Labels We Love – Warners

The Grateful Dead – Aoxomoxoa

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  • This original Green Label Warner Brothers LP has STUNNING Triple Plus (A+++) sound or close to it from start to finish
  • These sides were doing everything right — big, full-bodied and present with tons of energy and a nice extended top end
  • “When the LP hit the racks in the early summer of 1969, Deadheads were greeted by some of the freshest and most innovative sounds to develop from the thriving Bay Area music scene.” – All Music 

NOTE: This is the later remixed version from 1971. We found it far better sounding than the original 1969 mix. If you’re interested in the original mix, we have some of those copies with lower grades but if you want the best sound, this copy is definitely the way to go.

This vintage Warner Brothers Green Label pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.

What amazing sides such as these have to offer is not hard to hear:

  • The biggest, most immediate staging in the largest acoustic space
  • The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1969
  • Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
  • Natural tonality in the midrange — with all the instruments having the correct timbre
  • Transparency and resolution, critical to hearing into the three-dimensional studio space

No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.

What We Listen For on Aoxomoxoa

  • Energy for starters. What could be more important than the life of the music?
  • Then: presence and immediacy. The vocals aren’t “back there” somewhere, lost in the mix. They’re front and center where any recording engineer worth his salt would put them.
  • The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
  • Then transient information — fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
  • Tight punchy bass — which ties in with good transient information, also the issue of frequency extension further down.
  • Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
  • Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.

TRACK LISTING

Side One

St. Stephen
Dupree’s Diamond Blues
Rosemary
Doin’ That Rag
Mountains Of The Moon

Side Two

China Cat Sunflower
What’s Become Of The Baby
Cosmic Charlie

AMG Review

When the LP hit the racks in the early summer of 1969, Deadheads were greeted by some of the freshest and most innovative sounds to develop from the thriving Bay Area music scene. The disc includes seminal psychedelic rockers such as “St. Stephen,” “China Cat Sunflower,” and “Cosmic Charlie,” as well as hints of the acoustic direction their music would take on the Baroque-influenced “Mountains of the Moon” and “Rosemary.” The folky “Dupree’s Diamond Blues” — which itself was loosely based on the traditional “Betty & Dupree” — would likewise foreshadow the sound of their next two studio long-players, Workingman’s Dead (1969) and American Beauty (1970).

Neil Young – Time Fades Away

Time Fades Away


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  • Triple Triple! Only the second Top Copy of this album to EVER hit the site
  • Both A+++ sides are big, rich and full-bodied with wonderful size and separation
  • Never released on CD, this is probably the toughest Neil album to come by
  • “Time Fades Away ranks with the bravest and most painfully honest albums of his career — like the tequila Young was drinking on that tour, it isn’t for everyone, but you may be surprised by its powerful effects.” — Allmusic, 4 stars

See all of our Neil Young albums in stock

Unlike most “live” albums this one was cut direct-to-disc with no fixes or overdubs, and on the best pressings that warts-and-all approach really pays off. There’s real openness, and the tonality on the better copies is both rich and sweet. This kind of sound has the potential to put you right in the front row. Unlike most “live” albums this one was cut direct-to-disc, with no fixes or overdubs, and on the best pressings that warts-and-all approach really pays off. There’s good weight, real openness, and the tonality on these better copies is both rich and sweet. This kind of sound can put you right in the front row. (more…)

The Everly Brothers – The Golden Hits…

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Our original Gold Label stereo LP here has the MIDRANGE MAGIC that’s no doubt missing from whatever 180g reissue has been made from the 50+ year old tapes. As good as that pressing may be, we guarantee that this one is dramatically more REAL SOUNDING. It gives you the sense that Phil and Don are right in the room with you.  (more…)

Van Morrison – Astral Weeks

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  • This WB Green Label pressing has STUNNING Triple Plus (A+++) sound or close to it on both sides for Van The Man’s 1968 groundbreaking, introspective classic – exceptionally quiet vinyl too
  • This record lives or dies by the quality of its Tubey Magical Midrange, a sound modern records rarely begin to reproduce
  • It takes us years to find enough clean copies to do a shootout – these originals are not sitting in the bins at your local store anymore, they’re displayed behind the counter for a hundred bucks or more a pop 
  • 5 stars: “Astral Weeks is a justified entry in pop music’s pantheon. It is unlike any record before or since; it mixes together the very best of postwar popular music in an emotional outpouring cast in delicate, subtle musical structures.”

The original cover is actually in the original shrink!

