Labels With Shortcomings – Nautilus

Lee Ritenour – Rit – Reviewed in 2010

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A distinguished member of the Better Records Jazz Hall of Fame.

This very nice Nautilus Half-Speed Mastered LP has SURPRISINGLY GOOD SOUND and plays pretty quiet, mostly Mint Minus. We played this against the 180g Discovery reissue that Doug Sax remastered and it SMOKED it. What a piece of muddy trash that Discovery pressing is. 

Members of both Toto and Chicago play on this album, so fans of either should get a kick out of this music. 

AMG Review

Lee Ritenour has long been the perfect studio musician, one who can melt into the background without making any impact. While he possesses impressive technique, Ritenour has mostly played instrumental pop throughout his career, sometimes with a Brazilian flavor. His few jazz efforts have found him essentially imitating Wes Montgomery, but despite that he has been consistently popular since the mid-’70s. After touring with Sergio Mendes’ Brasil ’77 in 1973, Ritenour became a very busy studio guitarist in Los Angeles, taking time off for occasional tours with his groups and in the mid-’90s with Bob James in Fourplay. He also recorded many albums as a leader.

Little Feat – Time Loves A Hero – Another Bad Nautilus Pressing

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Sonic Grade: D

Hall of Shame pressing. After playing a killer Hot Stamper pressing of the album a few years back we wrote the following: 

If you own the Nautilus Half-Speed, a record we actually liked years ago even when we had long since forsworn those kinds of pressings, you are really in for a treat. THIS is what the band sounds like in the REAL world, not the phony audiophile world that so many seem to get stuck in.

Just listen to how punchy the drums are, a perfect example of what proper mastering does well and Half-Speed mastering does poorly. When you listen to a top quality Hot Stamper pressing you feel that you are hearing this music EXACTLY the way Little Feat wanted it to be heard. I just don’t get that vibe from the half-speed. It sounds like someone messed with it, and of course someone did. That’s how they get those audiophile records to sound the way they do. For some reason some audiophiles like their records to sound pretty and lifeless with blurry bass. That is not our sound here at Better Records.

TRACK LISTING

Side One

Hi Roller
Time Loves a Hero
Rocket in My Pocket
Day at the Dog Races

Side Two

Old Folks’ Boogie
Red Steamliner
New Delhi Freight Train
Keepin’ up With the Joneses
Missin’ You

 

John Klemmer – Straight from the Heart – Listening for the Tubey Magic

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The best copies give you dynamics and immediacy like you have rarely heard outside of the live event. Hell, this record IS live; it’s live in the studio. It’s a direct to disc recording, what else could it be?

There is simply nothing getting in the way of the music. If you have the system for it, you can recreate the live sound of this session in a way that few other recordings allow you to do.

This copy had one quality not heard on most of the others: Tubey Magic. The sound is rich and full-bodied, practically free of grit and grain – this is the kind of sound one hears occassionally on the best tube equipment and practically nowhere else. Of course this is an all-transistor affair, but tubey sound is what ended up on the record, so go figure.

Many copies were slightly lean, making the sax a bit aggressive in places. The killer copies fill out the horn sound, giving it the needed weight and body that the real instrument would have, without adding a euphonically artificial richness that the real instrument wouldn’t. (more…)

Fleetwood Mac – Rumours – Nautilus’s Digitally Remastered Half Speed Junk Vinyl

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Sonic Grade: D

 Hall of Shame pressing and another Half Speed debunked.

Compressed and thin, for all I know the CD might be better than this barely passable audiophile pressing. 

The Cars on Nautilus – Ouch!

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Sonic Grade: F

Hall of Shame pressing and another Half Speed debunked.

This Nautilus Half-Speed Mastered LP is pure mud — compressed; thick and congested, a disaster on every level, much like their atrocious remastering of Candy-O. If you own this Audiophile BS pressing (NR-14) and you can’t hear what’s wrong with it, you seriously need to consider rethinking your playback system.