It is our strongly held belief that if your equipment (regardless of cost) or your critical listening skills do not allow you to hear the kinds of sonic differences among pressings we describe, then whether you are just getting started in audio or are a self-identified audio expert writing for the most prestigious magazines and websites, you still have a very long way to go in this hobby.
Purveyors of the old paradigms — original is better, money buys good sound — may eventually find their approach to records and equipment unsatisfactory (when it isn’t just plain wrong), but they will only do so if they start to rely more on empirical findings and less on convenient theories and received wisdom.
A reviewer we all know well is clearly stuck in the Old Paradigm, illustrated perfectly by this comment:(more…)
The ’90s import pressings of this album are bright and aggressive and very digital sounding, but if you want better sounding versions of these songs you’re gonna have to buy lots of pressings of the band’s albums and singles and EPs in order to find good sounding versions of them (which I did back in the ’80s and it took years to do it).
These are all the songs that aren’t on the original 13 British albums, so for those of you with the MoFi Beatles box, these 2 LPs give you all the tracks you don’t have.
This was written so long ago that we actually refer to the MoFi Beatles Box as something and audiophile would own.
No serious audiophile who loves The Beatles should have the MoFi Box Set or Past Masters in his collection.
KILLER sound for this original Apple pressing with both sides earning nearly Triple Plus (A++ to A+++) grades; only the second copy to ever hit the site!
Both of these sides are rich, full-bodied and Tubey Magical yet still super clean and clear; the bass is right on the money and the energy level is off the charts
“… boasting old-fashioned rockers, catchy pop tunes, and acoustic ballads… the heart of the album lies in Ham’s work.. He proves that songcraft is what separates great power-pop from good, and it’s what makes No Dice a superb pop record.” – All Music, 4 1/2 Stars
Incredible sound for this early UK pressing with both sides earning Shootout Winning Triple Plus (A+++) grades, an excellent way to hear these amazing songs
Working Man’s Hero, Love, Mother — these are immortal Lennon tracks, all with stunning sound on these White Hot sides
5 stars: “It’s an unflinching document of bare-bones despair and pain, but for all its nihilism, it is ultimately life-affirming; it is unique not only in Lennon’s catalog, but in all of popular music. Few albums are ever as harrowing, difficult, and rewarding as John Lennon/Plastic Ono Band.”
Incredible sound for this John Lennon classic! I would be hard pressed to tell you whether this or Imagine is his best sounding recording, because on the very best copies they can both be killer. Our first White Hot copy only made it to the site in 2016 — it took us a long time to find the right pressings of this album, and then years more to get enough in stock to do a major shootout. As you can imagine, clean early UK pressings of Lennon’s albums are hard to come by and pricey when you find them.(more…)
The half-speed mastered remixed Abbey Road has to be one of the worst sounding Beatles records we have ever had the displeasure to play. Hard to imagine you could make Abbey Road sound any worse. It’s absolutely disgraceful.
I will be writing more about its specific shortcomings down the road, but for now let this serve as a warning that you are throwing your money away if you buy this newly remixed LP.
With two nearly Triple Plus (A++ to A+++) sides, this copy is close to the BEST we have ever heard, right up there with our Shootout Winner – exceptionally quiet vinyl too
These sides are doing practically everything right — rich, full-bodied, present and spacious with plenty of extension on both ends
“Rock ‘n’ Roll, in fact, stands as a peak in his post-Imagine catalog: an album that catches him with nothing to prove and no need to try… Today, Rock ‘n’ Roll sounds fresher than the rock & roll that inspired it in the first place. Imagine that.” – All Music, 4 Stars
An excellent sounding UK copy which solid Double Plus (A++) sound from beginning to end – exceptionally quiet vinyl too
Forget the dubby domestic pressings and whatever crappy Heavy Vinyl record they’re making these days – the UK LPs are the only way to fly on Mind Games
“… the best numbers are among Lennon’s finest…” – All Music
This vintage UK pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.(more…)
This British Import Parlophone pressing has, without a doubt, ONE OF THE BEST SIDE TWOS WE’VE EVER HEARD. I guarantee you’ve never heard A Day In The Life sound as good as it does here — we sure haven’t! The superb presence, clarity, and transparency allow elements to come through that are lost on all but the very hottest copies. Take a listen to how clear the piano comes through in the mix and compare it to any other copy you can find to see what I’m talking about.
Talk about energetic, jumpin’ out of the speakers, zero distortion sound! This A+++ side two is a MONSTER. The bottom end has all the weight, the mids are as tubey magical as they come, and the top end is fully extended and silky sweet. I’d feel good putting this side up against anything you could throw at it. Heck, I’d be surprised if the master tape itself sounded significantly better!(more…)
The sound of the best pressings of The Beatles — when cleaned with the Walker Enzyme fluids on the Odyssey machine — are truly revelatory.
So much of what holds their records back is not bad mastering or poor pressing quality or problems with the recording itself. It’s getting the damn vinyl clean. (It’s also helpful to have high quality playback equipment that doesn’t add to the inherent limitations of the recordings.)
Know why you never hear Beatles vinyl playing in stereo stores or audio shows? (Love doesn’t count; give me a break.)
Because they’re TOO DAMN HARD to reproduce. You have to have seriously tweaked, top-quality, correct-sounding equipment — and just the right pressings, natch — to get The Beatles’ music to sound right, and that’s just not the kind of stuff they have at stereo stores and audio shows. (Don’t get me started.) (more…)