Labels We Love – OJC – But Not on These Titles

Benny Carter – Jazz Giant on Contemporary

More Benny Carter

More Jazz Giant

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A distinguished member of the Better Records Jazz Hall of Fame.

HUGE DEMO DISC QUALITY SOUND ON BOTH SIDES! This Contemporary LP sounds AMAZING — it has a wide and open soundfield that really allows you to hear into the music. Drop the needle on track three (Carter’s Own ’A Walkin’ Thing’) to hear these guys really swinging! The sound is so natural, and it really jumps out of the speakers. This knocked our original Stereo Records pressing out of the ballpark — it wasn’t even close.

Sometimes the OJC versions of Contemporary Records are excellent. Those tend to be the ones we sell. But most of the time the pressings that were mastered and put out by Contemporary in the mid-’70s (until they were bought by Fantasy) are superior. 

My understanding is that Bernie Grundman was cutting a lot of records for Contemporary in those days. If that’s true he was doing a great job because those are some wonderful sounding records.  

If you like the sound of Contemporary Records, you won’t find a better example than this! You may remember that Acoustic Sounds did a version back in the ’90s, which was a complete disaster. I haven’t heard the recent 45 RPM version, but I seriously doubt that it sounds like this.

TRACK LISTING

Old Fashioned Love 
I’m Coming Virginia 
A Walkin’ Thing 
Blue Lou 
Ain’t She Sweet 
How Can You Lose 
Blues My Naughty Sweetie Gives to Me

AMG Review

Benny Carter had already been a major jazz musician for nearly 30 years when he recorded this particularly strong septet session for Contemporary. With notable contributions from tenor saxophonist Ben Webster, trombonist Frank Rosolino and guitarist Barney Kessel, Carter (who plays a bit of trumpet on “How Can You Lose”) is in superb form on a set of five standards and two of his originals. This timeless music is beyond the simple categories of “swing” or “bop” and should just be called “classic.”

What We Listen For – Timbre, Richness, Tubey Magic and Freedom from Artificiality

More of Our Favorite Contemporary Jazz Recordings

More Barney Kessel

 

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This Home Audio Exercise entry was inspired by the wonderful qualities of the Contemporary recording you see pictured, qualities brought to our attention while doing a shootout of various pressings of the album in early 2009. 

We addressed a number of issues in our commentary: first and foremost what we were listening for on the album (and what we were hearing). A bit of mono versus stereo (in this case both can be good). This is followed by some Audiophile Equipment bashing.

We highly recommend you make every effort to find yourself a copy of this album and use it to test your own equipment. The right pressing can be both a great Demo Disc and a great Test Disc. (more…)