Labels We Love – East Wind

The Great Jazz Trio – Direct From L.A. – Reviewed in 2014

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Albums with Ron Carter on bass / Tony Williams on drums

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A distinguished member of the Better Records Jazz Hall of Fame.

The album features some excellent jazz with outstanding drum work by Tony Williams (one of our favorite drummers here at Better Records).

If you have a good copy of The Three on Eastwind you will note the strong similarity in sound. The music here, however, is clearly more adventurous.  (more…)

The L.A. 4 – Pavane Pour Une Infante Defunte – Reviewed in 2008

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More Pavane Pour Une Infante Defunte

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A distinguished member of the Better Records Jazz Hall of Fame.

This is a Near Mint East Wind Japanese Import Direct-To-Disc LP with SUPERB SOUND. Most copies we come across are quite ticky. Thankfully that ain’t the case here. This is an EXCEPTIONALLY QUIET copy! 

The sound may be good but the music is mostly a snore.

 

The Three – The Three (45 RPM) – Our Four Plus Copy from 2013

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More The Three (45 RPM)

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A distinguished member of the Better Records Jazz Hall of Fame.

We had six (yes, six!) of these 45 RPM pressings (and five Inner City’s and a couple of Eastwind 33’s — it was a big shootout), and this side one had the most ENERGY of any of them. This is a quality no one seems to be writing about, other than us of course, but what could possibly be more important? On this record, it took the performances of the players to a level beyond all expectations.

More A++++ Hot Stamper Pressings.

Folks, you are looking at the BEST SOUNDING RECORD we have ever played here at Better Records, and the good news for you dear reader, whether you’re a true believer, a skeptic, or fall somewhere in between, is that it can be yours. There was a time when a record like this would go directly into my collection. If I wanted to impress someone, audiophile or otherwise, with the You-Are-There illusion that only Big Speakers in a dedicated room playing a LIVE recording can create, this would be the clear choice, possibly the only choice. There is simply nothing like it on vinyl in my experience. (more…)

The Three – Our Direct Disc Copy

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More The Three – The Three

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A distinguished member of the Better Records Jazz Hall of Fame.

DEMO QUALITY, MASTER TAPE SOUND (!) on BOTH SIDES! Hey, wait a minute, this is the direct to disc version, there is no Master Tape. How can it have Master Tape Sound?

Simple. It’s the RARE copy that actually sounds like this one. Most Eastwind pressings — like pressings on any label — do not convey all the information of the master tape that you know must exist because you HEAR it on some copies. Some Direct Discs have much more of the sound that was cut live directly onto the acetate than others. This is one of those, one of the ones with MUCH MORE SOUND! 

This is my favorite piano trio record of all time. Joe Sample, Shelly Manne and Ray Brown only made one album together, this one, recorded direct to disc right here in Los Angeles for Eastwind in the Seventies. Joe Sample for once in his life found himself in a real Class A trio, and happily for jazz fans around the world he rose to the occasion. Actually it was more like an epiphany, as this is the one piano trio album I put in a class by itself. All three of The Three are giving us the best they’ve got on this one. When it comes to piano trio jazz, there is none better. (more…)

The L.A. Four Going Home – Review

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More Going Home

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A distinguished member of the Better Records Jazz Hall of Fame.

This East Wind Japanese Direct-to-Disc LP has AMAZING SOUND. The boys do a fantastic version of Greensleeves here, flawlessing switching idioms from swing to bossa nova to bop. 

AMG Biography

Altoist/flutist Bud Shank and Brazilian acoustic guitarist Laurindo Almeida first teamed up in the 1950s to create music that predated but strongly hinted at bossa nova. In 1974, they reunited to form the L.A. Four with bassist Ray Brown and drummer Chuck Flores. With Shelly Manne and later Jeff Hamilton replacing Flores on drums, the L.A. Four recorded eight albums for Concord through 1982, breaking up shortly afterward. Their mixture of cool-toned bop, Brazilian-oriented music, and ballads was quite attractive.