A distinguished member of the Better Records Orchestral Music Hall of Fame.
The reproduction of the violin here is superb — harmonically rich, natural, clean, clear, resolving. What sets the truly killer pressings apart is the depth, width and three-dimensional quality of the sound, as well as the fact that they become less congested in the louder passages and don’t get shrill or blary. The best copies display a Tubey Magical richness — especially evident in the basses and celli — that is to die for.
Big space, a solid bottom, and plenty of dynamic energy are strongly in evidence throughout. Practically zero smear, exceptional resolution, transparency, tremendous dynamics, a violin that is present and solid — this copy takes the sound of the recording right to the limits of what we thought possible.
In fact, side one of this very pressing was the one that allowed me to hear how good the 1959 recording with Heifetz could be. I marked it as a “ref copy” so that in preparing the shootout we would use this side one to dial in the VTA, knowing that the sound I had heard was tonally right on the money.
If we found one in the shootout with superior sonic qualities, so much the better — it happens all the time — but at least we knew we had one copy that really sounded right. (more…)