the Week “Meanwhile I sold out near all my pseudo-audiophile LP’s (i.e. MFSL, Nautilus, DCC, Simply Vinyl etc.) – they are useless.”

One of our good customers had this to say about some Hot Stampers he purchased recently: 

Hey Tom, 

I want to express my gratitude to your long-lasting efforts with regard to music. It has fully changed my whole life as a listener of music. [emphasis added] It’s a great pleasure and I reached a complete different level of enjoyment and listening habits. To hear a Hot Stamper it’s also often a physical and emotional experience (sensation of heat, tears in the eyes, palpitations etc.). Thanks to your great Hot Stampers I might experience with so much pleasure. Meanwhile I sold out near all my pseudo-audiophile LP’s (i.e. MFSL, Nautilus, DCC, Simply Vinyl etc.) – they are useless.

And last but not least it’s very important to buy these hot LPs now and here, before deafness, tinnitus (my greatest fear) and dementia are going to kill us. All LPs are worth their price, because I can imagine how much effort it takes to do the shootouts. (I did some.)

Erik S.


Customer Testimonials

John Klemmer – Straight from the Heart

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A distinguished member of the Better Records Jazz Hall of Fame.

This White Hot Stamper Nautilus Direct-to-Disc recording is an AMAZING Demo Disc, and what’s more, it’s actually REAL JAZZ — a remarkably unusual combination in the Audiophile World, in my experience anyway. This copy takes the sound of this recording — and the music along with it — to another level. YOU WON’T BELIEVE how good this record sounds  (more…)

The Pretenders – Nautilus Debunked

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More The Pretenders – Pretenders

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Sonic Grade: D

A Hall of Shame pressing and another Half-Speed Mastered Audiophile Pressing Debunked

Completely lifeless. This pressing takes all the rock out of rock and roll. A ridiculous joke played on a far-too-credulous audiophile public.  

Neil Young Harvest – Nautilus Reviewed

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Sonic Grade: B

Another Half Speed reviewed. We haven’t played a copy of this record in more than a decade, but back in the day we liked it, so let’s call it a “B” with the caveat that the older the review, the more likely we are to have changed our minds. 

This is a SURPRISINGLY good sounding Nautilus Half-Speed mastered LP with AMAZING transparency. The sound here is DRAMATICALLY more natural than your average audiophile pressing.Just listen to the phoney top end found on most MOFIs to see what we mean. On this record you’ll hear non of the hyped up highs that are MoFis claim to fame.

This Nautilus is sure to destroy a typical American pressing, which will tend to sound opaque, thick and dull. This wouldn’t really match up to our Hottest Stampers but you could sure do a lot worse. Although it’s a tad fat at the bottom, it still retains much of the warmth and richness found on the best copies.

Joan Baez Diamonds and Rust – The Half-Speed that Beats Most Originals

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Sonic Grade: B+

One of the best Half Speed Mastered Records we have ever played.

In our recent shootout we were shocked — shocked — to hear how good our old copy of Diamonds and Rust on Nautilus sounded head to head against the best first pressings. Hard to believe, but it actually beat practically every one. If I hadn’t heard it with my own two ears I wouldn’t have believed it. 

The Cars Candy-O Is Yet Another Awful Nautilus Remaster

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Sonic Grade: F

A Hall of Shame pressing and another Half Speed debunked.

This Nautilus Half-Speed Mastered LP, like The Cars first album they did, is pure compressed muck. Another one of the worst half-speeds of all time. For those who are interested we’ve reprinted a customer’s letter below as well. 

So I put on my Nautilus SuperDiscs (Listen To The Difference) pressing of The Cars Candy-O.

Sounds okay. But this is supposed to be a “SuperDisc”. Okay does not cut it.

So I put on my Better Records A+++ copy of the same title. Voila! The sound became magical.

Maybe some Nautilus pressings are very good? Maybe my copy is a lemon?

Thanks, again, for making my stereo perform at its best!

Craig D.

Crosby, Stills & Nash on Nautilus – THE Most Bloated Bass in Half Speed History

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Sonic Grade: F

A Hall of Shame pressing and another Half Speed debunked.

An audiophile record dealer (of course; who else?) once raved to me about Crosby Stills and Nash on Nautilus. I said “What are you talking about? That version sucks!” He replied “No, it’s great. Helplessly Hoping sounds amazing.” 

Now one thing I know about the Nautilus is that although it is wonderfully transparent in the midrange, it may very well take the cake for the most bloated, out of control bass in the history of Half Speed mastering. What song on that album has almost no bass, just lovely voices in the midrange? You guessed it. Helplessly Hoping.

The Nautilus got one track right, and ruined the rest. Using that track for comparison will fool you, and when it comes time to play a whole side of the album you will quickly hear what a disaster it is.

Lee Ritenour – Rit – Reviewed in 2010

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A distinguished member of the Better Records Jazz Hall of Fame.

This very nice Nautilus Half-Speed Mastered LP has SURPRISINGLY GOOD SOUND and plays pretty quiet, mostly Mint Minus. We played this against the 180g Discovery reissue that Doug Sax remastered and it SMOKED it. What a piece of muddy trash that Discovery pressing is. 

Members of both Toto and Chicago play on this album, so fans of either should get a kick out of this music. 

AMG Review

Lee Ritenour has long been the perfect studio musician, one who can melt into the background without making any impact. While he possesses impressive technique, Ritenour has mostly played instrumental pop throughout his career, sometimes with a Brazilian flavor. His few jazz efforts have found him essentially imitating Wes Montgomery, but despite that he has been consistently popular since the mid-’70s. After touring with Sergio Mendes’ Brasil ’77 in 1973, Ritenour became a very busy studio guitarist in Los Angeles, taking time off for occasional tours with his groups and in the mid-’90s with Bob James in Fourplay. He also recorded many albums as a leader.

Little Feat – Time Loves A Hero – Another Bad Nautilus Pressing

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Sonic Grade: D

Hall of Shame pressing. After playing a killer Hot Stamper pressing of the album a few years back we wrote the following: 

If you own the Nautilus Half-Speed, a record we actually liked years ago even when we had long since forsworn those kinds of pressings, you are really in for a treat. THIS is what the band sounds like in the REAL world, not the phony audiophile world that so many seem to get stuck in.

Just listen to how punchy the drums are, a perfect example of what proper mastering does well and Half-Speed mastering does poorly. When you listen to a top quality Hot Stamper pressing you feel that you are hearing this music EXACTLY the way Little Feat wanted it to be heard. I just don’t get that vibe from the half-speed. It sounds like someone messed with it, and of course someone did. That’s how they get those audiophile records to sound the way they do. For some reason some audiophiles like their records to sound pretty and lifeless with blurry bass. That is not our sound here at Better Records.

TRACK LISTING

Side One

Hi Roller
Time Loves a Hero
Rocket in My Pocket
Day at the Dog Races

Side Two

Old Folks’ Boogie
Red Steamliner
New Delhi Freight Train
Keepin’ up With the Joneses
Missin’ You