Labels We Love – Capitol

Paul McCartney and Wings – At the Speed of Sound – Our Mindblowing Four Plus Copy

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This is a classic case of Live and Learn. We were wrong about At the Speed of Sound as a recording. As to whether or not there are great sounding pressings of it, having just done a big shootout for the album in 2016 we now know there most certainly are. 

Previously we had written:

I can’t even begin to convey to you what a rough shootout this was. Copy after copy bored us to tears and most of them were too noisy. It was one of those shootouts that almost just defeated us, but we persevered and managed to find a few Hot Stampers. They didn’t do miracles and turn Speed Of Sound into a stunning Demo Disc, but they sounded musical, correct and enjoyable, and that seems to be all you can ask for on this album. 

This is not true. We played a copy that we awarded our very special grade of Four Pluses to (on one side, two sides would be too much to ask for) because it showed us an At the Speed of Sound that we had no idea could possibly exist, this after having played them by the dozens for years.

It was DRAMATICALLY bigger and more transparent, with no sacrifice in richness or smoothness. (more…)

If You Like Power Pop, Get The Knack

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  • The Knack’s debut finally returns to the site and with excellent Double Plus (A++) sound throughout
  • With plenty of bass punch, the music comes to life like you’ve never heard before
  • Wall to Wall Live-in-the-Studio Rock Sound to rival Back in Black and Nevermind
  • 4 1/2 stars: “Get the Knack is at once sleazy, sexist, hook-filled, and endlessly catchy — above all, it’s a guilty pleasure and an exercise in simple fun.”

This Monster Power Pop Debut by the Knack is an AMAZINGLY well-recorded album, with the kind of Wall to Wall Big Beat Live Rock Sound that rivals Back in Black and Nevermind — if you’re lucky enough to have a copy that sounds like this! (If you’re not then it doesn’t.)

This is a Rock Demo Disc that is very likely to lay waste to whatever rock demo disc you currently treasure. My Sharona is simply STUNNING here. You just can’t record drums and bass any better! 

And let’s not forget the song Lucinda. It’s got exactly the same incredibly meaty, grungy, ballsy sound that Back in Black does, but it managed to do it in 1979, a year earlier!

Mike Chapman produced this album and clearly he is an audiophile production genius. With a pair of Number One charting, amazing sounding Pop albums back to back — Blondie’s Parallel Lines in 1978 and this album early the next year — how much better could he get? The answer is: None more better. (more…)

The Beatles – Beatles ’65 – Reversed Polarity

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This is one of the pressings we’ve discovered with Reversed Polarity.

This is a Capitol Records Purple Label LP with THE BEST SOUND I have ever heard for a Capitol Beatles LP (as of 7/5/06). But there’s a catch. It only sounds good if you reverse your absolute phase. If you don’t, or can’t, forget it. 

I wrote the rave review you see below without realizing that I had reversed my headshell leads for the previous record I was playing and had forgotten to change them back. So all the nice things I said about Capitol really aren’t true: they got the phase backwards, which positively ruins the sound unless you can correct for it. I did, and was astonished at how musical the album sounded.

Do you want an AMAZING example of how phase can affect the sound of a recording? Switch back and forth on Honey Don’t, especially if you are the skeptical type like me. You will become a believer on the spot, all doubt forever banished.

I wonder how many other bad Beatle albums are phase reversed? We will report our findings as time goes on so watch for them.

This is what I initially said about the record:

This is a Minty Capitol Purple Label LP with THE BEST SOUND I have ever heard for a Capitol Beatles LP. If more of them sounded like this we wouldn’t have said all those mean and nasty things about Capitol Records for the past forty years. Yes, they still “butchered” For Sale to create this “album”, but that’s not the point. The point is this record sounds like a good Parlophone pressing — rich and sweet, with dead-on tonality. Whatever tapes Capitol may have used had plenty of that famous Beatles Analog Magic in them — you won’t hear any Beatles CDs sound like this, that I can assure you. That sound is gone and it ain’t comin’ back.

The late Capitol mastering here is Right On The Money. I don’t think they ever cut a record better. You can be sure the original Rainbow Label pressings sound as bad as you remember. I have never heard ANY original Capitol pressing that sounded like this — not even close.

The two singles mentioned below both have DREADFUL SOUND, the kind we have come to expect from Capitol. Everything else is wonderful.

“Dave Dexter, Jr. (a name which will live in infamy) “assisted” the Beatles by pulling eight tracks from Beatles for Sale, one from A Hard Day’s Night [I’ll Be Back], and both sides of the latest Beatles single (“I Feel Fine”/”She’s a Woman”) for the creation of this album.” – AMG

June Christy – Gone For The Day – Fifties Capitol Magic

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Side two of this White Hot Stamper June Christy record on the original Capitol Turquoise label is AMAZING, both musically and sonically. It has all the TUBEY MAGIC we know these old records are famous for, but this copy gives you something you may never have heard on a vintage pressing before: real frequency EXTENSION, both high and low. Who knew an old record could have extended highs like these and such deep bass?

I can honestly say I have never heard any June Christy record sound as good as this copy does. (more…)

Lou Rawls – Live! – His Masterpiece

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  • Excellent Double Plus (A++) grades, or close to it, grace both sides of this Lous Rawls masterpiece 
  • A recent addition to our Top 100, Lou Rawls Live! is an outstanding recording that really comes to life on this original pressing
  • The songs are fantastic, the musicians are brilliant, the sound is amazing — Stormy Monday & Tobacco Road are highlights of the set
  • 4 Stars: “Lou Rawls gives a riveting performance on Live!, covering standards from Basie/Rushing’s tambourine-jumpin’ ‘Goin’ to Chicago’ to T-Bone Walker’s foot-stompin’ ‘Stormy Monday,’ and whole lot in between.”

