Labels We Love – Pacific Jazz

Chet Baker, Art Pepper, Phil Urso – Picture Of Heath – A Killer Copy from 2005

More Chet Baker / More Art Pepper

More Picture Of Heath

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A distinguished member of the Better Records Jazz Hall of Fame

This is an exceptionally nice original Pacific Jazz Black Label Mono LP with SUPERB SOUND. Pure Pleasure just did a 180g reissue of this album, but the real thing is THE REAL THING! This copy has the PRESENCE, the DYNAMICS and the LIFE of real jazz. I can’t think of a more fun west coast jazz session that sounds as good outside of the best Contemporary records. This one gets a top recommendation. 

Bud Shank And the Sax Section – A Forgotten Jazz Classic

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Jazz Classics

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Bud Shank And the Sax Section

A distinguished member of the Better Records Jazz Hall of Fame.

A True Demo Disc of the highest order! The sound of multiple saxes playing these lively arrangements is audiophile magic to these ears. We played a ton of copies and none of them had two sides like this! You aren’t going to believe how open, lively and tubey magical the sound is throughout.

Both sides here are SUPER HOT. It must have something very close to 100% of the sound the engineer recorded, because it is just out of this world. The engineer in question? None other than Bruce Botnick, the man behind Sergio Mendes’ first album, The Doors, Love and countless others, a true wizard in the studio if ever there was one.

More Bud Shank

Botnick Is The Man

He sure knew what he was doing on this session. Botnick succeeded brilliantly in capturing the unique sound of each of the saxes. The album is really more of a West Coast pop jazz record than it is a “real” jazz record. The arrangements are very tight, the songs are quite short — none exceed three and a half minutes — so there is not a lot of classic jazz saxophone improvisational blowing going on. (If you’re looking for the kind of thing Rudy Van Gelder did back in the day, it’s not here.)

The Bass Sax — What a Sound!

The reason this album is so appealing to us audiophiles is that the sound of each of the saxophones is clearly recognizable as they weave in and around these arrangements. On the back cover you can see a fellow holding a bass saxophone, an instrument you don’t hear too often — perhaps it’s fallen from favor. (It solos at the beginning of Sidewinder on side one. Once you hear it you will be dying to play that song for your audiophile buddies, I guarantee it. What a sound!) (more…)

The Stones Jazz with Joe Pass and Bruce Botnick

Our Shootout Winner

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With two Triple Plus (A+++) shootout winning sides, this original stereo World Pacific copy simply could not be beat

  • Huge and rich, here is the kind of Tubey Magical presentation that lets this big group of musicians (four trombones!) come alive
  • The engineering by none other than Bruce Botnick is brilliant in all respects, as good as his work with The Doors
  • This is FUN West Coast Pop Jazz built around the superb arrangements of Bob Florence and the great songs of the Stones
  • We’re so sure you’ll like this music that if for any reason you are unhappy the domestic return shipping is on us!

Another undiscovered gem, brought to you by the folks at Better Records who know a good sounding record when they hear one. And the music is interesting and fun from first song to last. With Joe Pass on guitar how could it not be – the guy’s a genius.

This copy is spacious, sweet and positively dripping with ambience. Talk about Tubey Magic, the liquidity of the sound here is positively uncanny. This is vintage analog at its best, so full-bodied and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to improve it. (more…)