Fully extended from top to bottom with a wide-open soundstage, this is exactly the right sound for this music. There’s plenty of richness and fullness here as well — traits that are really crucial to getting the most out of a mid-’80s recording like this! (more…)
When you get an amazing sounding UK pressing such as this one (on the lovely Orange Vertigo label) the first thing you notice is that the music really comes together, especially if you’ve been playing a sub-generation domestic pressing, which is the only kind Warners made as far as we know. (The first album is the same way of course.)(more…)
Telegraph Road does something on this copy that you won’t hear on one out of twenty pressings: It ROCKS. It’s got ENERGY and DRIVE.
Listen to how hard Allan Clark bangs on the piano on side one — he’s pounding that piano with all his might. No other copy managed to get the piano to pop the way it does here, clear and solid. Wow, who knew? Maybe this is the reason HP put the record on the TAS Super Disc List. (I rather doubt he’s ever heard a copy this good but who’s to say?)
The snare drum on Industrial Disease. Play five copies of the album and listen for how much snap there is to the snare on each of them. It will be obvious which ones get the transient attack right and which ones don’t. (If none of them do try five more copies!)(more…)