Labels We Love – Liberty

Julie London – Julie

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  • This outstanding vintage Liberty stereo pressing boasts solid Double Plus (A++) sound or close to it from top to bottom – exceptionally quiet vinyl for a Julie London album too (don’t get me started)
  • In-the-room presence, preternaturally breathy vocals, and boatloads of wonderful Tubey Magic
  • This amazing sleeper of a record belongs right up at the top of Ms. London’s oeuvre (25 albums strong) along with Julie Is Her Name – high praise indeed
  • 4 stars: “Usually put into a torch song setting, this release allows London to shed that garment and become jazzy. Instead of being sultry, she becomes dazzling and sparkling. She also becomes more adept at phrasing and timing and takes a risk or two in the tradition of a jazz singer.”

The great Jimmy Rowles plays piano, handled the arrangements and fronts the big group here, taking the music in a wonderfully jazzy direction that suits Julie’s vocal style perfectly. (more…)

Martin Denny – Exotic Percussion

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This Liberty stereo LP has A++ DEMO DISC SOUND on side one, mated to a pretty darn good side two. The sound is very three-dimensional and has a wonderfully extended top end on this copy. The music just JUMPS out of the speakers. Soundstaging and depth are both superb.

Side two is not quite as open and transparent as side one but we still rate it an A+ for sound; it’s far far better than the average copy of this record you can find, if you can find a clean one at all. Fans of TUBEY MAGIC, Golden Age Exotica or Bang, Baa-room & Harp should find much to like here.

Julie London – About The Blues

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  • About The Blues with KILLER Triple Plus (A+++) sound from first note to last; we rarely have this title on the site 
  • Julie’s lilting vocals are clear, breathy, Tubey Magical, and sweet, like practically nothing you’ve ever heard
  • This copy is about as quiet as we can find these 1957 Turquoise original mono pressings, Mint Minus Minus* throughout
  • 4 stars: “About the Blues … may just be her best orchestral session. Since downbeat torch songs were London’s specialty, the album features an excellent selection of nocturnal but classy blues songs that play to her subtle strengths…”

Rich, smooth, sweet, full of ambience, dead-on correct tonality — everything that we listen for in a great record is here.   (more…)

Martin Denny’s Quiet Village – Our Shootout Winner from Way Back

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This Superb sounding Hot Stamper copy of Quiet Village has a lot in common with the other Bachelor Pad / Exotica titles we’ve listed over the years, albums by the likes of Esquivel, Dick Schory, Edmundo Ros, Arthur Lyman and others.

But c’mon, nobody really buys these records for the music (although the music is thoroughly enchanting). It’s all about the Tubey Magical Stereoscopic presentation, the wacky 3-D sound effects (of real birds and otherwise) and the heavily percussive arrangements. In all of these areas and more this record does not disappoint.

If you’re an audiophile, both the sound and the music are crazy fun. If you want to demonstrate just how good 1959 All Tube Analog sound can be, this is the record that will do it! (more…)

Julie London – Julie Is Her Name – What a Record!

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

We award this copy’s side one our very special Four Plus A++++ grade, which is strictly limited to pressings (really, individual sides of pressings) that take a given recording to a level we’ve never experienced before and had no idea could even exist. We estimate that about one per cent of the Hot Stamper pressings we come across in our shootouts earn this grade. You can’t get much more rare than that.

  • Beyond White Hot stamper sound on side one of this Turquoise Liberty Mono pressing – the sound is guaranteed to blow your mind
  • Julie is in the room with you – intimate, breathy and Tubey Magical like practically nothing you’ve ever heard
  • For late night listening this may be the best Sultry Female Vocal recording ever made
  • “…one of the purest, most subtle lounge albums of all time (not to mention one of the best vocal jazz albums ever).”

