A distinguished member of the Better Records Orchestral Music Hall of Fame.
It took two copies — one for side one, one for side two — to find two sides this good. We love this album but most copies are unbelievably dreadful. (Actually, if you’ve played a fair number of DG recordings over the years you might not have any trouble believing how bad the average one is, so I take that back.)
This German Import has DEMONSTRATION QUALITY SOUND — of a kind. Being a DG recording, one of the things you won’t be demonstrating with this record is natural string tone — it’s just not part of the DG sound. But, this record is ALIVE.
Some of the most powerful deep bass I have ever heard on LP. Dynamics that are rarely heard outside of the concert hall. Wonderful spaciousness, openness and depth. String basses and cellos that growl like the real thing.
But you don’t really want to buy this record for the sound, as good as it is in its own way. What you want to buy this record for is the best performance of Night On Bald Mountain ever recorded. Fiedler plays it with a kind of abandonment that no other conductor has to my knowledge. It’s supposed to be a wild witches’ frenzy, and this is the only performance I know of that allows you to picture such diabolic revelry in your mind’s eye. (more…)