Labels We Love – Decca/London

TAS List Thoughts on Albeniz – Where on The List Is This Record?

More of the music of Isaac Albeniz (1860-1909) 

More TAS List Thoughts on Albeniz 

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Another nail in the coffin for HP’s TAS List. The fact that questionable entries such as Reiner’s Pines of Rome make the cut, and an amazing recording such as this doesn’t, should tell you everything you need to know concerning the value of such an incomplete list.

This is truly DEMONSTRATION QUALITY SOUND! Records simply do not get any more spacious, open, transparent, rich and sweet.

Our Hot Stamper Classical Pressings will be dramatically more transparent, open, clear and just plain REAL sounding, because these are all the areas in which heavy vinyl pressings tend to fall short in in our experience.


Further Reading

Check out our new section: The Better Records Hall of Fame for Orchestral Music.

We have a section for all the Classical Records we have reviewed on the site to date.

We also have a section for all the Heavy Vinyl Classical Records we have reviewed on the site.

We have a number of Commentaries specifically addressing issues we’ve encountered when playing classical recordings.

Sibelius, Liszt, Dukas et al. / Bernard Herrmann Conducts – London Phase 4 Debunked

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Sonic Grade: F

Hall of Shame pressing.

While preparing for a Finlandia shootout recently we happened to drop the needle on this album, a 1977 Phase 4 recording made in Kingsway Hall and engineered by Arthur Lilley. We could hardly believe how bad it sounded. The multi-miking is the worst I have ever heard! We like lots of Phase 4 recordings — especially those of Bernard Herrmann — but this is definitely not one of them. 

Are they all bad? Who can say? We sure aren’t going to be wasting any more time and money on the album in order to find out, I can tell you that.

The Obsession soundtrack is a dog as well; audiophiles looking for good sound are best advised to avoid them both. 

 

The Rolling Stones – Beggars Banquet on London

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  • A killer vintage copy of this exceptionally well-recorded Stones album from ’69, with superb Double Plus (A++) sound from first note to last
  • Clear, rich and lively throughout – the Tubey Magic of the best pressings is what has them sounding the way they should
  • One of a select group of Rolling Stones Must Own records which we prize above all others – Sticky Fingers and Let It Bleed round out the trio
  • 5 stars: “Basic rock & roll was not forgotten, however: ‘Street Fighting Man’… was one of their most innovative singles, and ‘Sympathy for the Devil’… was an image-defining epic.”

Good pressings are certainly not easy to come by — this kind of rich, full-bodied, musical sound is the exception, not the rule. And there’s actual space and extension up top as well, something you certainly don’t hear on most pressings. This is a fantastic album, and excellent sides like these give it the kind of sound it deserves.

Raw Rock & Roll Sound

Of course, Hot Stamper Sound still only gets you what’s on the tape. In this case, it’s some rude, crude, dirty rock & roll. That’s clearly what the Stones were going for here. In terms of audiophile appeal, Tea For The Tillerman this ain’t. Nor does it want to be!

What sets the best copies apart from the pack is a fuller, richer tonal balance, which is achieved mostly by having plenty of bass and lower midrange energy. The copies that are bass shy — most of them, that is to say — tend to bring out more of that midrangy shortcoming. (more…)

Bernard Herrmann – Conducts Jane Eyre And Other Film Scores

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This BEYOND White Hot Stamper Side Two completely blew our minds with Bernard Herrmann orchestral MAGIC. Side two is just OUT OF THIS WORLD. Since side two is where the Three Worlds of Gulliver suite is found — the very same superbly recorded music that is on Harry’s Super Disc List — you can be sure that is this is some of the best sounding Bernard Herrmann music you will ever have the opportunity to hear, if not THE best. The sound is DEMONSTRATION QUALITY of the HIGHEST ORDER. 

