Labels With Shortcomings – Classic Records – Classical

Shostakovich – The Age of Gold – Another Mediocre Classic Records Pressing

More Dmitri Shostakovich (1906-1975)

More The Age of Gold – Martinon

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Sonic Grade: D

Another Classic Records LP debunked. 

It’s been quite a while since I played the Classic pressing, but I remember it as fairly typical of their mediocre-at-best catalog, tonally fine but low-rez and lacking space, warmth and above all Tubey Magic. I don’t think I’ve ever played an original or a VICS reissue that didn’t sound better, and that means that the best grade to give Classic’s pressing is probably a D: below average.

We have a section for all the Classical Records we have reviewed on the site to date.

We also have a section for all the Heavy Vinyl Classical Records we have reviewed on the site.

We have a number of Commentaries specifically addressing issues we’ve encountered when playing classical recordings.

Tchaikovsky / 1812 Overture (LSC 2241) – Classic Records and the TAS List

 

More Tchaikovsky (1840-1893)

More 1812 Overture

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Sonic Grade: D

 Hall of Shame pressing and another Classic Records LP debunked.

HP put the Shaded Dog pressing (the only way it comes; there is no RCA reissue to my knowledge) on his TAS List of Super Discs, and with good reason: it’s wonderful! [We used to like it a lot more than we do now. Stick with the Decca Alwyn if you can find one that sounds like this one does.]

But for some reason he also put the Classic Records Heavy Vinyl reissue on the list, and that record’s not even passable, let alone wonderful. It’s far too lean and modern sounding, and no original Living Stereo record would ever sound that way, thank goodness. 

If they did few audiophiles would still be paying the top dollar collector prices that the Shaded Dog commands to this day.   

TRACK LISTING

Side One

1812 Overture (Tchaikovsky)
Fingal’s Cave (Mendelssohn)

Side Two

Mephisto Waltz (Liszt)
Tragic Overture (Brahms)

Iberia (LSC 2222) on Classic Records – Part of the First Batch of Their RCA Reissues from 1994

More of the music of Claude Debussy

More Iberia

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Sonic Grade: F

Hall of Shame pressing and another Classic Records LP debunked.

The Classic of LSC 2222 is all but unlistenable on a highly resolving system. The opacity, transient smear and loss of harmonic information and ambience found on Classic’s pressing is enough to drive us right up the wall. Who can sit through a record that sounds like that? Way back in 1994, long before we had anything like the system we do now, we were disparaging the “Classic Records Sound” in our catalogs.

With each passing year — 24 and counting — we like it less. 

The Classic may be on Harry’s list — sad but true — but that certainly has no bearing on the fact that it’s not a very good record. (more…)

Mendelssohn & Prokofiev Concertos (LSC 2314) on Classic Records Heavy Vinyl

More of the music of Felix Mendelssohn (1809-1847)

More of the music of Sergei Prokofiev (1891-1953)

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Sonic Grade: F

Hall of Shame pressing and another Classic Records LP debunked. 

Classic Records ruined this album, as expected. Their version is dramatically more aggressive, edgy and smeared than the better vintage pressings. In fact it’s just plain awful, like most of the classical recordings they remastered.

We have a section for all the Classical Records we have reviewed on the site to date.

We also have a section for all the Heavy Vinyl Classical Records we have reviewed on the site.

We have a number of Commentaries specifically addressing issues we’ve encountered when playing classical recordings.

Beethoven / Violin Concerto in D – Classic Records Reviewed

More of the music of Ludwig van Beethoven

More recordings featuring Jascha Heifetz

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Sonic Grade: D

Hall of Shame pressing and another Classic Records LP debunked.

It is an airless fraud, a cheap fake reproduction that’s incapable of fooling anyone with two good ears, a properly set up stereo and a decent collection of Golden Age violin concertos. 

The Classic pressing of this album does not present the listener with the sound of a real, wood instrument bowed by horsehair in physical space.

