Labels With Shortcomings – DCC/S&P

Ray Charles & Betty Carter – Ray Charles & Betty Carter – DCC Clear Vinyl Pressing

More Ray Charles

More Ray Charles & Betty Carter

xxxxx

Sonic Grade: F

Hall of Shame pressing and another DCC LP debunked

This Dunhill Compact Classics LP pressed on CLEAR VINYL is one of DCCs earliest forays into analog production. Unfortunately it sounds like a bad CD. In fact, you can be sure that Hoffman’s CD murders it in every way. Don’t waste your money. 

Peggy Lee – Latin ala Lee!

More Peggy Lee

Latin ala Lee!

xxxxx

  • Superb sound throughout for Lee’s 1960 release with both sides rating a solid Double Plus (A++) or very close to it
  • Everything that’s good about All Tube Vocal Recordings from the ’50s and ’60s is precisely what’s good about the sound of this record
  • “The rhythms are not only authentically Afro-Cuban, but surprisingly strong and rarely watered down. The rest of the arrangements, though breezy and pop-slanted, support Lee’s vocals perfectly. And though her voice isn’t quite as strong as it had been during the ’50s, Lee uses the cracks on her high notes to accentuate the songs.” – Allmusic

This vintage Capitol LP has the kind of Tubey Magical Midrange that modern pressings barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back. (more…)

The Doors – Strange Days – Rhino and DCC Reviewed

More The Doors

More Strange Days

xxxxx

Sonic Grade: DCC: B / Rhino: C

It’s not easy for us to find copies of Strange Days that outperform the DCC, but our best Hot Stampers beat it handily. We also put our original copies up against the 180g version from the Doors Box Set and it was an absolute bloodbath. We understand that a well-known reviewer likes the sound of those Doors pressings (along with just about every heavy vinyl reissue that hits his table) but we here at Better Records prefer to set higher standards. We think you deserve better, and at these prices the record better deliver a world of sound that the heavy vinyl pressing only hints at. And it does. (more…)

Letter of the Week – Van Halen

Van Halen

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom,  

I just got a super hot stamper Van Halen and immediately got out my DCC version – which is a record I’ve had no complaints about – compared to most of the heavy vinyl remaster crap – but, oh man, what a difference. Huge sound – really alive – the way you remember this sound should be like – I saw these boys when they first hit – one of my first rock concerts. Thanks again – this was money well spent – and on this one, I can even ebay away the DCC and more than break even (I almost feel guilty about that!).

Richard

Hi Richard,

Isn’t it funny how a record that doesn’t sound “bad” in any way — the DCC – falls so far short of what it really should have sounded like? How will the audiophile record collectors of the world, and I used to be one, ever get better sound when they already think they have it? (more…)

The Doors – The Doors – Rating the DCC LP

More The Doors

The Doors – The Doors

xxxxx

Sonic Grade: B

We used to like the Doors First album on DCC back when it came out in the late ’90s; it sure beat the MoFi and every other pressing I had around, including the original gold label Elektra pressings. But much water has gone under that bridge. There have been countless audio revolutions, as well as the improved record cleaning technologies we tout at every turn. Without them old records just sound like old records, and the DCC pressing will be better. 

But with them, and lots of other changes, the right original stomps all over the DCC.

Hey, We Was Wrong, and we’re not too proud to admit it. If you have the DCC and want to know what you’re missing, a Hot Stamper is the ticket.

It will cost you a fair bit more than the DCC, but the difference in sound should more than justify the difference in price if this is an album that is important to you.  (more…)

Nat King Cole – This Is Nat “King” Cole – Our Shootout Winner from 2017

More Nat “King” Cole

More This Is Nat “King” Cole

xxxxx
xxxxx
xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame.

The presence and immediacy here of Nat King Cole’s vocals are ’50s Capitol Recording Magic at its best. Set the volume right and Nat is right between your speakers, putting on the performance of a lifetime. The selection of material and the contributions of all involved (Nelson Riddle among them) are hard to fault.

Here it is – only the second Hot Stamper copy of Nat’s classic 1957 release to ever hit the site, and what a pressing it is! It’s taken us a long time to pull together enough clean copies to make the shootout happen. Boy, was it worth all the trouble.

The sound is big, open, rich and full, with loads of Tubey Magic. The highs are extended and silky sweet.

Midrange Magic to Die For

This early Capitol mono LP also has the MIDRANGE MAGIC that’s no doubt missing from the modern reissues. Nat’s voice is sounds so right — not necessarily natural, but correct for the vocal style of the era — you immediately find yourself lost in the music, because there’s really nothing to distract you.

If you’re like me, this copy sounds the way you want it to sound. (more…)

Deep Purple – Made In Japan – Another DCC Disaster

More Deep Purple

Deep Purple – Made In Japan

xxxxx

Sonic Grade: D-

Hall of Shame pressing and another DCC LP debunked.

Dead as a doornail sound. Disgraceful.  

Letter of the Week “Meanwhile I sold out near all my pseudo-audiophile LP’s (i.e. MFSL, Nautilus, DCC, Simply Vinyl etc.) – they are useless.”

One of our good customers had this to say about some Hot Stampers he purchased recently: 

Hey Tom, 

I want to express my gratitude to your long-lasting efforts with regard to music. It has fully changed my whole life as a listener of music. [emphasis added] It’s a great pleasure and I reached a complete different level of enjoyment and listening habits. To hear a Hot Stamper it’s also often a physical and emotional experience (sensation of heat, tears in the eyes, palpitations etc.). Thanks to your great Hot Stampers I might experience with so much pleasure. Meanwhile I sold out near all my pseudo-audiophile LP’s (i.e. MFSL, Nautilus, DCC, Simply Vinyl etc.) – they are useless.

And last but not least it’s very important to buy these hot LPs now and here, before deafness, tinnitus (my greatest fear) and dementia are going to kill us. All LPs are worth their price, because I can imagine how much effort it takes to do the shootouts. (I did some.) (more…)

Jethro Tull – Aqualung – One of the Worst Releases on DCC (and That’s Saying Something!)

More Jethro Tull

More Aqualung

xxxxx

Sonic Grade: F

A Hall of Shame pressing and another DCC LP debunked.

As bad as the MoFi is, the DCC is even worse. Murky and bloated, to my ear it does almost nothing right, not on vinyl anyway. I’ll bet you the DCC Gold CD is better, and it’s certainly nothing to write home about. 

Our Hot Stamper commentary below sorts out the DCC, the Classic Records Heavy Vinyl pressing and the MoFi Half-Speed Mastered LP, as well as British and domestic originals. (more…)

Van Halen on DCC – Not My Idea of Good Sound

More Van Halen

xxxxx

Sonic Grade: D

Hall of Shame pressing and another DCC LP debunked.

As I recall it isn’t very good — thick and dull and closed-in; in other words, boring — but I played it quite a while ago. If your copy sounds better, more power to you, but I bet it doesn’t. Any copy we sell is guaranteed to blow the doors off of it — as well as any other pressing you own — or your money back.

Go ahead and turn up your nose if you like, but this music is widely considered classic rock by now. I’m not going to pretend it’s on a level with After The Gold Rush or Zep II, but this album does exactly what it’s trying to do — it really ROCKS.

Donn Landee

Credit DONN LANDEE (and Ted Templeman too) with the rich, smooth, oh-so-analog sound of the best copies. He’s recorded many of our favorite albums here at Better Records. (more…)