Labels We Love – Pablo

Sarah Vaughan – Send In The Clowns

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  • This outstanding pressing, only the second copy to EVER hit the site, boasts outstanding Double Plus (A++) sound from first note to last
  • Huge and powerful, Basie’s horns are really blastin’ on this copy
  • Sassy’s remarkable vocal range and flexibility are on full display here, singing favorites including “I Got A Right To Sing The Blues,” “When Your Lover Has Gone,” and, of course, the title track 
  • “Sarah Vaughan is accompanied by her regular rhythm section of the early ’80s, guitarist Freddie Green, and the Count Basie horn sections on this enjoyable date… Sassy is in superb form…” – Allmusic

A wonderful recording by one of our favorite engineers, Dennis Sands, the man behind the amazing Basie album, Farmers Market Barbecue. (more…)

Count Basie – Kansas City 5

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A distinguished member of the Better Records Jazz Hall of Fame.

Another amazingly well recorded Count Basie album, and this one is killer with Triple Triple grades. It’s bigger, more solid and rich, with extension on both ends of the frequency spectrum that no other copy could match. First time on the site – a great session with a fresh sound for Basie, with Milt Jackson on vibes and Joe Pass on guitar.

I was not familiar with this record until recently. We pick up all the Pablo Basie titles we can get our hands on, and when we needle dropped a copy of this album we were amazed at the sound. Don’t know much about the engineer but he did a great job at Kendun for this session. 

This was the first of a series of smaller ensemble recordings under the heading of Kansas City. We have more coming, including the superb Kansas City piano trio album entitled “For the Second Time” with Louis Bellson and Ray Brown, a record that can have superb sound on the Pablo pressing (but steer clear of the OJC which is thin and opaque, the opposite of the sound you want). (more…)

Duke Ellington – Up In Duke’s Workshop

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A distinguished member of the Better Records Jazz Hall of Fame.

The notes for this shootout winning side one read: “lively, big, present, with great bass” and that’s the way we like our Big Band to sound!

The first track on side two is not quite up to the standard set by some of the other pieces here but by track two or three all is well sound-wise. (more…)

Duke Ellington – Duke’s Big 4

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A distinguished member of the Better Records Jazz Hall of Fame.

I don’t know of any other Pablo recording of the Duke from this era that has such big, open, clear, solid sound. VAL VALENTIN did the engineering, and as he has so often over the course of his storied career, he knocked it out of the park.

What both sides of this exceptionally good sounding Pablo pressing have to offer is not hard to hear:

  • The biggest, most immediate staging in the largest acoustic space
  • The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1974
  • Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
  • Natural tonality in the midrange — with all the instruments of this stellar jazz combo having the correct timbre
  • Transparency and resolution, critical to hearing into the three-dimensional studio space

No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we describe above, and for that you will need to take this copy of the record home and throw it on your table. (more…)

Milt Jackson / Joe Pass / Ray Brown – The Big 3

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  • A superb sounding Pablo recording from 1976 – this copy gives you outstanding Double Plus (A++) sound or better from start to finish  
  • We found the sound superb, but even better is the fact that with only three instruments – vibes, guitar (Joe Pass) and bass (Ray Brown) – each of the players has plenty of room to stretch out and have fun with the tunes
  • 5 Stars: “The colorful repertoire — ranging from “The Pink Panther” and “Blue Bossa” to “Nuages” and “Come Sunday” — acts as a device for the musicians to construct some brilliant bop-based solos.”

(more…)

Michel Legrand – After the Rain – A Personal Favorite

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Jazz Classics

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Michel Legrand – After the Rain

A distinguished member of the Better Records Jazz Hall of Fame.

This album is PURE MAGIC! I know of no other jazz album like it. It’s lyrical and moody, yet comes to life at a moment’s notice when the horn players start to feel the spirit. If you’re familiar with the music he wrote for The Thomas Crown Affair (he won an Academy Award for “Windmills of Your Mind”), you may have a good feel for subtle, impressionistic, often moody quality of After the Rain . Or check it out on youtube (while trying to imagine the sound being at least one million times better).

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Michel’s idea was to assemble a group of his favorite musicians, especially those who were ordained in the lyrical persuasion, to record his next album.

With Zoot Sims and Phil Woods trading off stylistically opposed solos within the gentle, subtly “French” atmosphere, aided by guitar, trumpet, Michel’s piano, and rhythm, you have something new, even unique.

Phil Woods doubles on clarinet, and his lead work on Martina is the one of the finest examples of jazz clarinet I’ve ever heard. (Art Pepper is another guy who can really swing on the clarinet without sounding dated.) (more…)

The Recordings of Zoot Sims – Four that Didn’t Make the Grade

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These are just some of the recordings by Zoot Sims that we’ve auditioned recently and found wanting. Without going into specifics we’ll just say these albums suffer from poor performances, poor sound, or both, and therefore do not deserve a place in your collection, and may even belong in our Hall of Shame.   

Free Service provided to the Audiophile Public, courtesy of Better Records.    

 

Freddie Hubbard – The Best Of… Live And In Studio

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A distinguished member of the Better Records Jazz Hall of Fame.

This is a Minty looking Pablo LP with Virtually No Sign Of Play (VNSOP). 

This album has selected tracks from his 2 LP set ’Live at the North Sea Jazz Festival’ which are excellent. On the other side are three tracks recorded at Ocean Way which are equally good. All in all, this is some of the best later Hubbard work around.

Duke Ellington and Ray Brown – This One’s For Blanton

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This One’s For Blanton

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A distinguished member of the Better Records Jazz Hall of Fame.

BIG BOLD SOUND. It has that up front live in your living room sound. It’s very dynamic and tubey magical. (more…)

Count Basie & Oscar Peterson – The Timekeepers

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A distinguished member of the Better Records Jazz Hall of Fame

Hot Stamper sound on both sides of this Pablo original pressing of the Two Masters in a small group setting. Basie and Peterson recorded five albums together, and this may very well be the best of the bunch, though I have yet to hear one that I didn’t enjoy. I wrote a rave review about this title when I first heard it more than ten years ago. If you like small group piano jazz — here we’re talking two pianists accompanied by Louie Bellson on drums and John Heard on bass — this should be right up your alley. 

Side One

Big, rich pianos. Everything here is clear with no smear, with a fair amount of space. This side is a bit opaque compared to the best we heard, and the bass isn’t quite as deep as it was on the top copies, but overall this side is doing most of what we wanted it to.

Side Two

This side is lively and tonally correct — getting the music right — but lacks extension on both ends. (more…)