Clark Terry’s three horn lineup album finally arrives on the site with stunning Shootout Winning Triple Plus (A+++) sound from beginning to end AND exceptionally quiet vinyl
Big and lively, rich and full, no other copy in our shootout impressed us the way this killer pressing did
Credit goes to Rudy Van Gelder once again for the huge space this superbly well-recorded ensemble occupies
4 stars: “This all-star LP has plenty of memorable moments… The lively music is quite enjoyable.”
We dropped the needle on a copy of the album a few months back and immediately we knew it would be a record worthy of a shootout – the sound was big and lively in the best tradition of Rudy Van Gelder’s recordings from the mid-’60s. His sound is the right sound for this style of music, that’s for damn sure.(more…)
The bluesy version of Willow Weep For Me on side one is WONDERFUL. The rich, full-bodied sax sound is Right On The Money. The overall sound is totally transparent with superb clarity. Scrapple From The Apple (also on side one) has a silky top end anchored with deep, well-defined bass.
We had good success with both ’60s originals and later copies pressed in the ’70s.(more…)
For this album, having sampled a large group of pressings from every era, we found the originals to be inferior to the best reissues we played. Naturally the ones we offer here as Hot Stampers will be the best of those reissue pressings. We are not the least bit worried that this vintage Impulse LP won’t beat the pants off of any original as well as any reissue you may have heard. And of course it is guaranteed to be dramatically better sounding than any Heavy Vinyl pressing produced by anyone, anywhere, at any time.(more…)
This Sonny Rollins classic boasts killer Double Plus (A++) sound on both sides
Though I’ve been playing this album for more than 25 years, for some reason this is only the third copy to ever hit the site
A triumph for Rudy Van Gelder, a Top Impulse title, and as much a showcase for Oliver Nelson (+11) as it is for Sonny Rollins
4 1/2 Stars: “Rollins attempts to capture the textures of life through his incisive and energetic playing, his coherent improvisations, and variations on musical themes.”
This album is on the TAS Superdisc list, which is probably what first alerted me to it. I know I was listening to this album 25 years ago, just from the memory of hearing it in the condo I used to live in. It sounded great back then and it sounds even better now! It may just be my personal favorite of all his work.
What makes this album so great? For starters, great players. Kenny Burrell is wonderful as always. Interestingly, I never realized that Roger Kellaway is the pianist on these sessions. I saw him live years ago with Benny Carter (who was 90 at the time) and he put on one of the most amazing performances at the piano I have ever seen. For some reason, he was never able to make it as a recording artist, but the guy is a genius at the keyboard.
Of course, any orchestration by Oliver Nelson is going to be top flight and this is no exception. Two of his records are Must Owns, in my book: Jimmy Smith’s Bashin’ and his own The Blues and the Abstract Truth. No jazz collection without them can be taken seriously.(more…)
We were only slightly impressed with both the Speakers Corner pressing of this album and the earlier Impulse Heavy Vinyl edition from the ’90s. Neither one in our opinion is worth pursuing.
This could very well be the greatest collaboration between a horn player and a singer in the history of music. I honestly cannot think of another to rank with it. Ella and Louis has the same feel — too giants who work together so sympathetically it’s close to magic, producing definitive performances of enduring standards that have not been equaled in the fifty plus years since they were recorded. And, on the better copies, or should we say the better sides of the better copies, RVG’s sound is stunning.(more…)
For those of you who still cling to the idea that the originals are better, this record will set you straight.
Yes, we can all agree that Rudy Van Gelder recorded it, brilliantly as a matter of fact. Shouldn’t he be the most natural choice to transfer the tape to disc, knowing, as we must assume he does, exactly what to fix and what to leave alone in the mix?
Maybe he should be; it’s a point worth arguing.
But ideas such as this are only of value once they have been tested empirically and found to be true.(more…)
Folks, the later Stereo Impulse pressing of this classic Hartman album we dropped the needle on recently was so Tubey Magical, RICH yet CLEAR, and above all shockingly natural, it would be hard to imagine a Male Vocal record produced in the last thirty years that could hold a candle to it (outside of the Coltrane-Hartman record from the year before of course).
The Bennett-Evans record we love so much here at Better Records would qualify as a contender, but that album was recorded in 1975. And it doesn’t have half the Tubey Magic this Hartman album from 1963 does.
RVG Knocks Another One Out of the Park
Our hats are off to Rudy Van Gelder once again! Here’s an album that justifies his reputation. If only more of them did …