Notes from a Recent Hot Stamper Pressing (more…)

Who Can’t Hear Differences in Sound from Side to Side?

rimskscheh_2446

 

rimskscheh_chesky

Audiophile Reissues of the Reiner/CSO Recording

Both the Chesky and Classic reissue pressings of LSC 2446 are just plain terrible. Embarrassingly the latter is found on the TAS List.

There is a newly remastered 33 RPM pressing of the album garnering rave reviews in the audiophile press. We will didn’t like it either.

Please note that in many of the reviews for the new pressing, the original vinyl used for comparison is a Shaded Dog pressing. In our experience almost no Shaded Dog pressings are competitive with the later White Dog pressings, and many of them are just plain awful, as we have noted previously on the site.

The “original is better” premise of most reviewers renders the work they do practically worthless, especially to those of us who take the time to play a wide variety of pressings, judging them on the merits of their sound, not the color of their labels.
(more…)

Tchaikovsky / Symphony #6 (Pathetique) on Classic Records

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Tchaikovsky / Symphony #6 (Pathetique) / Monteux

Sonic Grade: F

Hall of Shame pressing and another Classic Records LP debunked.

It’s been quite a while since I played the Classic pressing, but I remember it as none-too-impressive, playing into my natural prejudice against early Living Stereo recordings and Classic Records themselves.

Keep in mind the Shaded Dog originals of this recording are awful too, as we make clear below.

Check out our Heavy Vinyl Orchestral Music Scorecard to read all about the latest winners and losers. 

We’ve played at least three Shaded Dogs of LSC 1901 since 2011 and all three were AWFUL. A recent reissue showed us the light.

The size and scope of this recording is enormous, with the orchestral sections clearly staged wide and deep. Where is the old tube smear and compression and opacity? It must not be on the tape, because I hear no trace of it.

This copy is cut clean, its dynamics intact, which just goes to show how much better the master tape must be than we’ve been led to believe by the original Shady Dogs and the hacks at Classic Records (note: their heavy vinyl reissue is awful). (more…)

Chabrier / Espana / Paray (SR 90212) on Classic Records

More of the music of Emmanual Chabrier (1841-1894)

More Performances by Paul Paray

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Sonic Grade: D

Hall of Shame pressing and another Classic Records LP debunked.

I much prefer Ansermet’s performances on London to those of Paray on Mercury. I know of none better. The famous Classic pressing of the Mercury is a grainy, gritty, shrill piece of crap.

I don’t know how dull and smeary a stereo would have to be in order to play a record that phony and modern sounding and make it listenable, but I know that it would have to be very dull and very smeary, with the kind of vintage sound that might work for Classic’s Heavy Vinyl pressings but not much else.

It’s a disgrace, and the fact that it’s on the TAS Super Disc List is even more disgraceful. Of course the lovely London (CS 6438) we prefer is nowhere to be found on Harry’s List, which should not be too surprising. Most of the best records are exactly that — nowhere to be found on his list. 

 

 

Gounod – Ballet Music from Faust – Gibson – Classic Records Reviewed

Gounod – Ballet Music from Faust – Gibson

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Sonic Grade: C

Another Classic Records LP reviewed.

Classic Records did a passable job with LSC 2449, one of their better efforts, but of course it has almost none of the sweetness, richness and ambience that the best RCA pressings have, and they have them more often than not in abundance. Their version is not awful, like most of the classical recordings they remastered, and considering that the original goes for many, many hundreds of dollars, might be worth picking up at a reasonable price. (more…)

Sibelius / Violin Concerto / Heifetz – Classic Records Reviewed

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More of the music of Jean Sibelius (1865-1957)

More Jascha Heifetz

Sonic Grade: F

Hall of Shame pressing and another Classic Records LP debunked.

Classic remastered this title in the ’90s — it’s one of the better Heifetz recordings. As expected, their version was awful, as bad as LSC 1903, 1992, 2129 and others too numerous to list.  

It’s both aggressive and lacking in texture at the same time, the worst of both worlds. Bernie’s cutting system is what I would call Low Resolution — the harmonics and subtleties of the sound simply disappear. If you have the Classic, do your own shootout. We guarantee any Hot Stamper pressing will murder theirs. (more…)