What an album! For live soul-infused vocals, we know of none better.

Lou is live, singing his heart out in a small club that exists between, behind and maybe even around your speakers. If you can reproduce the three-dimensional space of this club you are in for a real treat. (more…)

Frank Sinatra – Come Swing With Me!


Our White Hot Shootout Winner for 2018

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  • This 1961 original Capitol stereo pressing boasts incredible Triple Plus (A+++) sound on the second side and Double Plus (A++) on the first
  • On this early pressing you’ll hear Billy May’s arrangements – just brass, no strings or winds – blasting behind Sinatra like never before
  • This was Sinatra’s final swing session with Capitol and on a pressing as good as this one you can tell he and the band are having a blast
  • Allmusic: “…his intense, speedy energy gives the album an edge that distinguishes the record… it [has] enough genuine gems to make it necessary.”

See all of our Frank Sinatra albums in stock (more…)

Lou Rawls – Carryin’ On!


Our White Hot Shootout Winner for 2018

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  • The first copy to ever hit the site and boy is it a good one! ‘Triple Triple’ (A+++) sound!
  • “The production and arrangements were perfectly tailored to his voice, the songs were good, and Rawls sounded confident, assertive, and soulful.” – All Music

See all of our Lou Rawls albums in stock

Top Quality Soul

What the best sides of this Classic Male Vocal Album have to offer is not hard to hear: (more…)

June Christy – June’s Got Rhythm

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Vocal Classics

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June Christy – June’s Got Rhythm

A distinguished member of the Better Records Rock and Pop Hall of Fame from 1960.

This Super Hot Stamper original stereo Capitol LP from 1958 has SUPERB SOUND on both sides and some of the best June Christy music we’ve ever had the pleasure to play. Just listen to the piano on Gypsy In My Soul; it’s rich, warm and full-bodied. You’ll never hear an RVG recording with a piano that sounds like that. On side two drop the needle on Easy Living to get a taste of some of Capitol’s luscious Tubey Magical midrange.

Musically this album is right up there with the best we know, the creme de la creme of female vocal recordings, albums on the level of Clap Hands and Something Cool and Lady in Satin.

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Backed by an intimate combo of star jazzmen, June swings a set of fresh songs in an eventful album that sings out to the whole world that she has, indeed, got rhythm.

For an album of warm, breathy, intimate female vocals, it really doesn’t get much better than this.

What to Listen For

We had the best luck with copies that were warm and rich yet clear, and not too dry or harsh when June decides to really belt it out. Practically no copies did not have at least some grit, dryness or harshness on June’s vocals at some point. (more…)

Northern Lights, Southern Cross – A Forgotten Classic from The Band

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Rock and Pop Classics

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Northern Lights – Southern Cross

A distinguished member of the Better Records Rock and Pop Hall of Fame and one of their four essential albums (the others being Music from Big Pink, the Self-Titled second and Rock of Ages).

This is the UNDISCOVERED GEM in the Band catalog. Allmusic is right on the money when they call this the best Band album since their self-titled second release. I positively LOVE this music, having practically worn out my copy soon after the album was released in 1975.

More of The Band

This album is a favorite of ours here at Better Records, but it’s beyond difficult to find good-sounding copies. Most are just too flat, dry and grainy to bother with, but we’ve finally managed to unearth a few copies that are capable of doing justice to these great songs. If you’re a fan I wouldn’t wait too long on this one!

Yes, every track is good, something that one cannot say about any other Band release after their classic sophomore effort. What makes the album a Must Own is the song It Makes No Difference. It’s a strong contender for the Best Band Ballad ever written (and takes the prize in my book).

Further Reading

We invite you to check out some of our favorite albums which You May Not Know.

Many of them are also Desert Island Discs for yours truly. A Desert Island Disc is simply a record I would not want to live without. If there are any on the list that you haven’t heard, try giving them a listen. You may be glad you did. (more…)

June Christy – Something Cool

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Rock and Pop Classics

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June Christy – Something Cool

A distinguished member of the Better Records Rock and Pop Hall of Fame.

We are HUGE fans of this album at Better Records, but it’s taken us a long time to pull together enough clean copies to make this shootout happen. Boy, was it worth all the trouble!

The presence and immediacy here are staggering. Get the volume just right and June will be standing between your speakers and putting on the performance of a lifetime. This is one of our three or four favorite female vocal albums (along with Clap Hands, Julie Is her Name and not many others!) and this amazingly good copy will show you why — the sound and music are As Good As It Gets.

More June Christy

This early mono pressing is the only way to find the MIDRANGE MAGIC that’s missing from modern records. As good as the best of those pressings may be, this record is dramatically more REAL sounding.

She’s no longer a recording — she’s a living, breathing person. We call that “the breath of life,” and this record has it in spades. Her voice is so rich, sweet, and free of artificiality you cannot help but find yourself lost in the music, because there’s no “sound” to distract you.

Both sides of this 1955 All Tube Recorded and Mastered record are just as rich and relaxed as you would expect. The balance is correct, which means the top is there as well as the bottom, with good vocal presence throughout. (more…)