Labels We Love – Original Jazz Classics (OJC)

Cannonball Adderley – Bill Evans – Know What I Mean? – Our Shootout Winner from 2015

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A distinguished member of the Jazz Hall of Fame

One of our favorite Cannonball Adderley albums here at Better Records, and the sound is killer on this copy. Both sides are Tubey Magical, rich, open, spacious and tonally correct. We’ve never heard the record sound better, and that’s coming from someone who’s been playing the album since the ’80s when it was first reissued in its current form.

These guys are playing live in the studio and you can really feel their living, breathing presence on every track — assuming you have a copy that sounds like this one.

Based on what I’m hearing my feeling is that most of the natural, full-bodied, smooth, sweet sound of the album is on the master tape, and that all that was needed to get that vintage sound correctly on to disc was simply to thread up that tape on a reasonably good machine and hit play.

Original Vs. Reissue

The original Riverside pressings are the best, right?

Not in our experience. We think that’s just another Record Myth. (more…)

Bill Evans Moon Beams – Superb on the Right OJC Pressing

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  • Excellent Double Plus (A++) sound on both sides, this is one of the better copies of Bill Evans’ 1962 classic to ever hit the site
  • Full-bodied and warm, exactly the way vintage analog should sound, yet as clear and as open as any pressing you’ve heard (or your money back)
  • The first album Evans recorded after Scott LaFaro’s death and it is deeply immersive experience
  • Allmusic raves it’s “…so well paced and sequenced the record feels like a dream … Moonbeams was a startling return to the recording sphere and a major advancement in his development as a leader.”
  • Great sound for this rockin’ soul album with two live tracks. Just listen to the drums on Black-Eyed Blues — the way the percussion and bass mingle sonically with Alan White’s skins takes this listener right into the room where the magic happened.

Moon Beams is one of the best sounding Bill Evans records we’ve ever played. You can see why we chose it to be the first OJC Hot Stamper of his to hit the site back in 2015. Play It Might As Well Be Spring for the kind of sublime musical experience you only find on 20th century analog. (more…)

Benny Carter – Swingin’ the ’20s

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  • With a Triple Plus (A+++) shootout winning side two and a Double Plus (A++) side one, this copy took top honors in our recent shootout
  • These good sides are so much bigger and more open, with more bass and energy – the saxes and trumpets are immediate and lively
  • Mr. Earl Hines himself showed up, a man who knows this music like nobody’s business – Leroy Vinnegar and Shelly Manne round out the quartet
  • “Great musicians produce great results, and most of the LP’s tracks were done in one or two takes. The result is ‘a spontaneous, swinging record of what happened’ when Carter met Hines ‘for the first time. . . .'”

We finally built up enough copies of this great album to do a shootout, our first since 2012, which ought to tell you something about the used record market these days. This copy had most of the Tubey Magic of the originals we played, with all of the amazing clarity and freedom from distortion the later pressings are capable of reproducing — the best of both worlds.

Our Yellow Label Contemporary pressing in stereo of Benny Carter’s swingin’ jazz quartet is the very definition of a top jazz recording from the late ’50s mastered through a modern, very high quality cutting chain. There’s good extension on the top end, with TONS of what you might not expect: Tubey Magic and Richness. If that’s what you’re looking for, this copy has got it! (more…)

Standard Coltrane – If You’re Looking for the Best Sound…

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A distinguished member of the Better Records Jazz Hall of Fame.

As you may have guessed by now, remastered is a bit of a dirty word around these parts. Most remastered records we play, from The Beatles to John Coltrane to ZZ Top, sound to us like pale imitations of the real thing, whether the real thing is an original or a reissue from back in the day.

But only a fool could fail to appreciate how correct and lively the best copies of this remastered record sound, and we’re no fools here at Better Records. We judge records by one and only one criterion: how they sound. We pay no mind to labels, record thicknesses, playback speeds, mastering speeds or anything else you can read about on audiophile websites.

We’re looking for the best sound. We don’t care where it comes from. (more…)

The Recordings of Count Basie – These Four Didn’t Make the Grade

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More That Didn’t Make the Grade

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These are just some of the recordings by Count Basie that we’ve auditioned recently and found wanting. Without going into specifics we’ll just say these albums suffer from poor performances, poor sound, or both, and therefore do not deserve a place in your collection, and may even belong in our Hall of Shame

Free Service provided to the Audiophile Public, courtesy of Better Records. 

Count Basie Albums with Hot Stampers

Count Basie Albums We’ve Reviewed