Labels We Love – Pacific and World Pacific

Sunnyland Slim – Slim’s Got His Thing Goin’ On

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  • Off the charts “Triple Triple” (A+++) sound for this classic Sunnyland Slim blues album – both sides earned our top grade of A+++
  • Huge, Tubey Magical and dynamic, with solid weight down low and lots of space around the instruments, this copy is guaranteed to fill your listening room with truly brilliant electric blues
  • We guarantee there is dramatically more space, richness, vocal presence, and performance energy on this White Hot stamper pressing than on any other in the world (and if you don’t see it our way, feel free to return the record for a full refund)
  • “‘Slim’s Got His Thing Goin’ On’ may be classic, but it’s not ordinary. More, it’s totally unique. The blend of electric guitars, harmonicas and pianos is wonderful, production just rocks.”

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Chet Baker – It Could Happen To You – Reviewed in 2010

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This is a very nice looking RARE original Riverside LP. Side one has good sound but side two really shows you how WONDERFUL this record is. The sound on side two is rich, full and transparent, with lots of tubey magic. Hard to imagine it could get much better. 

Hey Bud, This Girl Looks Awfully Familiar

Not sure about the last one…

I am sure that none of these three records is worth owning. The sound is at best mediocre, as is the music.

The Chico Hamilton Quintet

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  • This superb live recording finally makes its Hot Stamper debut, boasting a Shootout Winning Triple Plus (A+++) side two and an outstanding Double Plus (A++) side one
  • A killer mono pressing, with solid weight, lovely richness and warmth, real separation between the instruments and wonderful immediacy throughout
  • Recorded live at The Forum Theater in Los Angeles in 1956, this vintage pressing boasts exceptionally natural sound, as well as the energetic live interplay of these five musicians (including a cellist)

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Gerry Mulligan – The Gerry Mulligan Songbook Vol. 1 – Reviewed in 2009

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More The Gerry Mulligan Songbook Vol. 1

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A distinguished member of the Better Records Jazz Hall of Fame.

This original COLLECTOR QUALITY World Pacific Jazz LP has VERY GOOD sound and is EXCEPTIONALLY QUIET. Zoot Sims, Al Cohen, Lee Konitz and Allan Eager all play on this record. A pretty hot lineup if I do say so!

Bud Shank – Brazilliance Vol. 2

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More Brazilliance Vol. 2

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  • Shank’s 1962 collaboration with Laurindo Almeida arrives with a Shootout Winning Triple Plus (A+++) side one and an outstanding Double Plus (A++) side two – exceptionally quiet vinyl too
  • Another superb Rickard Bock production from the early ’60s, with huge amounts of studio space and Tubey Magic to die for
  • The combination of Shank’s sax and flute with Almeida’s Brazilan folk-influenced guitar creates a delightful and unique fusion of bossa nova-influenced jazz
  • These two would go on to form the L.A. 4, but we much prefer their earlier work on this album
  • 4 stars: “…once again combining Brazilian rhythms and folk melodies with cool bop improvising… highly recommended.”

This World Pacific pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the musicians, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Bud Shank & Clare Fischer – Bossa Nova Jazz Samba

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Bossa Nova Jazz Samba

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  • This superb collaboration from 1962 makes its Hot Stamper debut with stunning Shootout Winning Triple Plus (A+++) sound throughout
  • With a breathy sax, lively and present piano, clarity, space and timbral accuracy, this is guaranteed to be one of the best sounding jazz records you’ve heard
  • A wonderful Bossa Nova classic that shows you just how lovely this music can sound when properly mastered and pressed
  • This is vintage Sixties Pacific Jazz Stereo at its best – big, rich and Tubey Magical like you will not believe

This Original Pacific Jazz Stereo pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the group, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Chet Baker, Art Pepper, Phil Urso – Picture Of Heath – A Killer Copy from 2005

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A distinguished member of the Better Records Jazz Hall of Fame

This is an exceptionally nice original Pacific Jazz Black Label Mono LP with SUPERB SOUND. Pure Pleasure just did a 180g reissue of this album, but the real thing is THE REAL THING! This copy has the PRESENCE, the DYNAMICS and the LIFE of real jazz. I can’t think of a more fun west coast jazz session that sounds as good outside of the best Contemporary records. This one gets a top recommendation. 

Bud Shank And the Sax Section – A Forgotten Jazz Classic

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Jazz Classics

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Bud Shank And the Sax Section

A distinguished member of the Better Records Jazz Hall of Fame.

A True Demo Disc of the highest order! The sound of multiple saxes playing these lively arrangements is audiophile magic to these ears. We played a ton of copies and none of them had two sides like this! You aren’t going to believe how open, lively and tubey magical the sound is throughout.

Both sides here are SUPER HOT. It must have something very close to 100% of the sound the engineer recorded, because it is just out of this world. The engineer in question? None other than Bruce Botnick, the man behind Sergio Mendes’ first album, The Doors, Love and countless others, a true wizard in the studio if ever there was one.

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Botnick Is The Man

He sure knew what he was doing on this session. Botnick succeeded brilliantly in capturing the unique sound of each of the saxes. The album is really more of a West Coast pop jazz record than it is a “real” jazz record. The arrangements are very tight, the songs are quite short — none exceed three and a half minutes — so there is not a lot of classic jazz saxophone improvisational blowing going on. (If you’re looking for the kind of thing Rudy Van Gelder did back in the day, it’s not here.)

The Bass Sax — What a Sound!

The reason this album is so appealing to us audiophiles is that the sound of each of the saxophones is clearly recognizable as they weave in and around these arrangements. On the back cover you can see a fellow holding a bass saxophone, an instrument you don’t hear too often — perhaps it’s fallen from favor. (It solos at the beginning of Sidewinder on side one. Once you hear it you will be dying to play that song for your audiophile buddies, I guarantee it. What a sound!) (more…)