Labels with Shortcomings – CBS Half-Speeds

Barbra Streisand – Guilty – CBS Half-Speed Debunked

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Sonic Grade: F

A Hall of Shame pressing and another Half Speed debunked.

We had two copies of the CBS Half-Speed in stock, and having just done a big shootout for the album, we decided to play them to see how they stood up against The Real Thing, the real thing in this case being a pretty common pressing: a plain old Columbia original.

One copy was dead as a doornail, so smooth, opaque and lifeless it would put you to sleep.

The other literally sounded like a CD, and not a very good one at that! Grungy, gritty, hard and cold, it was everything we analog lovers hate about digital.

We grade both copies F for Failing. If you want a good sounding one steer clear of the CBS Half Speed. (more…)

Heart – Little Queen – CBS Half-Speed Debunked

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Sonic Grade: D

No slam, no real weight and no deep deep bass, just that 30-plus-cycles stuff and barely any of that, mostly 40 and up if you’re lucky, and BLUBBERY.

Our good customer Roger wrote to tell me how much better he liked our $100 Hot Stamper of Little Queen compared to his CBS Mastersound Half-Speed Mastered LP.

As you can see from our old commentary I used to actually think the Mastersound pressing was pretty good, with better extension on the top to help overcome this album’s typically dull, thick, opaque sound.

But that’s before I discovered the Hot Stampers, which fix EVERYTHING and turn this album into a real Demo Disc. (more…)

Carole King – Tapestry – CBS Half-Speed Debunked

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Sonic Grade: D

A Hall of Shame Pressing

The CBS Half Speed is ridiculously bright — can you imagine a worse way to present this intimate music?   

The chances of there being Hot Stamper CBS Half-Speed Mastered pressings of Tapestry may be vanishingly small, but we can’t say the number is zero. There could be some, but considering how bad an idea Half-Speed Mastering is, would they have much chance of beating our Hot Stampers? As a practical matter I would have to say the chances are zero.

Boz Scaggs Silk Degrees – CBS Half-Speed Reviewed

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More Silk Degrees

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Sonic Grade: D

A Hall of Shame pressing and another Half-Speed Mastered Audiophile Pressing Hall of Shame.

Ran across this listing from all the way back in 2005. It takes shots at Badly Half-Speed Mastered records like this awful CBS audiophile pressing of Silk Degrees, as well as the audiophiles who complained about plain old domestic pressings at the time. I should know; I was one of them. Ouch. 

Old customers know that we have been relentlessly anti-audiophile-LP for years, since the early ’90s in fact, when those awful Acoustic Sounds jazz records first started coming out.

Hey, here’s a question for you. When was the last time that anybody mentioned a word about those Heavy Vinyl Disasters, badly mastered by Doug Sax with no presence and bloated bass? They’ve rather fallen from favor, have they not? I wonder why. Could it be because they were as ridiculously bad as I said they were, and it just took the rest of the world a little longer to recognize that fact? Perhaps most audiophiles are making progress. It’s just taking them a long long time.  (more…)

Kansas – Leftoverture – CBS Half-Speed Debunked

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More Leftoverture

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Sonic Grade: F

A Hall of Shame Pressing and another Audiophile Record debunked.

Way too bright and thin. What were they thinking?

It’s the sound that most audiophiles are fooled by to this day! Brighter and more detailed is rarely better. Most of the time it’s just brighter. Not many half-speed mastered audiophile records are dull. They’re bright because the audiophiles who bought them preferred that sound. I did. Hopefully we’ve all learned our lesson, expensive and painful as it may have been. 

The average copy of this record is so bright, thin, aggressive and transistory it will peel the paint in your living room and leave your ears bleeding.

Unmusicality

The best copies get rid of a problem that quickly becomes irritating as you play track after track: a certain “squaky, pinched” sound to the guitars. Bad copies of the album have that sound through and through, along with excessive amounts of grain and grunge. The guitars are very prominent in the mix on practically every song here, so when the guitars sound sour, the track as a whole does too.

These mastering and pressing problems make the overall sound simply UNMUSICAL. The way we found that out was simple. We cleaned and played lots of copies, and every once in a while we heard one that allowed the music to breathe, open up, sound balanced, make sense even.

Those copies showed us a Leftoverture we didn’t know existed and gave us a goal to shoot for with all the other copies we played. After hearing such a truly killer copy we often go back and downgrade the ratings for the copies we thought were the best. Such is the way with these shootouts. (more…)