Labels with Shortcomings – Direct Disk Labs

Dave Brubeck – A Cut Above – An Awful Direct to Disc Recording (with synths!)

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Sonic Grade: D

Hall of Shame pressing.

This Direct Disk Labs Double LP is an exceptionally WELL-RECORDED Direct-to-Disc. The bass is punchy, the piano sounds tonally Right On The Money (ROTM) and the overall sound is lively and immediate. It’s one of the better sounding Direct-to-Discs we’ve played lately.

The music goes nowhere however, hence the grade.  

Peter Gabriel – Direct Disk Labs Half Speed Reviewed

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Sonic Grade: D

Another Half Speed Mastered Record that belongs in our Hall of Shame.

The Direct Disk Labs half-speed here is thick, compressed and lifeless, though fairly rich. You could do worse I suppose, but too much of the life of the music will be lost when playing their poorly remastered pressing.  Did they have a good British tape to work with? It doesn’t sound like it.

A Classic Case of I Was Wrong

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Sonic Grade: D

Another Half-Speed Mastered Audiophile Pressing Debunked.

I’d always preferred the famously rare Half-Speed to the domestic copies I had auditioned back in the day, until now of course.

Now, with changes to the stereo and better cleaning techniques and all the rest, that half-speed’s weaknesses are on display for all to hear. Where is the rock ’em, sock ’em bottom end that the best originals have? It’s gone!

Yes, the smeary veiled quality of the typical original pressing is gone too, which is why I used to like the DD Labs version better. It’s simply another case of a good Half-Speed beating a bad domestic pressing, and in turn being beaten (soundly) by The Real Thing, the kind of record we like to call a Hot Stamper.