Labels We Love – Warners

The Grateful Dead – Live/Dead

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  • A KILLER copy with Triple Plus (A+++) sound or very close to it on sides one, two and three and solid Double Plus (A++) sound on the fourth side
  • All four sides are incredibly big, rich and full-bodied with super present and breathy vocals and a solid bottom end
  • “Few recordings have ever represented the essence of an artist in performance as faithfully as Live/Dead. It has become an aural snapshot of this zenith in the Grateful Dead’s 30-year evolution and as such is highly recommended for all manner of enthusiasts.” – All Music, 4 1/2 Stars

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Emmylou Harris – Luxury Liner – Our Shootout Winner from 2013

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

TWO IMPRESSIVE A+++ SIDES for this White Hot Stamper 2-pack! We just finished our first-ever shootout for this album, and we’re pleased to report that the sound on the best sides is right up there with Emmylou’s best — clear, open and transparent with tons of texture and detail. We’ve bundled our best side one and our best side two together to give you As Good As It Gets sound for the entire album!

And if you want to hear exactly what you’re paying for in a White Hot Stamper, just flip either one of these copies over. (Or you could leave playing average sounding sides to us.)

As is usually the case with Harris’ albums, the sound they’re going for here is clean and clear with plenty of detail. Only a handful of copies really nail that sound, with most being either dull and recessed or pinched and edgy. When you get one that manges to have a punchy low end, full mids AND the open, extended top end, the sound gets out of the way and you can really enjoy the MUSIC. After all, isn’t that what this crazy hobby is about? (more…)

James Taylor / One Man Dog – A Personal Favorite and Forgotten Gem

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Which of these copies has Hot Stampers? That’s easy – just check the notes!

Of course this is far too many copies to have in one shootout, so some quick and dirty  triage is the only way to get this group down to a manageable number of ten or twelve.


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  • The best copy to hit the site in many years! Shootout Winning Triple Plus (A+++) sound or very close to it on both sides
  • Big, rich and solid on both sides, with a more relaxed, musical quality, as well as the clarity that was missing from most copies we played
  • There is not a false note to be found on side one: it’s brilliant from start to finish and side two is almost as good – we love the Abbey Road-like medley that makes up most of it
  • “Taylor turns in his best singing performance, running through the songs with fire, force, and enthusiasm, the qualities most notable by their absence on earlier recordings.” Rolling Stone

Play Chili Dog here, one of our favorite tracks, and note not only the clarity and spaciousness, but the PUNCH and LIFE of the music. This song is supposed to be fun. The average compressed dull copy only hints at that fact.

Then skip on down to the hit at the end of the side, Don’t Let Me Be Lonely Tonight, another favorite track for testing. There’s a lot of bass in the mix on this track, but the best copies keep it under control. When it gets loose and starts blurring the midrange, the vocals and guitars seem “blocked”. The best copies let you hear all that meaty bass, as well as into the midrange.

One Man Dog, like many early WB pressings, has a tendency to be dull and opaque. (Most side twos have a real problem in that respect.) When you get one like this, with more of an extended top end, it tends to come with much more space, size, texture, transparency, ambience and openness.

Of course it does; that’s where much of that stuff is, up high. Most copies don’t have nearly enough of it, but thankfully this one does. (more…)

Van Morrison – Into The Music – Our Shootout Winner from 2014

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Two incredible sounding sides for this great Van Morrison album, one that Allmusic calls one of his best records! Not a lot of casual Van Mo fans are familiar with this album, but after a big shootout we were left very impressed with the sound of the best pressings and the quality of the music throughout. Morrison’s catalog after the early ’70s leaves plenty to be desired, but this one is a real return to form.

Side one is richer and fuller than most copies with much better bass. You get excellent presence and energy that are missing from the typical copy and the overall sound is clean, clear and natural. We gave it an A++ grade.

Side two is even better — A+++ all the way. It’s unusually dynamic with real immediacy, lots of texture to the instruments and amazing separation letting you hear every last detail. Most copies weren’t nearly this rich and practically none of them were this solid down low.

If you need a new Van Morrison album in your life and you want to have one with excellent sound, give this White Hot copy of Into The Music a spin — we think you’ll be as impressed as we were. In fact, we guarantee it… or your money back! (more…)

Michael McDonald – If That’s What It Takes

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  • Insanely good Shootout Winning Triple Plus (A+++) sound from start to finish for Michael McDonald’s Masterpiece and on fairly quiet vinyl to boot
  • Both of these sides are incredibly clean, clear, spacious and dynamic with excellent clarity, tons of energy and a big punchy bottom end
  • One of the All Time Great Jeff Porcaro Drum Exhibition Records (with the equally amazing Steve Gadd handling the other tracks)
  • Some of the best Pop Rock engineering of all time, courtesy of Lee Herschberg and Donn Landee
  • 4 1/2 stars on Allmusic – more importantly, this is a dramatically better album than anything the Doobies ever released

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Paul Simon – Graceland

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A distinguished member of the Better Records Rock and Pop Hall of Fame and a record that ranks high on our Difficulty of Reproduction Scale.

