This is a very nice looking original Capitol Grey/Black Label LP. As for sonics, the record starts off a little problematically but things really start cookin’ by track two when the sound becomes sweet and warm. By the way, this Capitol Label was only used from 1956 until 1957. This record plays Mint Minus Minus about as quiet as any early Capitol pressing you’re likely to ever hear.
The record was number one in the UK for 7 straight weeks!(more…)
An outstanding copy of Seger’s 1978 release with solid Double Plus (A++) sound or close to it on both sides
One of the few Bob Seger recordings capable of audiophile quality sound – this pressing is big, full and Tubey Magical (for 1978) with plenty of rock and roll energy
If you own a radio you know Stranger In Town – more than half of it still gets played on the radio to this day
4 1/2 stars: “…it’s as lively as Night Moves, rocking even harder in some places and being equally as introspective in the acoustic numbers. If it doesn’t feel as revelatory as that record, in many ways it does feel like a stronger set of songs.”
Vintage covers for this album are hard to find in clean shape. Most of them will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG, and it will probably be VG+. If you are picky about your covers please let us know in advance so that we can be sure we have a nice cover for you.
Stranger In Town and Night Moves are clearly the two Must Own albums for Bob Seger fans, and with sound this good we would count ourselves among those who find his music interesting and compelling. (“Main Street” on Night Moves is one of the best radio-friendly pop songs ever recorded.)
Both these sides had the energy and rock solid weight we were looking for on this Classic Rock Album from 1978. If you own a radio you know Stranger In Town, because more than half the tracks got plenty of airplay, including:
Hollywood Nights Still The Same Old Time Rock & Roll Feel Like A Number
and that monster power ballad, complete with strings (!):
A distinguished member of the Better Records Rock and Pop Hall of Fame.
It’s been a long time coming but we’re pretty sure whoever takes this bad boy home will agree that it’s been worth the wait. Here’s the first White Hot Stamper of The Chairman’s classic Nice ‘n’ Easy to ever hit the site! This killer pressing has an A+++ side one, an A++ side two, and unusually quiet vinyl throughout. Take this one home and play it against the MoFi pressing for a good laugh — this thing will positively SMOKE whatever other version you might have in your collection, guaranteed.
Definitely one of the most fun Sinatra albums, especially when it sounds like this!
It’s tough to find great sound for this album — most copies are pretty mediocre and the MoFi is godawful. That piece of garbage gets Frank’s voice completely wrong, thinning it out and boosting it at the top of his range. No one else besides MoFi ever managed to make Frank Sinatra’s voice sound this way, so what are the chances that they’re right and everybody else is wrong?(more…)
A distinguished member of the Better Records Rock and Pop Hall of Fame.
This nice looking Capitol Rainbow Label pressing has SUPERB SINATRA SOUND! His voice is PERFECTION. Rich, sweet, and completely free of phony EQ (Mobile Fidelity take note!), this record will put a living, breathing Sinatra between your speakers. Normally I’m not a big fan of these slower, ballady Sinatra records, but he’s so good here, it’s difficult to find fault with music and sound like this.(more…)
With Shootout Winning Triple Plus (A+++) grades or close to them, this copy was giving us KILLER sound for Linda Ronstadt’s Best Album
Both sides here are rich, full-bodied and warm, with harmonically rich guitars and real immediacy to Linda’s heartfelt vocals
A Must Own Classic, the best album Ms Ronstadt ever made, and a True Country Rock Masterpiece virtually without peer
5 stars: “What really makes HLAW a breakthrough is the inventive arrangements that producer Peter Asher, Ronstadt, and the studio musicians have developed. …[they] help turn Heart Like a Wheel into a veritable catalog of Californian soft rock, and it stands as a landmark of ’70s mainstream pop/rock.”
I’ve been playing HLAW since the year it came out, roughly 46 years by my calculation, and I can tell you it is no easy task to find this kind of smooth, sweet, analog sound on the album. Folks, we heard it for ourselves: the Heart Like A Wheel magic is here on practically every song.
Pay special attention to Andrew Gold’s Abbey Road-ish guitars heard throughout the album. He is all over this record, playing piano, guitar, percussion and singing in the background. If anybody deserves credit besides Linda for the success of HLAW, it’s Andrew Gold.
A key test on either side was to listen to all the multi-tracked guitars and see how easy it was to separate each of them out in the mix. Most of the time they are just one big jangly blur. The best copies let you hear how many guitars there are and what each of them is doing.(more…)
An insanely good pressing with Shootout Winning Triple Plus (A+++) sound or close to it from the first note to the last – exceptionally quiet vinyl too
These sides are rich and full-bodied with a nice extended top end and tight, note-like bass – Have A Heart is a Demo Quality track
Some of the sweetest, richest, most ANALOG sound we’ve heard from any record Don Was produced
4 1/2 stars: “Producer Don Was used Raitt’s classic early-’70s records as a blueprint, choosing to update the sound with a smooth, professional production and a batch of excellent contemporary songs. In this context, Raitt flourishes; she never rocks too hard, but there is grit to her singing and playing, even when the surfaces are clean and inviting. A great comeback album that made for a great story.”
A KILLER vintage pressing with Shootout Winning Triple Plus (A+++) sound throughout for Bob Seger’s breakthrough album (the 8th time’s the charm)
A big step up over every other copy we heard – richer, fuller, more dynamic, more lively and just plain more fun
Knock the album if you like, but there’s no denying it’s one of Seger’s best and certainly a ’70s classic – every song’s a hit, and deservedly so
5 stars: “One of the universally acknowledged high points of late-’70s rock & roll. And, because of his passion and craft, it remains a thoroughly terrific record years later.”
It’s not easy to find good pressings of this album — it took us plenty of fruitless shootouts before we figured anything out. Most copies out there are thin and dry, which is no way to hear these classic ’70s tracks. We brought in copy after copy that made us think, “I swear this sounds better on the radio!”
Finally, after pulling together a ton of copies from different eras, we started to realize that there were indeed vinyl pressings of Night Moves that sounded right… but they are few and far between, the exception and not the rule so to speak. This copy is one of the better ones we played in our most recent shootout, no question about it.
Knock this album if you like, but there’s no denying it’s one of Seger’s best and certainly a ’70s classic. It may not have the audiophile appeal of Tea For The Tillerman, but it’s a blast when it sounds this good.(more…)
This Capitol stereo pressing has STUNNING Nearly Triple Plus (A+++) sound throughout – a HUGE step up from most of what we’ve heard
These sides are rich, Tubey Magical, balanced and natural – exceptionally quiet vinyl too, one of the quietest copies we played all day
The tonality of Sinatra’s voice is right on the money, and the brass – so key to these big group sessions – is every bit as good
“Sinatra’s Swingin’ Session is a fast, driving album, the speediest and hardest swing collection Frank Sinatra ever recorded. Sinatra performed the songs twice as fast as was expected; consequently, it’s one of his jazziest swing sets, with the musicians spitting out energetic, forceful solos and providing tough, gutsy support.”
This is one of the more fun Sinatra albums we’ve had the pleasure of playing around here, and this is a copy that delivers big time. Nelson Riddle and his orchestra back Frank with wonderful arrangements, and a copy like this lets you appreciate everyone’s hard work.(more…)