Labels We Love – Verve

Mel Torme – I Dig The Duke – I Dig The Count

xxxxx
xxxxx

  • Torme’s 1962 release makes its Hot Stamper debut here with STUNNING Shootout Winning Triple Plus (A+++) sound from start to finish
  • This is not one of Mel’s better known albums, but we found it to be prime Velvet Fog, right up there with the best of his work auditioned to date – if you haven’t heard the man in his prime, this would be a great place to start
  • Val Valentin did the engineering – as he often did over the course of his long and storied career, he knocked this one out of the park
  • 4 1/2 stars: “Recorded with the Johnny Mandel Orchestra at sessions in Los Angeles, it includes one half Duke Ellington and one half Count Basie… With all these things going for it, how can Tormé do wrong?”

*NOTE: A small mark in the middle of track 3, I Like The Sunshine, makes 12 moderate pops.

Sometimes the copy with the best sound is not the copy with the quietest vinyl. The best sounding copy is always going to win the shootout, the condition of its vinyl not withstanding. If you can tolerate the problems on this pressing you are in for some killer Mel Torme music with exceptional sound. If for any reason you are not happy with the sound or condition of the album we are of course happy to take it back for a full refund, including the domestic return postage.


The sound of this superb jazzy ensemble is big, lively, open and clear, with Tubey Magical richness you will not find anywhere but on these early Verve stereo LPs.

Why is that? Well, for starters, this vintage pressing has the kind of Tubey Magical Midrange that modern records rarely begin to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back. (more…)

Oscar Peterson – Plays The Jimmy McHugh Song Book

xxxxx

  • This superb Oscar Peterson album boasts a Shootout Winning Triple Plus (A+++) side one and an outstanding Double Plus (A++) side two – exceptionally quiet vinyl too
  • The piano has heft, the drums are big, and everything is relaxed and natural – this copy is doing pretty much what we want a top quality ’50s Peterson album to do
  • Songs you know well – I’m In The Mood For Love; On The Sunny Side Of The Street; I Can’t Give You Anything But Love, etc.
  • The last in the “Oscar Peterson Plays” series – Oscar puts his sublime touches to these timeless Jimmy McHugh classics
  • “[Peterson’s] sound was consistently classy and first rate here, as it was for his entire career… impeccable taste and technique and the best songs out there…”

(more…)

Ella Fitzgerald – Like Someone In Love

xxx

xxx

A distinguished member of the Better Records Rock and Pop Hall of Fame.

The space is HUGE and the sound so rich. The vocals have dramatically less hardness and the orchestra — especially on side two — is not brash for once.  

Prodigious amounts of Tubey Magic as well, which is key to the best sounding copies. The sound needs weight, warmth and tubes or you might as well be playing a CD.

Take it from an Ella fan, you can’t go wrong with this one, assuming you can put up with some ticky vinyl. This is about as quiet as we can find them. Like Someone in Love is five times more rare than Clap Hands, and twice as likely to be noisy. (more…)

Stan Getz & Charlie Byrd – Jazz Samba

More Stan Getz

More Jazz Samba

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

TWO INCREDIBLE SIDES on unusually quiet vinyl! We just finished a big shootout for this great album and this copy was a KNOCKOUT. The sound is rich and full with good size to the soundfield. It’s very tough to find good sounding Stan Getz records, so if you’re a fan I think you’ll be quite impressed with the sonics on this pressing. As for the music, it’s top notch; All Music Guide gave it a Five Star rating and we agree wholeheartedly!

It’s not easy to find good sounding, quiet Stan Getz records, so if you’re a fan I think you’ll be blown away by the sonics and the surfaces on this vintage pressing.

It’s vintage all right, but probably not the vintage pressing you think it is, a little secret we learned about the album a year or two ago, information we have been able to capitalize on quite successfully, this being but the latest clean, wonderful sounding copy to make it to the site.

And of course, it handily beats the the DCC pressing. How could it not? (more…)

Jimmy Smith – Any Number Can Win – Reviewed in 2010

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

This is one of Rudy Van Gelder’s TRIUMPHS and one of the best Jimmy Smith album I’ve ever heard. All of side one and the last cut of side two sound STUNNING! This is dynamic, big speaker sound.

Lots of old Verve’s weren’t mastered right, but this one was. It’s as good as it gets — it’s right up there with Bashin’.

RVG did not record this entire album. Some songs are recorded by other engineers and don’t have the dynamic slam that his do but the best tracks are amazing. (more…)

Wes Montgomery – California Dreaming – Our Shootout Winner from 2011

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

This White Hot Stamper Shootout Winner has the REAL Wes Montgomery/ Creed Taylor/ Rudy Van Gelder MAGIC in its grooves. You will not believe how big, rich and full-bodied this pressing is on side one! Since this is one of Wes’s best albums, hearing this side one was a THRILL for us and will no doubt be as big a thrill for you too.   

Beware any and all imitations (even the one I like somewhat, the Cisco version). They barely BEGIN to convey the qualities of the real master tape the way this pressing does. This White Hot Stamper exhibits huge amounts of ambience and spaciousnesss, with far more energy and the kind of “see into the studio” quality that only the real thing ever seems to have. 

Wall to Wall

Note especially how so much musical information is coming from the far sides of the soundfield. The Cisco reissue makes a mockery of that wall to wall sound, sucking it into the middle and flattening it into a single plane. Ugh.

To be fair — and I always am — the Cisco did beat and will beat the pants off of practically any copy you run across. There is a very simple explanation for this: Verve is probably the most poorly mastered label in the history of the world. No other label produced so many wonderful sounding recordings that were turned into lousy sounding LPs — I could list them for days. We rarely even pick up most Verves, having been burned so many times we just can’t face another badly mastered noisy LP. (more…)

Astrud Gilberto – The Astrud Gilberto Album

More Astrud Gilberto

The Astrud Gilberto Album

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame.

This Minty looking Verve LP has DEMO DISC QUALITY SOUND. It’s airy, open and spacious with a big wide soundfield and excellent clarity. The sound is smooth and sweet with wonderfully textured strings and a killer top end. Sonically this copy is Right On The Money (ROTM) and I can’t imagine it sounding a whole lot better than it does here. (more…)

Astrud Gilberto – Beach Samba

xxxxx

  • An outstanding copy of Beach Samba, with solid Double Plus (A++) sound or BETTER from top to bottom 
  • The soundstage is huge, and the overall quality of the recording is big and bold like you will not believe
  • Creed Taylor (the CTI man) produced, Don Sebesky and Deodato did the arrangements, and Val Valentin engineered – what’s not to like?
  • “This 1967 Verve LP has the breezy bossa novas and sambas Astrud was famed for, but also a Lovin’ Spoonful duet with her young son and some seriously impressive scatting, too.” – Amazon

(more…)

Wes Montgomery – Bumpin’ – Reviewed in 2009

More Wes Montgomery

More Bumpin’

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

This Minty looking Verve LP really sounds GOOD! It’s transparent, as well as tonally correct from top to bottom. This is THE copy to have — we guarantee it will CRUSH the MoFi pressing.