One of the better sounding copies to hit the site in a while – this British original earned Double Plus (A++) grades on both sides
Rich, smooth, clear sound throughout – listen to the grungy guitars on Walk Out In The Rain – that’s the way they should sound all right
Clapton comes to life on the traditional blues Early In The Morning – it also has the best sound on the album
“Backless is a seductive record, if you’re attracted to the interplay of Clapton’s dolorous voice and Marcy Levy’s raspy backup vocals, George Terry’s slide guitar and Glyn Johns’ pristine production.” Rolling Stone
The true test for side two was the second track, the old blues song Early In The Morning. It’s by far the best sounding track on the album, with huge space, rich bass, a fat snare and Tubey Magic to die for. This is the kind of sound that only the likes of Glyn Johns can get down on tape, live in the studio no doubt, and it made it easy to do the shootout for side two. The bigger, the richer, the tubier, the more transparent the better. It’s THE track to demo with. (more…)
One of the best copies to eve hit the site with an amazing Triple Plus (A+++) side one and and excellent Double Plus (A++) side two
Big and full-bodied with wonderfully breathy vocals, tons of energy and none of the smear that plagues so many copies
As good as the best domestic pressings can be, these early British LPs seem to capture more of the 461 magic
“…the pop concessions on the album don’t detract from the rootsy origins of the material, whether it’s Johnny Otis’ “Willie and the Hand Jive,” the traditional blues “Motherless Children,” Bob Marley’s “I Shot the Sheriff,” or Clapton’s emotional original “Let It Grow.” ” – All Music
It is insanely tough to find copies that aren’t murky, overly smooth and/or lifeless. If you’re a fan of this music and want to hear it come to life, this pressing should be just the ticket.
This album has some of Clapton’s best material, including Motherless Children and the famous cover of Bob Marley’s I Shot The Sheriff.
Tom Dowd recorded this album at Criteria in Miami, which is where Layla was recorded. I’d say the sound here is substantially better than what you get on that album, for the most part. Even when you find a great pressing of Layla, it’s still pretty much a diamond in the rough, but the sound on this album is consistently good — smooth, rich and natural.(more…)