Super transparent and hi-res with no attendant sacrifice in low end or fullness, this is about as tonally balanced as Graceland gets. The top end is more delicate and extended, which was not true for most of the copies we played.

There’s a much more pleasant smoothness here, standing in sharp contrast to the typically grainy, spitty copy, with more weight down low and more presence to Simon’s vocals.

We listen to piles of pressings of Graceland regularly. We know the range of sound on the album, what constitutes good, better and best, and we know precisely what qualities the premier copy must have in order to win one of our shootouts.

Above all the thing Graceland has going for it sonically is CLARITY. It has many other good qualities as well: It can be open and spacious, tonally correct, with punchy, tight bass and present, breathy vocals.

The better copies have all these qualities to some degree, but the one quality a good copy must have is clarity, because that’s what’s especially good about the sound of the record.

Without clarity the music doesn’t work. The shortest definition of a Hot Stamper is that it’s the pressing where the music works. You can be sure that any Hot Stamper copy on our site has at least that going for it. (more…)

Lowell George – Thanks I’ll Eat It Here

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  • An amazing sounding copy and the first to hit the site in many years; Shootout Winning Triple Plus (A+++) sound or very close to it from the first note to the last
  • We’re huge fans of this album and a copy like this lets the natural quality of the recording shine through
  • “Lowell’s style is so distinctive and his performances so soulful, it’s hard not to like this record if you’ve ever had a fondness for Little Feat.” — All Music, 4 1/2 stars

This kind of recording quality was abandoned decades ago, but there was a time — I’m old, I remember it — when engineers actually tried to produce recordings with this kind of rich, sweet, thoroughly analog sound. 1979, the year of this album’s release, is right at the tail end of it. Why do you think so much of our Hot Stamper output covers the decade that stretched from the late ’60s to the late ’70s? Only one reason — that’s where some of the best sound can be found. (It’s a bit like Willie Sutton’s famous answer to why he robbed banks: “because that’s where the money is”.)

Which is taking the long way round in saying that this recording has a healthy dose of analog Tubey Magic, in places maybe even a bit too much, as the sound can sometimes get too thick and overly rich, like a cake with too much frosting.

The best copies keep that wonderful analog smoothness and freedom from artificiality, adding to it the life and energy of classic rock and roll. Yes, you can have it all — rich analog sound that jumps out of the speakers! Just listen to those horns on Honest Man — that is the sound we are looking for on an album like this. (more…)

The Doobie Brothers – Stampede

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  • With two seriously good Shootout Winning Triple Plus (A+++) sides, this was far better than every other copy we played it against
  • Both of these sides are incredibly rich and full-bodied, with lots of deep punchy bass and excellent separation – thanks Donn Landee
  • Contains contributions from such guest musicians as Maria Muldaur, Ry Cooder, and Curtis Mayfield
  • 4 1/2 stars on Allmusic: “The Doobie Brothers’ rootsiest album to date, Stampede was virtuoso soulful countrified rock of a gritty nature, crossing over into blues as well as reaching back to a raw, traditional rock & roll sound that wouldn’t have sounded too out of place 20 years earlier.”

The average copy of this album is compressed and congested, recessed and veiled, grainy and thin; in other words, it sounds like an old Doobie Brothers album. It takes a copy like this to show you just how good the Master Tape must really be. And if we hadn’t had plenty of copies to play with, we would never have found this one! (more…)

Peter, Paul & Mary – Album – Our Shootout Winner from 2013

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A distinguished member of the Better Records Rock and Pop Hall of Fame

AN AMAZING A+++ SIDE TWO, and an excellent A++ SIDE ONE! Finding great copies of this album is no easy task. Many of the copies we played were just too noisy, and most of the quiet ones just weren’t impressive sonically. This one is a HUGE improvement — easily the best copy to emerge from our latest shootout! 

In many ways this is a better album than Album 1700; it’s certainly less commercial. Pack Up Your Sorrows is great here, as is And When I Die, and there are many many more. Top session players on this one too. (more…)

Van Morrison – Moondance – Our Shootout Winner from 2009

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

For the first time ever… a WHITE HOT STAMPER pressing of Moondance on QUIET VINYL! This Warner Bros. Green Label copy has a side two that just can not be beat — A+++ all the way.

It took us a long time to build up enough copies to get this shootout rockin’, a fact that anyone who has ever sought out a copy of this album will certainly understand. Clean originals just aren’t hanging around in the bins, and when you do find one it usually costs a pretty penny. Add on the fact that most copies just don’t sound all that hot and you can forgive us for thinking that we might never list a Hot Stamper copy again. (more…)