Labels We Love – Charisma

Genesis – Selling England By The Pound – Our Shootout Winner from 2012

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

TWO EXCELLENT SIDES on this Charisma Import pressing! This is only the second Hot Stamper copy of Selling England By The Pound to EVER hit our site, and with both sides rating at least A++, it’s a monster! It’s beyond difficult to find good sounding copies of the early Genesis albums, but we managed to pull together enough clean copies to get this shootout going and eventually found a few copies that got the job done. The overall sound is big, open, transparent and tubey.   

Anyone who has tried to find good sounding copies of this album knows what a tough task it is. We’ve tried to do this shootout numerous times in the past five years and until this week had only come up with one great copy to show for it. Most of them that we’ve played are just too thin and/or lifeless to let this big production prog work its magic. The domestic copies we’ve heard have been uniformly hopeless, but most Import copies we’ve played haven’t been worth getting excited about either. (more…)

The Kinks – Sleepwalker

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Sleepwalker

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  • A superb copy of the Kinks triumphant return to the charts, with Nearly Triple Plus (A++ to A+++) sound on side two and a solid Double Plus (A++) side one
  • It’s the first copy to hit the site in a year, and it plays on relatively quiet vinyl, Mint Minus to Mint Minus Minus throughout 
  • The sound is full-bodied, lively and smooth – RL’s mastering contributes the big bottom end you want for this music
  • Juke Box Music represents Ray Davies’ fun and engaging pop sensibilities at their best
  • Rolling Stone raved that “The Kinks’ playing on Sleepwalker is easily their most powerful since ‘Lola.'”

We really enjoy the music of The Kinks here at Better Records, but most of the time the sound of their records is too mediocre (or worse) for serious audiophile listening. I love You Really Got Me as much as the next guy, but it’s insanely tough to find killer copies of old records like that. (Every now and then we manage, but regular visitors to the site know how infrequent that is.) (more…)

Peter Gabriel – Peter Gabriel

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More Peter Gabriel – Peter Gabriel

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Unlike any that follow, the sound varies greatly from track to track on the first PG album, as does the music. You know you have a good copy when the best sounding tracks sound their best. That may seem like a tautology but is in fact the only way to judge a side when the songs sound this different from one another.  

On side one the fourth track, Excuse Me, with its barbershop quartet harmonies, has potentially Demo Disc Quality Sound.

On side two of the best copies Waiting for the Big One will indeed be big, as well as powerful and above all dynamic.

Tubey Magical Richness and breathy vocals are the hallmarks of a good British PG 1. (more…)

Genesis – Trespass

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  • Only the second Shootout Winning copy to ever hit the site and boy is it KILLER! Triple Plus (A+++) sound on both sides 
  • About as quiet as these British copies come – Mint Minus Minus throughout
  • “… “tasteful, subtle and refined” – Melody Maker

This original pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Genesis – Foxtrot

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  • This early Peter-Gabriel-led Genesis album from 1972 boasts killer Triple Plus (A+++) sound from start to finish
  • One of the toughest in the catalog to find with good sound and quiet surfaces – you need the right UK pressing to even be in the ballpark – but this copy delivers the proggy goods like gangbusters
  • 5 stars: “Foxtrot is where Genesis began to pull all of its varied inspirations into a cohesive sound – which doesn’t necessarily mean that the album is streamlined, for this is a group that always was grandiose even when they were cohesive, or even when they rocked, which they truly do for the first time here. This is the rare art-rock album that excels at both the art and the rock, and it’s a pinnacle of the genre because of it.”

This vintage British pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds. (more…)

Peter Gabriel Names a Third Record After Himself

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  • An excellent pressing of Peter Gabriel’s third release, with strong Double Plus (A++) grades on both sides
  • A Must Own for Gabriel fans, this album is widely considered his breakthrough work as a solo artist
  • Listen closely and you’ll recognize Phil Collins’ signature drum sound on several of the tracks, including “Intruder”
  • 5 stars: “Generally regarded as Peter Gabriel’s finest record, his third eponymous album finds him coming into his own, crafting an album that’s artier, stronger, more song oriented than before.”

With this, his third release, Gabriel established himself as a true force in the rock world. (more…)

Peter Gabriel – This Is Our Favorite of His First Four Releases




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  • A KILLER shootout winning UK copy with Triple Plus (A+++) sound on both sides, on quiet vinyl too
  • The overall sound here is incredibly big and full, with punchy bass and energy that’s off the charts
  • Probably his most consistent recording, with the estimable Robert Fripp on guitar – some of his most innovative mainstream music
  • A 4 1/2 star: “…stunning slices of modern rock circa 1978, bubbling with synths, insistent rhythms, and polished processed guitars, all enclosed in a streamlined production that nevertheless sounds as large as a stadium.”

See all of our Peter Gabriel albums in stock

This is one of our favorite Peter Gabriel albums around here, and may well be the best recording he ever made. The typical copy, though, barely hints at just how good this album can sound. Only the best early British pressings have any hope of sounding this good.

Thankfully the second PG album does not suffer from the digital spit, grit and hash of So and Security. It’s arguably his best recording overall with superb dynamics and a clean, punchy rock sound that perfectly fits the music. Some of the cymbal crashes on the hot copies of this album really CRASH.

This is The Peter Gabriel Rock and Roll Album. To my knowledge he never made another. (more…)

Peter Gabriel – The First Album


Our White Hot Shootout Winner for 2018

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  • A stunning sounding copy with shootout winning Triple Plus (A+++) sound from start to finish
  • Killer throughout – bigger, bolder, more bass, more energy and presence, and the list goes on
  • Clearly the hardest of the first five PG records to find with good sound and decent vinyl, which is why these rarely make the site
  • “…much of the record teems with invigorating energy (as on Slowburn, or the orchestral-disco pulse of Down the Dolce Vita), and the closer “Here Comes the Flood” burns with an anthemic intensity that would later become his signature in the ’80s.”

See all of our Peter Gabriel albums in stock

Tubey Magical Richness and breathy vocals are the hallmarks of a good British PG 1.

Unlike any that follow, the sound varies greatly from track to track on the first PG album, as does the music. You know you have a good copy when the best sounding tracks sound their best. That may seem like a tautology but is in fact the only way to judge a side when the songs sound this different from one another.

What to Listen For (WTLF)

On side one the fourth track, Excuse Me, with its barbershop quartet harmonies, has (potentially — it depends on how good your copy is) Demo Disc Quality Sound.

On side two of the best copies Waiting for the Big One will indeed be big, as well as powerful and above all dynamic.

(more…)