An excellent sounding UK copy with Double Plus (A++) sound from the first note to the last
Both sides are super big and full with wonderfully breathy vocals and a deep punchy bass
Very quiet for this title — Mint Minus to Mint Minus Minus
“Minstrel in the Gallery was Tull’s most artistically successful and elaborately produced album since Thick As a Brick…” – All Music=
This original British Chrysalis copy has two excellent sides, with ROCK ENERGY and power that few other copies could compete with. This copy gets BIG when it needs to (the proggy parts), and that makes it fun.
Plenty of Tubey Magic is on offer as well, with rich, sweet acoustic guitars and a lovely freedom from hi-fi-ishness on the vocals. As you probably know, Ian Anderson can get a little carried away with the processing on his voice, but the best copies make that processing sound right within the context of the overall sound. Most copies have added distortion and grit on the vocal effects, making them much less pleasing to the ear than the engineers envisioned.(more…)
An outstanding copy of Trower’s amazingly well recorded Psych masterpiece with solid Double Plus (A++) sound on both sides
This early UK pressing is huge, rich and punchy, with guitar solos that soar like few others you’ve heard
Brilliant engineering by Geoff Emerick at George Martin’s AIR studios – maybe the best sounding album Emerick ever made
Top 100 and 4 1/2 stars on AMG: “…his most stunning, representative, and consistent collection of tunes. Bridge of Sighs holds up to repeated listenings as a timeless work, as well as the crown jewel in Trower’s extensive catalog.”
We’d been wandering around in the dark for more than a decade with Bridge of Sighs — that is, until about 2015 when we finally stumbled upon a certain UK Chrysalis pressing in audiophile playing condition.
Now we know just how good this album can sound. How good? Astonishingly good. The three-dimensional space is positively breathtaking on the best UK copies.
There is a substantial amount of Tubey Magic and liquidity on the tape, recalling the kind of hi-rez vintage analog sound that makes the luminous A Space in Time (1971) such a mind-expanding experience. Both albums have the kind of High Production Value sound that we go crazy for here at Better Records. You can find many of our favorites in our Rock and Pop Top 100, and if we can find more of this title, it will surely be on the list as well.(more…)
Thick As A Brick is quite possibly the BEST SOUNDING ALBUM Jethro Tull ever made. It’s dynamic; has really solid, deep punchy bass; transparency and sweetness in the midrange; Tubey Magical acoustic guitars and flutes; in other words, the record has EVERYTHING that we go crazy for here at Better Records. I can guarantee you there is no CD on the planet that could ever do this recording justice. The Hot Stamper pressings have a kind of MAGIC that just can’t be captured on one of them there silvery discs.
We play quite a few original British and domestic copies of this record when we do these shootouts and let me tell you, the sound and the music are so good I can’t get enough of it. Until about 2007 this was the undiscovered gem (by me, anyway) in the Tull catalog. The pressings I had heard up until then were nothing special, and of course the average pressing of this album is exactly that: no great shakes. But with the advent of better record cleaning fluids and much better tables, phono stages and the like, some copies of Thick As A Brick have shown themselves to be AMAZINGLY GOOD SOUNDING. Even the All Music Guide could hear how well-engineered it was.
An outstanding copy of this early Peter-Gabriel-led Genesis album from 1972 with solid Double Plus (A++) sound from start to finish
One of the tougher Genesis albums to find with good sound – this British Charisma LP is much more impressive than most of what we’ve played over the years, and is guaranteed to trounce any domestic or Heavy Vinyl pressing you may have heard
5 stars: “Foxtrot is where Genesis began to pull all of its varied inspirations into a cohesive sound — which doesn’t necessarily mean that the album is streamlined, for this is a group that always was grandiose even when they were cohesive, or even when they rocked, which they truly do for the first time here. This is the rare art-rock album that excels at both the art and the rock, and it’s a pinnacle of the genre because of it.”
A KILLER copy of Tull’s debut with a Shootout Winning Triple Plus (A+++) side two mated with an outstanding Double Plus (A++) side one
We’ve only had a handful of copies go up since 2013 – it’s tough to find these vintage UK pressings in clean condition with this kind of sound
Guaranteed to soundly trounce any Pink Label Island original you may have heard – these are the Hot Stampers and it doesn’t take a pair of golden ears to hear it
Melody Maker thoroughly recommended the album in 1968 for being “full of excitement and emotion” and described the band as a blues ensemble “influenced by jazz music” capable of setting “the audience on fire.” Wikipedia
Incredible sound for this early British pressing, with huge and dynamic Shootout Winning Triple Plus (A+++) sound throughout
The Tubey Magical Richness of this recording must be heard to be believed
Some of the best English Folk Rock Music ever recorded on analog tape and preserved on this lovely vinyl disc!
Allmusic gives it 4 1/2 stars: “Now a full-fledged rock group, competing with the likes of Jethro Tull and pumping out higher amperage than Fairport Convention, Steeleye engages in heavy riffing, savage attacks on their instruments, and generally kicks out the jams on this album.”
This original Porky/Pecko mastered British Chrysalis pressing has insanely good sound on both sides and, even more importantly, some of the best English Folk Rock Music ever recorded on analog tape (and preserved on this lovely vinyl disc!).(more…)
With a Triple Plus (A+++) Shootout Winning side one and a Double Plus (A++) side two, this copy had some of the best sound we have ever heard for Parallel Lines
The energy and enthusiasm of the band on this Retro Power Pop Classic really comes through here, and that’s not a claim you can make about very many copies
There’s not a bad song to be found anywhere, and lots of great ones: One Way Or Another, Heart Of Glass, Hanging On The Telephone, etc.
5 stars on Allmusic: “Blondie’s best album,” which is actually a bit of an understatement – it’s by far their best album
All the Blondie magic you could ever want is in these grooves. The truly powerful sound of this Power Pop Classic really comes through on this bad boy — and that’s simply not a claim you could make about too many copies out there in record land, which tend to be flat, opaque and compressed. Not so here. This one just plain ROCKS.
Can this kind of music get any better? This album is a MASTERPIECE of Pure Pop, ranking right up there with The Cars first album. I can’t think of many albums from the era with the perfect blend of writing, production and musicianship under the guidance of producer Mike Chapman (The Knack) Blondie achieved with Parallel Lines.
As expected, if you clean and play enough copies of a standard domestic major label album such as Parallel Lines eventually you will stumble upon The One, and boy did we ever. The very best copies in our recent shootout were OFF THE CHARTS with presence, breathy vocals, and punchy drums. On top of that they were positively swimming in studio ambience, with every instrument occupying its own space in the mix and surrounded by air.(more…)
The best copy to ever hit the site! It ain’t easy to find clean British pressings of this one, which is why it’s taken us so long to get a copy like this up on the site. We played a good sized stack of these recently and only a couple did the job well enough to be considered Hot Stampers. This one is a big step up, with way less of the thick / murky / veiled sound that plagues many copies.
The sound is rich and full in the best tradition of English Rock, with no trace of the transistory grain that domestic rock pressings so often suffer from. The bass is deep, punchy, full up in the mix and correct. There’s plenty of it too, so those of you with less than well-controlled bass will have a tough time with this one. But never fear, it’s a great record to tweak with and perfect for evaluating equipment.(more…)