This side had breathy resolution that was hard to believe, along with size and immediacy that no other side of any copy could touch. Phenomenal. (more…)

Julie London – Julie… At Home in 1959

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

If you’re a fan of intimate female vocals – the kind without a trace of digital reverb – you should get quite a kick out of Julie… At Home. And unless I miss my guess you’ll be the first and only person on your block to own it! (That’s not a bad thing considering the average person’s taste in music.) 

Need a refresher course in Tubey Magic after playing too many modern recordings or remasterings? These Liberty pressings are overflowing with it. Rich, smooth, sweet, full of ambience (or at least as much ambience as can be heard in Julie’s living room), dead-on correct tonality — everything that we listen for in a great record is here. (more…)

Julie London in 1960 – Make Love To Me

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  • One of the best copies from our most recent shootout with a Triple Plus (A+++) side one and an excellent Double Plus (A++) side two
  • Julie is in the room with you – her voice is intimate, breathy and Tubey Magical like practically nothing you’ve ever heard 
  • Unusually clean surfaces, playing Mint Minus Minus (w/ caveats, see below), a step up from most of the copies we’ve been running into lately
  • “Her subtle sensuality and lightly swinging style made for a potent combination.” – All Music

If you’re a fan of vintage female vocals – the kind without a trace of digital reverb – you should get quite a kick out of Make Love To Me. And unless I miss my guess you’ll be the first and only person on your block to own it. (That’s not a bad thing considering the average person’s taste in music.)

Need a refresher course in Tubey Magic after playing too many modern recordings or remasterings? These Liberty pressings are overflowing with it. Rich, smooth, sweet, full of ambience, dead-on correct tonality — everything that we listen for in a great record is here. (more…)

Canned Heat – The First Canned Heat Album


Our White Hot Shootout Winner for 2018

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  • A stunning sounding copy: Triple Plus (A+++) sound on the first side, Double Plus (A++) on the second
  • Both sides are clean, clear and spacious with plenty of bottom end weight and big rock energy
  • Not the quietest copy we’ve come across (see below), so we’re discounting it accordingly
  • Comprised entirely of blues covers such as Muddy Waters’ Rollin’ and Tumblin’ and Robert Johnson’s Dust My Broom

See all of our Canned Heat albums in stock

Blues Rock

What the best sides of this Blues Rock album have to offer is not hard to hear: (more…)

Bob Florence – Here And Now – and Tough to Find in Stereo

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Jazz Classics

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Bob Florence – Here And Now

A distinguished member of the Better Records Jazz Hall of Fame.

A Five Star Album in the All Music Guide!

This lively big band LP has excellent sound!

At 32, Florence already largely had his writing style together. He utilized top L.A. studio players for this set including such soloists as altoist Bud Shank, the tenors of Bill Perkins and Bob Hardaway, and trombonist Herbie Harper, but it is the tricky charts on the four originals and four standards (including “The Song Is You” and “Straight No Chaser”) that make this an LP worth searching for.” – AMG

More recordings engineered by Bones Howe

Julie London – Julie Is Her Name, Vol. 2

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Vocal Classics

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Julie London – Julie Is Her Name, Vol. 2

A distinguished member of the Better Records Rock and Pop Hall of Fame .

The notes I took during this shootout lay out just how impressed I was with the sound of this remarkable copy:

Wide stereo. Big Bass. Swingin’. Just the right amount of reverb. Tonal perfection. The stereo kills the mono (on this album, on the copies we played anyway).

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On side one listen to how rich the bottom end is. The Tubey Magic on this side is off the charts. Some copies — or, to be more precise, some sides of some copies can be dry — but that is clearly not a problem on this one. The naturalness of the presentation puts this album right at the top of best sounding female vocal albums of all time.

To take nothing away from her performance, which got better with every copy we played.

If only Ella Fitzgerald on Clap Hands got this kind of sound! As good as the best copies of that album are, this record — like the first volume, the 1955 mono recording — takes the concept of intimate female vocals to an entirely new level. (more…)