This Bay Area Hippie Folk Rock has a lot in common with The Grateful Dead circa Workingman’s Dead and American Beauty (the latter recorded by the same engineer, Stephen Barncard), and like those superbly well-recorded albums, it lives or dies by the reproduction of its acoustic guitars and vocal harmonies.
Analog richness, sweetness and Tubey Magic are elements absolutely indispensable to the sound of these recordings. Without them you might as well be playing a CD. (Some of the reissue pressings actually do sound like CDs and are not part of the shootouts for this album anymore. Who wants a record that sounds like a CD? They may be pressed on vinyl but they’re no less an embarrassment to analog for it. As you can imagine we feel the same way about most of the Heavy Vinyl records being made today. They’re just embarrassing.) (more…)
Great sound for some the biggest hits of The Lovin’ Spoonful, a band I wouldn’t have expected to hear sound good on vinyl if I lived to be a hundred, and yet, here it is. This is one of the rare cases where, in our experience, the hits compilation sounds BETTER than the original records. Why? Who knows? We don’t pretend to have all the answers. What we do have (that no one else has, if that’s not too obvious) are the records that back up the claims we make for them.
How they came to be that way is anyone’s guess. All we know for sure is that, judging by the best copies of this album, somebody got hold of some awfully good tapes and somebody mastered them with uncanny skill to what sounds to these ears like near perfection.(more…)