Labels We Love – Cotillion

Listening in Depth to Emerson, Lake & Palmer’s Debut

 

More Emerson, Lake and Palmer’s Debut

More Emerson, Lake and Palmer

Listening in Depth

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The Brit copies may take top honors for side one (“sweetness, openness, tubey magic, correct tonality, presence without aggressiveness, well-defined note-like bass, extended airy highs”) but the Hot Stamper Cotillion copies KILL on side two. They really ROCK, with greater dynamic contrasts and seriously prodigious bass, some of the best ever committed to vinyl.

The Brits tend to be a bit too “pretty” sounding. They’re too polite for this bombastic music. This music needs the whomp down below and lots of jump factor to work its magic.

The Brits are super-low distortion, with a more open, sweeter sound, especially up top, but the power of the music is just not as powerful as it can be on these very special Cotillions.

This Cotillion on side one is a rare gem indeed, one of the best domestics we’ve ever heard. It’s not quite as smooth and sweet as some, but it’s every bit as good in most other areas, and better in the bass. The Cotillion pressings of this album have bass that puts 99% of all the rock records in the world to shame. (And 100% of the half-speed mastered records!)

This is a case where, to get the ultimate sound, you not only need two copies, you need two copies made in different countries!

Not Breaking Up Is Hard To Do

The organ that opens side two is always going to break up a tiny bit. No ifs, ands, or buts about it. In fact, if it DOESN’T break up for you, I’m going to go out on a limb and say that either your copy or your stereo is too smooth. We played somewhere between two and three dozen copies this week, and you just can’t find a hot copy without at least a hint of distortion on the organ. (more…)