When it comes to this side two what we have here is a record that sounds so good, with the needle hits the groove you will feel like you’ve just threaded up the master tape and hit play. The effect is that you’re so totally IMMERSED in the musical experience you forget you’re listening to a record. You’re hearing the music exactly the way the musicians intended it to sound. You can’t ask for more than that. (more…)

The Moody Blues – A Question of Balance

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  • Side one earned a Double Plus (A++) grade and side two was even better, nearly Triple Plus (A++ to A+++)!
  • This copy has some of the tubiest, richest, yet clearest Moody Blues sound we’ve heard
  • Huge and spacious with strong midrange presence – this is the way the band should sound, alive and kickin’!
  • Includes the big hit Question, one of the all time greats by the band, which sounds fantastic here of course

Note that the sound on side one seems to get better as it goes, a phenomenon we have noticed often in the past.

What to Listen for

Achieving just the right balance of “Moody Blues Sound” and transparency is no mean feat. You have to be using the real master tape for starters. Then you need top end extension, a very rare quality on these imports, and finally, good bass definition to keep the bottom end from blurring and bleeding into the midrange. No domestic copy in our experience has ever had these three qualities, and only the best of the British imports (no Dutch, German or Japanese need apply) manages to get all three on the same LP. (more…)

Bernard Herrmann – The Mysterious Film World Of..

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

An OUTSTANDING RECORDING — with a huge three-dimensional stage, open, clear, extended up top and down low — the sound on this White Hot Side One is nothing short of AMAZING. And side two isn’t far behind! 

Side one boasts some wonderful material from Mysterious Island and Jason and the Argonauts. Who else but Herrmann could have orchestrated such phantasmagorical goings on?

The Three Worlds Of Gulliver Suite takes up all of side two. The complete score from which the suite is taken can be found on the original Herrmann album The Three Worlds of Gulliver, a long-time and extremely rare member of the TAS Super Disc List. (more…)

The Moody Blues – Every Good Boy Deserves Favour

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  • Superb Double Plus (A++) sound on both sides – this is one of the better sounding copies we played in our recent shootout
  • With a wonderful combination of Tubey Magical richness and clarity, this pressing will be very hard to beat
  • Full-bodied and lush, yet not veiled or distant, this is the sound that brings the Moodies magic to life
  • 4 1/2 stars: “The best-realized of their classic albums, Every Good Boy Deserves Favour was also the last of the group’s albums for almost a decade to be done under reasonably happy and satisfying circumstances — for the last time with this lineup, they went into the studio with a reasonably full song bag and a lot of ambition and brought both as far as time would allow…”

This copy had the BIG, RICH, LUSH British sound that can only be heard on the very best Moody Blues pressings. (more…)

Mahler’s Symphony No. 4 with Solti on Decca/London

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

Deep bass; rich, smooth strings, lots of lovely hall space – this copy was right up there with the best we heard, and clearly won the shootout for side two. You will hear immediately why this side two could not be beat – it’s wonderful. (more…)

The World of the Zombies on Decca

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  • Two outstanding sides each rating a solid Double Plus (A++) or BETTER – you have never heard The Zombies sound better, guaranteed
  • When you get hold of a sublimely Tubey Magical copy such as this, the sound of Rod Argent’s Hammond B-3 is nothing less than GLORIOUS
  • This UK compilation plays very quiet throughout – Mint Minus to Mint Minus Minus – they don’t come quieter
  • 4 Stars: “The Zombies’ obvious appreciation for adeptly crafted melodies and rich vocal harmonies likewise made them favorites of pop fans as well as more discerning listeners.”

For us audiophiles both the sound and the music here are enchanting. If you’re looking to demonstrate just how good 1965 All Tube Analog sound can be, this killer copy will do the trick. (more…)

Albeniz / Suite Espanola / De Burgos – What to Listen For

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of Suite Espanola. 

Wow, is this record ever DYNAMIC! I would put it in the top 2 or 3 percent of the most dynamic recordings we have played over the course of the last twenty five years. It also has tons of DEPTH. The brass is at the far back of the stage, just exactly where they would be placed in the concert hall, which greatly adds to the realism of the recording.

The strings may not be quite as sweet as the best earlier Londons, but the trade off is well worth it when you hear a record with this kind of LIFE and so little distortion.

Note that careful VTA adjustment for a record with this kind of dynamic energy is a must. Having your front end carefully calibrated to this record is the only way to guarantee there is no distortion or shrillness in even the loudest passages. (more…)