I don’t think there’s too much I can tell you about Astral Weeks that’s going to convince you to buy it or not. It’s obviously one of the man’s (many) masterpieces, his most unique and original contribution to the music of his time, and one of the most beloved albums in his canon. (more…)

The Doobie Brothers – Minute By Minute

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Minute By Minute

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  • Incredible sound on both sides and the first “Triple Triple” (A+++) copy to hit the site in years!
  • Open Your Eyes, What A Fool Believes and the title track all sound wonderful here
  • The sound is dramatically bigger, richer, livelier and smoother than every other copy we played it against   
  • An Audiophile Quality Pop Music Production as close to perfect as one can ask for, thanks to Ted Templeman and Donn Landee  

This is undoubtedly the band’s masterpiece, assuming you’re a Michael McDonald fan, and we very much are fans here at Better Records. We can now definitively say that the quality of the sound matches the quality of the music. What a wonderful sounding pop record. This is Donn Landee at his best — tonally correct, spacious, clear and sweet, with big bass and vocal choruses that can really take off when called upon. With Ted Templeman running the show this is an Audiophile Quality Pop Music Production that’s as close to perfect as one has any right to expect. (more…)

Black Sabbath – Vol. 4

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  • This pressing boasts outstanding Double Plus (A++) sound from first note to last – exceptionally quiet vinyl too
  • Both sides here are really rockin’ — big and full-bodied with tight punchy bass and lots of energy 
  • We agree with Henry Rollins, who said, “Sabbath could be my favourite band… There’s something about their music that’s so painful and yet so powerful.”
  • 5 Stars: “… it does find Sabbath at their most musically varied, pushing to experiment amidst the drug-addled murk… Die-hard fans sick of the standards come here next, and some end up counting this as their favorite Sabbath record for its eccentricities and for its embodiment of the band’s excesses.”

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James Taylor – Sweet Baby James

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  • With two seriously good Double Plus (A++) sides, this copy was one of the best we played in our recent shootout – exceptionally QUIET vinyl too
  • Just listen to all that lovely echo – it’s a dead giveaway that both sides have resolving power far beyond the other copies you may have heard 
  • A Top 100 Title, inarguably a Masterpiece – Fire and Rain and Suite for 20 G (one of JT’s All Time Best) are out of this world here
  • 5 Stars: “Sweet Baby James launched not only Taylor’s career as a pop superstar but also the entire singer/songwriter movement of the early ’70s that included Joni Mitchell, Carole King, Jackson Browne, Cat Stevens, and others…”

Vocal reproduction is key to the best sounding copies of Sweet Baby James as it is on so many Folkie Pop Rock albums from the era.

To find a copy where Taylor’s vocals are front and center — which is exactly where they should be — but still rich, sweet, tonally correct and Tubey Magical is no mean feat. Only the best copies manage to pull it off. (more…)

The Doobie Brothers – Minute By Minute – Our Shootout Winner from 2011

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This is undoubtedly the band’s MASTERPIECE, assuming you’re a Michael McDonald fan, and we very much are fans here at Better Records. With this Super Hot Stamper side two we can now definitively say that the quality of the sound matches the quality of the music. What a WONDERFUL sounding pop record. This is Donn Landee at his best — tonally correct, spacious, clear and sweet, with vocal choruses that can really take off when called upon. With Ted Templeman running the show this is an Audiophile Quality Pop Music Production that’s as close to perfect as one has any right to expect.   (more…)

Ry Cooder – Paradise and Lunch

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This copy does almost everything you could ask for from this music — good energy, tons of richness and clarity and lots of texture to all of the instruments. You’ll feel like you are right in the studio with Ry and his top-notch crew as they kick out these fun, eccentric jams. LEE HERSCHBERG engineered this one as well as a great many others for Ry Cooder.

I can’t think of another Ry Cooder album with such consistently good material. And since Ry and his pals have such interesting and unusual ideas, there’s a lot here for audiophiles to appreciate.

Take for example the version of Burt Bacharach’s song Mexican Divorce. You’ve got timbales in the left channel, a conga in the right channel, a marimba somewhere in the background, and for good measure, a wonderful sounding mandolin takes center stage! (more…)

Ry Cooder – Ry Cooder

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

The music reminds me a lot of early Little Feat, which is a good thing. The sound is somewhat similar as well, which is to say that it is natural and musical, nothing like the hyped-up hi-fi sound of his TAS-listed album Jazz — and that’s a good thing as well.

There are some great songs here, including My Old Kentucky Home, One Meat Ball and How Can A Poor Man Stand Such Times And Live. It may even be his best album.

Side One

Very rich and natural with a strong bottom end and real texture up top. The top end is nice and open, with good separation between parts. So good!

Side Two

Easily the best side two we heard in our shootout! You get a bigger soundstage, more energy, a strong bottom end, and right on the money tonality for the brass and guitars. (more…)