Some sections on our site are hard to find. Here’s one with lots of cool records in it:
A distinguished member of the Better Records Jazz Hall of Fame.
A True Demo Disc of the highest order! The sound of multiple saxes playing these lively arrangements is audiophile magic to these ears. We played a ton of copies and none of them had two sides like this! You aren’t going to believe how open, lively and tubey magical the sound is throughout.
Both sides here are SUPER HOT. It must have something very close to 100% of the sound the engineer recorded, because it is just out of this world. The engineer in question? None other than Bruce Botnick, the man behind Sergio Mendes’ first album, The Doors, Love and countless others, a true wizard in the studio if ever there was one.
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Botnick Is The Man
He sure knew what he was doing on this session. Botnick succeeded brilliantly in capturing the unique sound of each of the saxes. The album is really more of a West Coast pop jazz record than it is a “real” jazz record. The arrangements are very tight, the songs are quite short — none exceed three and a half minutes — so there is not a lot of classic jazz saxophone improvisational blowing going on. (If you’re looking for the kind of thing Rudy Van Gelder did back in the day, it’s not here.)
The Bass Sax — What a Sound!
The reason this album is so appealing to us audiophiles is that the sound of each of the saxophones is clearly recognizable as they weave in and around these arrangements. On the back cover you can see a fellow holding a bass saxophone, an instrument you don’t hear too often — perhaps it’s fallen from favor. (It solos at the beginning of Sidewinder on side one. Once you hear it you will be dying to play that song for your audiophile buddies, I guarantee it. What a sound!) (more…)