Labels We Love – Chrysalis

Jethro Tull – This Was

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Guaranteed to MURDER any Pink Label Island original you have ever heard – these are the Hot Stampers. 

Folks, this is the best copy we are going to have on the site for a very long time. It took years and hundreds upon hundreds of dollars to get this shootout going and this killer copy is the result. (more…)

Blondie – Eat To The Beat

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  • Incredible sound for the band’s followup to Parallel Lines with both sides of this 2-pack earning a Triple Plus (A+++) or close to it!
  • Turn it up as loud as you want – the top end and vocals are balanced, smooth and tonally correct, not gritty or edgy 
  • The drums and bass of Die Young Stay Pretty are as real sounding as if you were standing five feet from the band
  • 4 1/2 stars: “The British… made Eat to the Beat another chart-topper, with three major hits, including a number one ranking for Atomic and almost the same success for Dreaming 

Our 2-pack sets combine two copies of the same album, with at least a Super Hot Stamper sonic grade on the better of each “good” side, which simply means you have before you a pair of records that offers superb sound for the entire album. (more…)

Genesis – Abacab

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  • Excellent sound throughout with both sides of this vintage UK pressing earning solid Double Plus (A++) grades or better
  • Forget the thin sounding domestic pressings – these British sides are rich, full-bodied and spacious with real bottom end weight
  • 4 1/2 stars: “Abacab was where this new incarnation of the band came into its own. Working with producer Hugh Padgham, the group escalated the innovations of Duke, increasing the pop hooks, working them seamlessly into the artiest rock here… as bright, bold, and jagged as the modernist artwork on the cover.”

know of. Tons of bass too. We also quite like the big drums and meaty guitars he was able to bring to XTC’s English Settlement (a record we just never see anymore; wonder where they all went?). (more…)

Peter Gabriel – Peter Gabriel (3rd)

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

A+++ MASTER TAPE SOUND ON BOTH SIDES! This smokin’ hot British pressing just couldn’t be beat in our huge (and very enjoyable) shootout. The sound on this bad boy positively JUMPS out of the speakers and fills the room! Both sides are incredibly big and bold with superb clarity, amazing transparency, considerable dynamics and loads of energy. The sound is ridiculously full-bodied with texture and weight to all the various elements. If you’re a fan of this album, widely regarded as Gabriel’s masterpiece, your mind is going to be BLOWN.  (more…)

Peter Gabriel – Peter Gabriel (2nd)

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A distinguished member of the Better Records Rock and Pop Hall of Fame and a Forgotten Classic from Peter Gabriel. 

This British Charisma Pink Label original has As Good As It Gets (AGAIG) White Hot Stamper sound for side one! And mostly quiet vinyl on both sides. Man, does it ever ROCK. The sound just jumps out of the speakers. 

The overall sound is rich, warm, and full-bodied with incredibly punchy drums. We just could not believe how right this copy sounded — we rated it A+++ for its tonally correct, super-low distortion Master Tape Sound. (more…)

Genesis – Trespass

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  • Only the second Shootout Winning copy to ever hit the site and boy is it KILLER! Triple Plus (A+++) sound on both sides 
  • About as quiet as these British copies come – Mint Minus Minus throughout
  • “… “tasteful, subtle and refined” – Melody Maker

This original pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds. (more…)

Steeleye Span – Commoners Crown – We Love Dynamic Choruses, and These Are Amazing!

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Yet another in the long list of recordings that really comes alive when you Turn Up Your Volume.

This is one of the rare pop/rock albums that actually has actual, measurable, serious dynamic contrasts in its levels as it moves from the verses to the choruses of many songs . The second track on side two, Demon Lover, is a perfect example. Not only are the choruses noticeably louder than the verses, but later on in the song the choruses get REALLY LOUD, louder than the choruses of 99 out of 100 rock/pop records we audition. It sometimes takes a record like this to open your ears to how compressed practically everything else you own is. (more…)

Blondie – Eat To The Beat

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  • Incredible sound for this followup to Parallel Lines with both sides earning a Triple Plus (A+++)!
  • Turn it up as loud as you want – the top end and vocals are balanced, smooth and tonally correct, not gritty or edgy
  • The drums and bass of Die Young Stay Pretty are as real sounding as if you were standing five feet from the band
  • 4 1/2 stars on Allmusic:The British… made Eat to the Beat another chart-topper, with three major hits, including a number one ranking for Atomic and almost the same success for Dreaming.

This is Mike Chapman’s Big Beat Sonic Masterpiece — yes, bigger and better than Parallel Lines — akin to the debuts of The Knack and The Cars, and every bit as huge and punchy as either.

Eat to the Beat lives and dies by its energy, its bass and above all by its transient snap. The drums and bass of Die Young Stay Pretty are as real sounding as if you were standing five feet in front of a the band. On the best copies it’s hard to imagine that song sounding any better. The drum and bass are massive in their attack. It’s the very definition of punch. (more…)

Genesis – Foxtrot

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  • This early Peter-Gabriel-led Genesis album from 1972 boasts killer Triple Plus (A+++) sound from start to finish
  • One of the toughest in the catalog to find with good sound and quiet surfaces – you need the right UK pressing to even be in the ballpark – but this copy delivers the proggy goods like gangbusters
  • 5 stars: “Foxtrot is where Genesis began to pull all of its varied inspirations into a cohesive sound – which doesn’t necessarily mean that the album is streamlined, for this is a group that always was grandiose even when they were cohesive, or even when they rocked, which they truly do for the first time here. This is the rare art-rock album that excels at both the art and the rock, and it’s a pinnacle of the genre because of it.”

This vintage British pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds. (more…)

Robin Trower – Bridge of Sighs on Awesome UK Vinyl

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  • Two outstanding sides rating Double to Triple Plus (A++ to A+++) for sound, coming in just behind our shootout winner – quiet vinyl too
  • This glorious early UK pressing is huge, rich and punchy, with guitar solos that soar like few others you’ve heard
  • Brilliant engineering by Geoff Emerick at George Martin’s AIR studios – maybe the best sounding album Emerick ever made
  • Top 100 (soon), AMG: “Guitarist Robin Trower’s watershed sophomore solo disc remains his most stunning, representative, and consistent collection of tunes. Mixing obvious Hendrix influences with blues and psychedelia, then adding the immensely soulful vocals of James Dewar, Trower pushed the often limited boundaries of the power trio concept into refreshing new waters…”

We’ve been wandering around in the dark for more than a decade with Bridge of Sighs — that is, until we found a clean early UK Chrysalis pressing. Now we know just how good this album can sound, and that means astonishingly good. The three-dimensional space is really something else on the better UK copies. (more…)