Labels We Love – Capricorn

Jonathan Edwards – Jonathan Edwards

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  • Incredible sound for this pink label Capricorn pressing with Shootout Winning Triple Plus (A+++) sound on the first side and solid Double Plus (A++) sound on the second
  • Both sides are killer — clean, clear, full-bodied and present with a huge bottom end
  • A 4 1/12 star album in the All Music Guide — :His brand of homespun tunes were perfectly matched to his emotive and soaring tenor… The acoustic and optimistic “Sunshine” struck a chord with listeners in the fall of 1971, climbing all the way to a lofty number four on the Pop Singles survey before ultimately becoming a staple of oldies radio…”
  • For folky, acoustic guitar pop (James Taylor-Cat Stevens), this record has the sound and music you want 

TWO KILLER SIDES for this underappreciated gem! This is a longtime Better Records favorite for both music and sound. It’s not one of the more popular titles we do our unique shootouts for; to be sure, few records can compete with Classic Albums the likes of Abbey Road or Dark Side of the Moon, our bread and butter. 

But for those of you who love folky, acoustic guitar pop along the lines of early James Taylor and Cat Stevens, this record delivers (on the better copies) spectacular sound and excellent music throughout. (more…)

The Allman Brothers … At Fillmore East

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A distinguished member of the Better Records Rock and Pop Hall of Fame

There was a time when we never dreamed we’d find a copy of this hard rockin’ live album with SUPERB SOUND and QUIET VINYL on all four sides, but we got a hold of a seriously hot one here! This is one of the all-time great live albums, and with a copy like this one YOU ARE THERE at the Fillmore!

Side One

A+++, huge and lively with real rock energy! The guitars really jump out of the speakers here and the bass is solid and full. When the music sounds this good, with this kind of rich, musical tonality and big, open soundstage, it just WORKS. A+++, White Hot Stamper material all the way! (more…)

The Allman Brothers – Brothers and Sisters

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Brothers and Sisters

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A distinguished member of the Better Records Rock and Pop Hall of Fame

A+++ sound on side one! It’s bigger, punchier and livelier with more texture to the instruments than any other copy we played. Finding great sound for this album is no mean feat. This one is definitely not a Demo Disc — no copy will truly be — but it’s a BIG step up from most of the copies we played. I don’t think you could find better sound for the first side no matter what you did!

One important note: it’s pretty clear that Ramblin’ Man and Jessica were not cut from the real master tapes. We’ve talked about this issue before; there are many instances where the master tapes were used to cut the singles and then dubs were used for those tracks on the albums. (It’s why the versions of the songs on The Best Of Traffic sound so much better than they do on the regular albums, for example.)

Those Harmonizing Guitars

One of the keys to the Allman’s sound is obviously the guitars and the way they blend with one another. The typical copies tend to be dry, congested, and grainy, which hurts the effect of two soaring, harmonizing leads. When you get a copy with smoother, more tubey magical, more open sound, you really understand what the band was going for. It’s a great sound, and no one ever did it better than these guys. (more…)

What to Listen For on Eat a Peach

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EAT A PEACH

What do high grades give you for this album? Unbelievably Tubey Magical guitars, huge whomp factor on the bottom end, incredible dynamics and life, shocking transparency and clarity, and the kind of immediacy that puts these crazy southern rockers right in your very own living room. The overall sound is impressively BIG, BOLD, and POWERFUL!

This and Live At Fillmore East are the two monumental albums these guys ever put out, and they have a lot in common. You know what you’re gonna get with the Allmans: dueling electric guitars, sweet acoustic guitars, energetic drumming, and full-bodied vocals throughout. There’s obviously a lot of exploration — two complete sides are dedicated to the song Mountain Jam — but the heartfelt radio-friendly songs such as Melissa and Little Martha keep up the energy and provide maximum enjoyment factor.

The Three Keys: Transparency, Energy, and WHOMP

A great copy like this one really lets everything that’s great about this music come through. You can easily pick out each of the musicians and follow their contributions over the course of the songs. The huge WHOMP factor throughout kicks up the excitement factor and sets the foundation for the extended guitar jams to work their Southern bluesy magic. The top end extends beautifully to bring out all the ambience and spaciousness of the Fillmore. (more…)

Letter of the Week – … At Fillmore East

… At Fillmore East

One of our good customers had this to say about some Hot Stampers he purchased recently: 

Hey Tom,  

Oh. My. God.

Apologies for sounding like a 13-year-old girl at a Justin Bieber concert, but … screw it, that’s the way I feel. I’ve just finished sides one and four of the Allman’s “Live at Fillmore East,” and I am in awe. I have never never NEVER heard this album sound so good, and I’ve been listening to it for almost 40 years, in every format one can.

It’s not just the drums (and cymbals!), it’s the whole thing. It’s energetic, the bass is powerful yet refined, the soundstage is HUGE, and it’s got more air than any live rock recording I’ve ever heard. 

You’ve outdone yourselves on this one, gentlemen. Well worth my $500, and probably a steal at twice the price … but don’t get any ideas!

Keep it up, and thanks,

Bill

Gregg Allman – Laid Back

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A distinguished member of the Better Records Rock and Pop Hall of Fame

We were surprised at how well recorded the album is, dramatically better than the Allmans’ album from the same year, Brothers and Sisters. Full-bodied and Tubey Magical, with especially smooth, present vocals, this is the sound we love at Better Records.

AMG Review

Recorded in the same year as the Brothers and Sisters album, this solo debut release is a beautiful amalgam of R&B, folk, and gospel sounds, with the best singing on any of Gregg Allman’s solo releases. He covers his own “Midnight Rider” in a more mournful, dirge-like manner, and Jackson Browne’s “These Days” gets its most touching and tragic-sounding rendition as well. Although Chuck Leavell and Jaimoe are here, there’s very little that sounds like the Allman Brothers Band — prominent guitars, apart from a few licks by Tommy Talton (Cowboy, ex-We the People), are overlooked in favor of gospel-tinged organ and choruses behind Allman’s soulful singing. (more…)

The Allman Brothers – … At Fillmore East

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  • A big, hard-rockin’ copy with STUNNING Triple Plus (A+++) sound on side one and three other sides that rate a Double Plus (A++) or better 
  • This is one of the all-time great live albums, and with a copy like this one YOU ARE THERE at the Fillmore
  • The WHOMP factor here kicks up the excitement – here is the low end foundation that lets the extended guitar jams work
  • 5 stars: “At Fillmore East is like a great live jazz session, where the pleasure comes from the musicians’ interaction and playing… The pinnacle of the Allmans and Southern rock at its most elastic, bluesy, and jazzy.”

This is one of the all-time great live albums, and with a copy like this one you are there at the Fillmore. (more…)