Labels We Love – Blue Horizon

Fleetwood Mac – Peter Green’s Fleetwood Mac

More Fleetwood Mac

More Peter Green’s Fleetwood Mac

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

We won’t be surprised if you don’t have this one in your collection. Let’s face it, who in his right mind would keep throwing good money after bad, buying up one bad sounding copy after another in the hopes that someday one of them would sound good?

We would! Why shouldn’t we? We get paid good money to do that kind of dirty work, and beyond the money, we get the THRILL of being the first to play these wonderful records, full of the music we love. (Not too many Hot Stamper shootouts get done for bands and albums we don’t like. Who could get motivated enough to sit through copy after copy of some Audiophile Bullshit LP?) 

Here’s a record that we almost never have on the site — a stunning White Hot Stamper copy of Peter Green’s Fleetwood Mac — some of the hardest hitting Blues Rock ever made or ever to be made!

We Love the Early Fleetwood Mac

This is the band back in the day when they were playing their unique brand of Blues Rock, with Peter Green leading the band, about as far from Rumours as you can get. If you like British Blues Rock, I don’t think any other band can hold a candle to the Mac back then. Clapton may have been considered a god but I think Green is the better guitar player.

AGAIG Sound

Side two is As Good As It Gets — Triple Plus (A+++). The pluck of the guitar transients aren’t smeary and dull for once. There’s real extension up top, a big help to the cymbals, and the voice sounds tonally correct with just the right presence, placing Green front and center but still keeping the band in the mix. Like a good vintage Brit record, the sound is smooth, rich and full. This is ANALOG baby; they don’t make ’em like this anymore because they don’t know how. (more…)

Fleetwood Mac – The Pious Bird Of Good Omen

More Fleetwood Mac

More the Pious Bird Of Good Omen

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

If you’re a fan of Peter Green era Fleetwood Mac — and who in his right mind wouldn’t be — then you can’t go wrong with this record. Need Your Love So Bad, Albratross and Black Magic Woman are all featured here.

Speaking of Black Magic Woman, the best copies of Pious Bird reproduce the bass-heavy drumming on that track much better than the Greatest Hits album we also recommend. It’s very unlikely that you can find better sound for that classic than right here on this very copy.

Side One

White Hot shootout winning sound. Big and rich, with correct tonality, this is the way early Fleetwood Mac is supposed to sound. No smear at all, which is rare on these pressings.

Side Two

Nearly as good, with rich vocals and plenty of punchy energy to drive the music. Good space too. (more…)

Fleetwood Mac – Peter Green’s Fleetwood Mac

More Fleetwood Mac

Peter Green’s Fleetwood Mac

xxxxx

  • Dramatically more impressive than any other copy we played – Triple Plus (A+++) throughout – exceptionally quiet vinyl too
  • The size, clarity, presence and energy are off the charts – and talk about Tubey Magic, this pressing is overflowing with it
  • The Mac’s debut is an extraordinary collection of Guitar-Based British Blues and an album that’s rarely on the site with sound this good and surfaces this clean
  • 4 1/2 stars: “Fleetwood Mac’s debut LP was a highlight of the late-’60s British blues boom. Green’s always inspired playing, the capable (if erratic) songwriting, and the general panache of the band as a whole placed them leagues above the overcrowded field…”

This is the band back in the day when they were playing their unique brand of Blues Rock, with Peter Green leading the band, about as far from Rumours as you can get. If you like British Blues Rock, I don’t think any other band can hold a candle to the Mac back then. Clapton may have been considered a god but I think Green is the better guitar player. 

The pluck of the guitar transients aren’t smeary and dull for once. There’s real extension up top, a big help to the cymbals, and the vocals sound tonally correct with just the right presence, placing Green front and center but still keeping the band in the mix. Like a good vintage Brit record, the sound is smooth, rich and full.

This is ANALOG, baby. They don’t make ’em like this anymore because they don’t know how. (more…)