Labels We Love – Polydor

Roxy Music – A Heavy Vinyl Winner!

xxx

Roxy Music

Sonic Grade: B-

Hey, this is a good sounding pressing! I had to pull out my best imports to beat it, which they did handily of course, but the typical audiophile trying to find a pressing superior to this one will have to do a fair bit of homework in order to succeed. We had multiple copies of Islands, Polydors, Atcos, Reprises and one copy of the Heavy Vinyl import I used to like. This pressing trounced most of them, and it’s cheap. 

I highly recommend it to anyone who likes Art Rock from the ’70s and is never going to lay out the kind of bread our Hot Stamper pressings command. For around $20 you just can’t beat it.

 

Heavy Cream – Not Recommended

More Eric Clapton and Cream

More Heavy Cream

xxxxx

Sonic Grade: D

Hall of Shame Pressing.

A Polydor Double LP mastered by Robert Ludwig.

The tonal balance is right on the money, but of course, because this is a compilation, it is made from copies of the master tapes, not real master tapes themselves, so it will always have that blurry, smeary, opaque, airless, sub-generation tape quality to the sound (not unlike most of the Heavy Vinyl we audition). 

 

 

Jimi Hendrix – Hendrix In The West

More Jimi Hendrix

More Hendrix In The West

xxxxx

  • With stunning Triple Plus (A+++) grades on both sides, this British Polydor pressing was rockin’ like crazy 
  • This is a fun live album with stellar performances by Jimi – the best of his many posthumous releases
  • The awesome version of Little Wing is just killer on this copy – it’s Jimi’s best performance of the song
  • 4 stars: “Hendrix in the West is a collection of extremely good live Hendrix performances between 1968-1970. Three different concerts are sampled on this 1972 release, one of the few official live Hendrix releases following his death.”

We’re still surprised at how well recorded the album is. It takes a pressing like this to really show you the live Jimi Hendrix magic Eddie Kramer got onto tape. Drop the needle on Little Wing and you are going to be FLOORED. (more…)

Roxy Music’s Music Debut Is a Masterpiece

More Roxy Music / More Bryan Ferry

More Roxy Music – Roxy Music

xxxxx

xxxxx

  • Outstanding Double Plus (A++) sound on both sides – this is some of the most dynamic sound the band achieved
  • Andy Hendriksen’s engineering (over the course of a week!) is superb in all respects and practically faultless
  • A Top 100 album, the band’s Masterpiece, and truly a Must Own Desert Island Disc of Glamorous Arty Rock
  • “Falling halfway between musical primitivism and art rock ambition, Roxy Music’s eponymous debut remains a startling redefinition of rock’s boundaries. Simultaneously embracing kitschy glamour and avant-pop, Roxy Music shimmers with seductive style and pulsates with disturbing synthetic textures.”

Folks, this is a true Demo Disc in the world of Art Rock. It’s rare to find a recording of popular music with DYNAMICS like these. (more…)

Brian Eno – Before And After Science

More Brian Eno

More Before And After Science

xxxxx

  • A stunning sounding copy with Triple Plus (A+++) sound from start to finish
  • Both sides have that rare combination of silky highs and deep low end that make any record magical
  • 5 stars: “Ranks alongside the most essential Eno material.”

 Side one, the rock side, strongly relies on its deep punchy bass to make its material come to life and rock (or should we say art rock?). Eno’s vocals are clear and present with virtually no strain. Phil Collins’ drumming is energetic and transparent and perfectly complemented by Percy Jones’ simultaneously acrobatic and hard-driving bass work.

Common Problems

This album typically suffers from a severe case of rolled-off highs, compounding the problems in the midrange: veiled and smeary vocals. The average copy is thick, muddy and congested, lacking the kind of transparency and clarity that makes it possible for the listener to hear into Eno’s dense mixes and make musical sense of them.

Partly this is Eno’s fault. He overloads his recordings. Played The Joshua Tree lately? It has some of the same sonic shortcomings, (exacerbated by Direct Metal Mastering). (more…)

Some of the Best Live Rock Sound Ever Recorded

Cream Goodbye 

 

creamgoodb_fame_1447758382

When you get a good side one of Goodbye you’ll have no trouble hearing why we think it’s one of the Best Sounding Live Rock Albums of all time.

Goodbye has the Big Rock Sound that we go crazy for here at Better Records. The best pressings, the ones that are full-bodied and smooth, let you crank the levels and reproduce the album good and loud the way live rock music is meant to be heard.

It’s clearly one of BILL HALVERSON‘s Engineering Triumphs, along with Deja Vu and Steve Stills’ first album (now that’s a trio!). Live Rock Music on record just does not sound better than a White Hot Stamper side one of Goodbye. (more…)

Listening in Depth to Derek and The Dominos

More Eric Clapton and Cream

More Layla

Listening in Depth

xxxxx

Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of the album.

The best copies of Layla are Tubey Magical, energetic, and tonally balanced. Most importantly, they sound CORRECT; you get the sense that you are hearing the music exactly as the band intended. The best sounding tracks have presence, clarity, and transparency like you have never heard — that is, unless you’ve gone through a pile of copies the way we do.

We have a special designation for such a pressing. We call it As Good As It Gets. When it finally all comes together for such a famously compromised recording, it’s nothing less than a THRILL. More than anything else, the sound is RIGHT.  (more…)

Buckingham Nicks and the British Rock Sound


More Buckingham Nicks
 

xxx

  • A wonderful sounding copy with two superb sides: Triple Plus (A+++) on the second and Double Plus (A++) on the first
  • The sound is excellent throughout – super rich and full-bodied yet still clean, clear and open with a massive bottom end
  • This is an album we almost never find and very rarely have on the site — don’t miss this one!
  • Features the early version of Crystal that they later brought with them to Fleetwood Mac

British Sound from Yanks

Those of you who read our commentary for Commoner’s Crown will recognize this bit, lifted practically whole from the listing. The British Sound? This record has it in spades: (more…)

Wheels of Fire and its Glaring Lack of Bass

xxx

It’s EXCEPTIONALLY difficult to find even decent sounding copies of this album. We’ve played SCORES of original domestic copies, original imports, and all kinds of reissues — trust me, most of them would make you cringe.

When you get a good copy, this music is AWESOME! For ’60s power trio hard rock, you just can’t do much better than the studio material.

White Room, Sitting On Top Of The World, Politician, Born Under A Bad Sign — this is the very essence of Classic Blues Rock. Unfortunately, the typical copy barely hints at the potential of this recording, and the audiophile pressings are even worse. (The DCC Gold CDs are especially bad in our opinion; they sound nothing like the good pressings we’ve played over the years.)

Where’s The Bass?

Most early pressings you find these days are thrashed beyond belief. We used to pick up every clean Plum & Gold label copy we’d find back in he day, but no more. We gave up. The Cream magic was just plain missing from the early domestic pressings. The problem is simple: a glaring lack of bass.

Let’s think about that. Cream is a power trio. The music absolutely demands a solid, weighty bottom end. Sacrifice the bass and the sound is just too lean to rock.

We can sum up the sound of the whomp-less copies in a word: fatiguing. As is always the case, some copies sound better than others, but none could give us the kind of bass that we were hoping for. (more…)